Donatello, Ornamental Plaque, Italian, c. 1386 - 1466, gilt bronze Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-donatello-ornamental-plaque-italian-c-1386-1466-gilt-bronze-77362380.html
RMEDT4E4–Donatello, Ornamental Plaque, Italian, c. 1386 - 1466, gilt bronze
Donatello, Ornamental Plaque, Italian, c. 1386 - 1466, gilt bronze Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-donatello-ornamental-plaque-italian-c-1386-1466-gilt-bronze-123325362.html
RMH4HXN6–Donatello, Ornamental Plaque, Italian, c. 1386 - 1466, gilt bronze
Follower of Donatello, Madonna and Child within an Arch, mid 15th century, gilt bronze Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-follower-of-donatello-madonna-and-child-within-an-arch-mid-15th-century-123325816.html
RMH4HY9C–Follower of Donatello, Madonna and Child within an Arch, mid 15th century, gilt bronze
Follower of Donatello, Madonna and Child within an Arch, mid 15th century, gilt bronze Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-follower-of-donatello-madonna-and-child-within-an-arch-mid-15th-century-77439580.html
RMEDYJY8–Follower of Donatello, Madonna and Child within an Arch, mid 15th century, gilt bronze
Ferdinand Gaillard after Donatello (French, 1834-1887), Gattamelata, engraving on gray India paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-ferdinand-gaillard-after-donatello-french-1834-1887-gattamelata-engraving-77357632.html
RMEDRXCG–Ferdinand Gaillard after Donatello (French, 1834-1887), Gattamelata, engraving on gray India paper
Ferdinand Gaillard, (artist), French, 1834 - 1887, Donatello, (artist after), Florentine, c. 1386 - 1466, Gattamelata, engraving on Chinese paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ferdinand-gaillard-artist-french-1834-1887-donatello-artist-after-florentine-c-1386-1466-gattamelata-engraving-on-chinese-paper-image386202837.html
RM2DC91JD–Ferdinand Gaillard, (artist), French, 1834 - 1887, Donatello, (artist after), Florentine, c. 1386 - 1466, Gattamelata, engraving on Chinese paper
Maria with child, type 'Madonna dei pazzi', tondo, Donatello, 1386 - 1466, stucco, d 70 cm × d 103 cm × t 11 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maria-with-child-type-madonna-dei-pazzi-tondo-donatello-1386-1466-stucco-d-70-cm-d-103-cm-t-11-cm-image261361713.html
RMW561EW–Maria with child, type 'Madonna dei pazzi', tondo, Donatello, 1386 - 1466, stucco, d 70 cm × d 103 cm × t 11 cm
Virgin and Child, c. 1440. Circle of Donatello (Italian, c. 1386-1466). Bronze with traces of gilding; overall: 9.5 x 7.6 cm (3 3/4 x 3 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/virgin-and-child-c-1440-circle-of-donatello-italian-c-1386-1466-bronze-with-traces-of-gilding-overall-95-x-76-cm-3-34-x-3-in-image240459409.html
RMRY5TC1–Virgin and Child, c. 1440. Circle of Donatello (Italian, c. 1386-1466). Bronze with traces of gilding; overall: 9.5 x 7.6 cm (3 3/4 x 3 in
John Russell Pope, (artist), American, 1874 - 1937, Il Marzocco, Donatello, Architectural Studies, (series), c. 1896, graphite, overall: 48.3 x 33.1 cm (19 x 13 1/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-russell-pope-artist-american-1874-1937-il-marzocco-donatello-architectural-studies-series-c-1896-graphite-overall-483-x-331-cm-19-x-13-116-in-image386345754.html
RM2DCFFXJ–John Russell Pope, (artist), American, 1874 - 1937, Il Marzocco, Donatello, Architectural Studies, (series), c. 1896, graphite, overall: 48.3 x 33.1 cm (19 x 13 1/16 in
The Nativity, c. 1465, Donatello, Circle of, Italian, 1386/7-1466, Italy, Stucco and polychrome, 72.4 × 78.7 × 12.1 cm (28 1/2 × 31 × 4 3/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-nativity-c-1465-donatello-circle-of-italian-13867-1466-italy-stucco-and-polychrome-724-787-121-cm-28-12-31-4-34-in-image328638271.html
