Round arch Stock Photos and Images
Bebi, round arch, This limestone stele with a round bow is from a staff member named Bebi. Two eyes and a ring are shown at the top. The inscription contains a sacrificial formula for the gods Wepwawet and Ptah-Sokar-Osiris. This last god is composed of the gods Ptah, Sokar and Osiris and had attributes of all three gods. Under the inscription you can see Bebi, the owner of the grave, sitting in front of an offering table. At this offering table is his son, and behind this his daughter and his wife are both seated at an offering table. Under this scene, the father of the grave owner sits on a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bebi-round-arch-this-limestone-stele-with-a-round-bow-is-from-a-staff-member-named-bebi-two-eyes-and-a-ring-are-shown-at-the-top-the-inscription-contains-a-sacrificial-formula-for-the-gods-wepwawet-and-ptah-sokar-osiris-this-last-god-is-composed-of-the-gods-ptah-sokar-and-osiris-and-had-attributes-of-all-three-gods-under-the-inscription-you-can-see-bebi-the-owner-of-the-grave-sitting-in-front-of-an-offering-table-at-this-offering-table-is-his-son-and-behind-this-his-daughter-and-his-wife-are-both-seated-at-an-offering-table-under-this-scene-the-father-of-the-grave-owner-sits-on-a-image344519710.htmlRM2B0E6BA–Bebi, round arch, This limestone stele with a round bow is from a staff member named Bebi. Two eyes and a ring are shown at the top. The inscription contains a sacrificial formula for the gods Wepwawet and Ptah-Sokar-Osiris. This last god is composed of the gods Ptah, Sokar and Osiris and had attributes of all three gods. Under the inscription you can see Bebi, the owner of the grave, sitting in front of an offering table. At this offering table is his son, and behind this his daughter and his wife are both seated at an offering table. Under this scene, the father of the grave owner sits on a
Senba, round arch, stele, limestone, 57 x 34 cm, Middle Kingdom, Egypt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/senba-round-arch-stele-limestone-57-x-34-cm-middle-kingdom-egypt-image344497573.htmlRM2B0D64N–Senba, round arch, stele, limestone, 57 x 34 cm, Middle Kingdom, Egypt
Jedinherioefanch, round arch, stele, limestone, 52 x 33 x 8 cm (20 1 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jedinherioefanch-round-arch-stele-limestone-52-x-33-x-8-cm-20-1-image344497708.htmlRM2B0D69G–Jedinherioefanch, round arch, stele, limestone, 52 x 33 x 8 cm (20 1
Herihor, round arch, stele, limestone, 74 x 61 x 15 cm (29 1 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/herihor-round-arch-stele-limestone-74-x-61-x-15-cm-29-1-image344528368.htmlRM2B0EHCG–Herihor, round arch, stele, limestone, 74 x 61 x 15 cm (29 1
Hor, round arch, stela, limestone, 96 x 53.5 x 13 cm (37 13 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hor-round-arch-stela-limestone-96-x-535-x-13-cm-37-13-image344546846.htmlRM2B0FD0E–Hor, round arch, stela, limestone, 96 x 53.5 x 13 cm (37 13
unreadable, round arch, demotic, Anubis, stele, limestone, 42 x 35.5 cm, Greco-Roman Period, Egypt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unreadable-round-arch-demotic-anubis-stele-limestone-42-x-355-cm-greco-roman-period