RM2A2JND3–The Nativity, c. 1465, Donatello, Circle of, Italian, 1386/7-1466, Italy, Stucco and polychrome, 72.4 × 78.7 × 12.1 cm (28 1/2 × 31 × 4 3/4 in
John the Baptist, John the Baptist stands on a square pedestal with the right leg slightly forward. He is wearing a camel-hair rug, over which is a cloak., Donatello (manner of), West-Europa, in or before 1908, bronze (metal), founding, h 18 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-the-baptist-john-the-baptist-stands-on-a-square-pedestal-with-the-right-leg-slightly-forward-he-is-wearing-a-camel-hair-rug-over-which-is-a-cloak-donatello-manner-of-west-europa-in-or-before-1908-bronze-metal-founding-h-18-cm-image261362072.html
RMW561YM–John the Baptist, John the Baptist stands on a square pedestal with the right leg slightly forward. He is wearing a camel-hair rug, over which is a cloak., Donatello (manner of), West-Europa, in or before 1908, bronze (metal), founding, h 18 cm
Anonymous Artist, (sculptor), Donatello, (related artist), Florentine, c. 1386 - 1466, Madonna and Child within an Arch, mid 15th century, gilded bronze, overall: 20.35 x 15.31 cm (8 x 6 in.), gross weight: 1334.8 gr (2.943 lb Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anonymous-artist-sculptor-donatello-related-artist-florentine-c-1386-1466-madonna-and-child-within-an-arch-mid-15th-century-gilded-bronze-overall-2035-x-1531-cm-8-x-6-in-gross-weight-13348-gr-2943-lb-image386230417.html
RM2DCA8RD–Anonymous Artist, (sculptor), Donatello, (related artist), Florentine, c. 1386 - 1466, Madonna and Child within an Arch, mid 15th century, gilded bronze, overall: 20.35 x 15.31 cm (8 x 6 in.), gross weight: 1334.8 gr (2.943 lb
Anonymous Artist, (sculptor), Donatello, (related artist), Florentine, c. 1386 - 1466, Madonna and Child between Two Candelabra, bronze, overall: 9.6 x 8.57 cm (3 3/4 x 3 3/8 in.), gross weight: 260.52 gr (0.574 lb Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anonymous-artist-sculptor-donatello-related-artist-florentine-c-1386-1466-madonna-and-child-between-two-candelabra-bronze-overall-96-x-857-cm-3-34-x-3-38-in-gross-weight-26052-gr-0574-lb-image386229775.html
RM2DCA80F–Anonymous Artist, (sculptor), Donatello, (related artist), Florentine, c. 1386 - 1466, Madonna and Child between Two Candelabra, bronze, overall: 9.6 x 8.57 cm (3 3/4 x 3 3/8 in.), gross weight: 260.52 gr (0.574 lb
Anonymous Artist, (sculptor), Donatello, (artist after), Florentine, c. 1386 - 1466, Madonna and Child with Four Angels, c. 1456, bronze/Dark brown patina, overall (diameter): 22.25 cm (8 3/4 in.), gross weight: 921.9 gr (2.032 lb Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anonymous-artist-sculptor-donatello-artist-after-florentine-c-1386-1466-madonna-and-child-with-four-angels-c-1456-bronzedark-brown-patina-overall-diameter-2225-cm-8-34-in-gross-weight-9219-gr-2032-lb-image386230177.html
RM2DCA8EW–Anonymous Artist, (sculptor), Donatello, (artist after), Florentine, c. 1386 - 1466, Madonna and Child with Four Angels, c. 1456, bronze/Dark brown patina, overall (diameter): 22.25 cm (8 3/4 in.), gross weight: 921.9 gr (2.032 lb
Florentine 15th Century, (sculptor), Sienese 15th Century, (sculptor), Donatello, (related artist), Florentine, c. 1386 - 1466, Fortuna, c. 1450/1475, bronze, overall: 46.5 x 17.7 x 21 cm (18 5/16 x 6 15/16 x 8 1/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/florentine-15th-century-sculptor-sienese-15th-century-sculptor-donatello-related-artist-florentine-c-1386-1466-fortuna-c-14501475-bronze-overall-465-x-177-x-21-cm-18-516-x-6-1516-x-8-14-in-image386188654.html
RM2DC8BFX–Florentine 15th Century, (sculptor), Sienese 15th Century, (sculptor), Donatello, (related artist), Florentine, c. 1386 - 1466, Fortuna, c. 1450/1475, bronze, overall: 46.5 x 17.7 x 21 cm (18 5/16 x 6 15/16 x 8 1/4 in
Donatello: The Head of the Crucified, St. Antonio, Padua, albumin paper, black and white positive process, image size: height: 25.00 cm; width: 18.80 cm, PADOVA - Basilica di S. Antonio. Testa del Crocifisso. (Bronzo di Donatello) Verso round stamp, sculpture, sculpture, sculpture art, Christ on the cross Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/donatello-the-head-of-the-crucified-st-antonio-padua-albumin-paper-black-and-white-positive-process-image-size-height-2500-cm-width-1880-cm-padova-basilica-di-s-antonio-testa-del-crocifisso-bronzo-di-donatello-verso-round-stamp-sculpture-sculpture-sculpture-art-christ-on-the-cross-image392020493.html
RM2DNP23W–Donatello: The Head of the Crucified, St. Antonio, Padua, albumin paper, black and white positive process, image size: height: 25.00 cm; width: 18.80 cm, PADOVA - Basilica di S. Antonio. Testa del Crocifisso. (Bronzo di Donatello) Verso round stamp, sculpture, sculpture, sculpture art, Christ on the cross
Anonymous Artist, (sculptor), Donatello, (artist after), Florentine, c. 1386 - 1466, Madonna and Child before a Niche, mid 15th century, bronze, overall (arched top): 9.97 x 7.85 cm (3 15/16 x 3 1/16 in.), gross weight: 162.1 gr (0.357 lb Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anonymous-artist-sculptor-donatello-artist-after-florentine-c-1386-1466-madonna-and-child-before-a-niche-mid-15th-century-bronze-overall-arched-top-997-x-785-cm-3-1516-x-3-116-in-gross-weight-1621-gr-0357-lb-image386229548.html
RM2DCA7MC–Anonymous Artist, (sculptor), Donatello, (artist after), Florentine, c. 1386 - 1466, Madonna and Child before a Niche, mid 15th century, bronze, overall (arched top): 9.97 x 7.85 cm (3 15/16 x 3 1/16 in.), gross weight: 162.1 gr (0.357 lb
After a model by Donatello, Madonna and Child, Italian, Florence, After a model by Donatello (Italian, Florence ca. 1386–1466 Florence), and made by his Workshop, 15th century or later, after ca. 1450 model, Italian, Florence, Terracotta, polychromed, 29 × 20 1/2 in. (73.7 × 52.1 cm), Sculpture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/after-a-model-by-donatello-madonna-and-child-italian-florence-after-a-model-by-donatello-italian-florence-ca-13861466-florence-and-made-by-his-workshop-15th-century-or-later-after-ca-1450-model-italian-florence-terracotta-polychromed-29-20-12-in-737-521-cm-sculpture-image344637638.html
RM2B0KGR2–After a model by Donatello, Madonna and Child, Italian, Florence, After a model by Donatello (Italian, Florence ca. 1386–1466 Florence), and made by his Workshop, 15th century or later, after ca. 1450 model, Italian, Florence, Terracotta, polychromed, 29 × 20 1/2 in. (73.7 × 52.1 cm), Sculpture
School of Donatello, Madonna and Child, Italian, Padua, School of Donatello (Italian, Florence ca. 1386–1466 Florence), probably second half 15th century, Italian, Padua, Bronze, brown patina, slightly verdigris, traces of gilding, 2 5/8 × 2 7/8 in. (6.7 × 7.3 cm), Medals and Plaquettes Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/school-of-donatello-madonna-and-child-italian-padua-school-of-donatello-italian-florence-ca-13861466-florence-probably-second-half-15th-century-italian-padua-bronze-brown-patina-slightly-verdigris-traces-of-gilding-2-58-2-78-in-67-73-cm-medals-and-plaquettes-image344604424.html
RM2B0J2CT–School of Donatello, Madonna and Child, Italian, Padua, School of Donatello (Italian, Florence ca. 1386–1466 Florence), probably second half 15th century, Italian, Padua, Bronze, brown patina, slightly verdigris, traces of gilding, 2 5/8 × 2 7/8 in. (6.7 × 7.3 cm), Medals and Plaquettes
School of Donatello, Madonna and Child, Italian, School of Donatello (Italian, Florence ca. 1386–1466 Florence), 15th century, Italian, Figures: terracotta, polychromed and gilded; later background: wood, painted to represent brocade; frame: carved and painted, mouldings gilt, Overall: 30 × 20 1/2 in. (76.2 × 52.1 cm), Sculpture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/school-of-donatello-madonna-and-child-italian-school-of-donatello-italian-florence-ca-13861466-florence-15th-century-italian-figures-terracotta-polychromed-and-gilded-later-background-wood-painted-to-represent-brocade-frame-carved-and-painted-mouldings-gilt-overall-30-20-12-in-762-521-cm-sculpture-image344588080.html
RM2B0H9H4–School of Donatello, Madonna and Child, Italian, School of Donatello (Italian, Florence ca. 1386–1466 Florence), 15th century, Italian, Figures: terracotta, polychromed and gilded; later background: wood, painted to represent brocade; frame: carved and painted, mouldings gilt, Overall: 30 × 20 1/2 in. (76.2 × 52.1 cm), Sculpture
Giacomo Brogi, Edizioni Brogi, Firenze - Loggia de'Lanzi. Giuditta ed Oloferne, Donatello, 1445, albumin paper, black and white positive process, sheet size: height: 25.50 cm; width: 20.50 cm, inscribed: recto below: No. 4721, title, Edizioni Brogi, Berichtsende Fotografie, Skulptur, Plastik, Bildhauerkunst, Judith and Holofernes, hist. Building, locality, street Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giacomo-brogi-edizioni-brogi-firenze-loggia-delanzi-giuditta-ed-oloferne-donatello-1445-albumin-paper-black-and-white-positive-process-sheet-size-height-2550-cm-width-2050-cm-inscribed-recto-below-no-4721-title-edizioni-brogi-berichtsende-fotografie-skulptur-plastik-bildhauerkunst-judith-and-holofernes-hist-building-locality-street-image392107919.html
RM2DNX1J7–Giacomo Brogi, Edizioni Brogi, Firenze - Loggia de'Lanzi. Giuditta ed Oloferne, Donatello, 1445, albumin paper, black and white positive process, sheet size: height: 25.50 cm; width: 20.50 cm, inscribed: recto below: No. 4721, title, Edizioni Brogi, Berichtsende Fotografie, Skulptur, Plastik, Bildhauerkunst, Judith and Holofernes, hist. Building, locality, street
After an original by Donatello, Virgin and Child, Italian, probably Verona, After an original by Donatello (Italian, Florence ca. 1386–1466 Florence), mid-15th century, Italian, probably Verona, Stucco and colored glass (in halo), Overall (wt. confirmed): H. 45 x W. 28 in., 113lb. (114.3 x 71.1 cm, 51.2565kg), Sculpture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/after-an-original-by-donatello-virgin-and-child-italian-probably-verona-after-an-original-by-donatello-italian-florence-ca-13861466-florence-mid-15th-century-italian-probably-verona-stucco-and-colored-glass-in-halo-overall-wt-confirmed-h-45-x-w-28-in-113lb-1143-x-711-cm-512565kg-sculpture-image344602544.html
RM2B0J01M–After an original by Donatello, Virgin and Child, Italian, probably Verona, After an original by Donatello (Italian, Florence ca. 1386–1466 Florence), mid-15th century, Italian, probably Verona, Stucco and colored glass (in halo), Overall (wt. confirmed): H. 45 x W. 28 in., 113lb. (114.3 x 71.1 cm, 51.2565kg), Sculpture
After an original by Donatello, Mirror case, British, after Italian original, After an original by Donatello (Italian, Florence ca. 1386–1466 Florence), 19th century, after ca. 1450 original, British, after Italian original, Bronze, inlaid with gold and silver, Overall: 11 × 7 3/4 in. (27.9 × 19.7 cm), Metalwork-Electrotype Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/after-an-original-by-donatello-mirror-case-british-after-italian-original-after-an-original-by-donatello-italian-florence-ca-13861466-florence-19th-century-after-ca-1450-original-british-after-italian-original-bronze-inlaid-with-gold-and-silver-overall-11-7-34-in-279-197-cm-metalwork-electrotype-image344650291.html
RM2B0M4XY–After an original by Donatello, Mirror case, British, after Italian original, After an original by Donatello (Italian, Florence ca. 1386–1466 Florence), 19th century, after ca. 1450 original, British, after Italian original, Bronze, inlaid with gold and silver, Overall: 11 × 7 3/4 in. (27.9 × 19.7 cm), Metalwork-Electrotype
Artist: Donatello (Donato di Niccolò di Betto Bardi), Italian, Florence, 1386/87–1466, Artist: Matteo di Giovanni, Italian, Siena, ca. 1430 –1495/99, Virgin and Child, Polychrome and gilt stucco, unframed: 59.69 × 38.1 cm (23 1/2 × 15 in.), Made in Italy, Italian, 15th century, Sculpture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artist-donatello-donato-di-niccol-di-betto-bardi-italian-florence-1386871466-artist-matteo-di-giovanni-italian-siena-ca-1430-149599-virgin-andchild-polychrome-and-gilt-stucco-unframed-5969-381-cm-23-12-15in-made-in-italy-italian-15thcentury-sculpture-image393065434.html
RM2DRDJY6–Artist: Donatello (Donato di Niccolò di Betto Bardi), Italian, Florence, 1386/87–1466, Artist: Matteo di Giovanni, Italian, Siena, ca. 1430 –1495/99, Virgin and Child, Polychrome and gilt stucco, unframed: 59.69 × 38.1 cm (23 1/2 × 15 in.), Made in Italy, Italian, 15th century, Sculpture
Giacomo Brogi, Edizioni Brogi, Firenze - Sagrestia di S. Lorenzo. Lavabo in marmo di Donatello, albumin paper, black and white positive process, sheet size: height: 25.50 cm; width: 19.50 cm, inscription: recto bottom: No. 8671, title, Edizioni Brogi, photography, church decoration, sculpture, sculpture, sculpture, church building and decoration (sacral building Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giacomo-brogi-edizioni-brogi-firenze-sagrestia-di-s-lorenzo-lavabo-in-marmo-di-donatello-albumin-paper-black-and-white-positive-process-sheet-size-height-2550-cm-width-1950-cm-inscription-recto-bottom-no-8671-title-edizioni-brogi-photography-church-decoration-sculpture-sculpture-sculpture-church-building-and-decoration-sacral-building-image392011749.html
RM2DNNJYH–Giacomo Brogi, Edizioni Brogi, Firenze - Sagrestia di S. Lorenzo. Lavabo in marmo di Donatello, albumin paper, black and white positive process, sheet size: height: 25.50 cm; width: 19.50 cm, inscription: recto bottom: No. 8671, title, Edizioni Brogi, photography, church decoration, sculpture, sculpture, sculpture, church building and decoration (sacral building
Artist, copy after: Donatello (Donato di Niccolò di Betto Bardi), Italian, Florence, 1386/87–1466, Mater Dolorosa, copied from the Lamentation of the San Lorenzo Pulpit, 17th–18th century, Pen and brown ink, over traces of graphite, 29.8 × 20.8 cm (11 3/4 × 8 3/16 in.), Italian, 17th–18th century, Works on Paper - Drawings and Watercolors Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artist-copy-after-donatello-donato-di-niccol-di-betto-bardi-italian-florence-1386871466-mater-dolorosa-copied-from-the-lamentation-of-the-san-lorenzopulpit-17th18thcentury-pen-and-brown-ink-over-traces-of-graphite-298-208-cm-11-34-8-316in-italian-17th18thcentury-works-on-paper-drawings-andwatercolors-image393234651.html
RM2DRNAPK–Artist, copy after: Donatello (Donato di Niccolò di Betto Bardi), Italian, Florence, 1386/87–1466, Mater Dolorosa, copied from the Lamentation of the San Lorenzo Pulpit, 17th–18th century, Pen and brown ink, over traces of graphite, 29.8 × 20.8 cm (11 3/4 × 8 3/16 in.), Italian, 17th–18th century, Works on Paper - Drawings and Watercolors
Medieval Court; Statue of Coleoni; Equestrian Statue of Gattamelata by Donatello, from the Court of Monuments of Christian Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-medieval-court-statue-of-coleoni-equestrian-statue-of-gattamelata-162449858.html
RMKC86CJ–Medieval Court; Statue of Coleoni; Equestrian Statue of Gattamelata by Donatello, from the Court of Monuments of Christian Art
Claude-Ferdinand Gaillard (French, 1834 - 1887) after Donatello (Italian, ca. 1386 - 1466). Gattamelata, 19th century. Engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-claude-ferdinand-gaillard-french-1834-1887-after-donatello-italian-77322855.html
RMEDPA2F–Claude-Ferdinand Gaillard (French, 1834 - 1887) after Donatello (Italian, ca. 1386 - 1466). Gattamelata, 19th century. Engraving
Raphael, Copy from Donatello's 'Miracle of the Miser's Heart' (recto), ca.1505-1520, pen and brown ink on paper, 10 1/16 in. x 8 in. (25.56 cm. x 20.32 cm.), Recognized as one of the most talented artists in history, Raphael honed his skills and trained his assistants through the imitation of established models. Copying was then and still is today a significant part of the formal training of any budding artist and often complements the study of live models. Raphael referenced the work of Donatello (ca. 1386--1466) many times throughout his career. The three figures drawn in this study after a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raphael-copy-from-donatellos-miracle-of-the-misers-heart-recto-ca1505-1520-pen-and-brown-ink-on-paper-10-116-in-x-8-in-2556-cm-x-2032-cm-recognized-as-one-of-the-most-talented-artists-in-history-raphael-honed-his-skills-and-trained-his-assistants-through-the-imitation-of-established-models-copying-was-then-and-still-is-today-a-significant-part-of-the-formal-training-of-any-budding-artist-and-often-complements-the-study-of-live-models-raphael-referenced-the-work-of-donatello-ca-1386-1466-many-times-throughout-his-career-the-three-figures-drawn-in-this-study-after-a-image344469239.html
RM2B0BX0R–Raphael, Copy from Donatello's 'Miracle of the Miser's Heart' (recto), ca.1505-1520, pen and brown ink on paper, 10 1/16 in. x 8 in. (25.56 cm. x 20.32 cm.), Recognized as one of the most talented artists in history, Raphael honed his skills and trained his assistants through the imitation of established models. Copying was then and still is today a significant part of the formal training of any budding artist and often complements the study of live models. Raphael referenced the work of Donatello (ca. 1386--1466) many times throughout his career. The three figures drawn in this study after a
Sculptures of Hylas and the Nymphs, Allegorical Figures of the Three Fates, Zephyr wooing Flora, and Michelangelo's Bacchus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-sculptures-of-hylas-and-the-nymphs-allegorical-figures-of-the-three-162449878.html
RMKC86DA–Sculptures of Hylas and the Nymphs, Allegorical Figures of the Three Fates, Zephyr wooing Flora, and Michelangelo's Bacchus
Madonna and Child, ca. 1520, Oil on wood, 34 1/8 x 25 3/8 in. (86.7 x 64.5 cm), Paintings, Francesco Granacci (Francesco di Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-madonna-and-child-ca-1520-oil-on-wood-34-18-x-25-38-in-867-x-645-cm-162439838.html
RMKC7NJP–Madonna and Child, ca. 1520, Oil on wood, 34 1/8 x 25 3/8 in. (86.7 x 64.5 cm), Paintings, Francesco Granacci (Francesco di
Madonna and Child with Seraphim and Cherubim, Andrea Mantegna, ca. 1460 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-madonna-and-child-with-seraphim-and-cherubim-andrea-mantegna-ca-1460-162430324.html
RMKC79F0–Madonna and Child with Seraphim and Cherubim, Andrea Mantegna, ca. 1460
David with the Head of Goliath, Bartolomeo Bellano, 1470–80 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-david-with-the-head-of-goliath-bartolomeo-bellano-147080-162426844.html
RMKC752M–David with the Head of Goliath, Bartolomeo Bellano, 1470–80
Madonna Adoring the Sleeping Child, Giovanni Bellini, early 1460s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-madonna-adoring-the-sleeping-child-giovanni-bellini-early-1460s-162560833.html
RMKCD801–Madonna Adoring the Sleeping Child, Giovanni Bellini, early 1460s
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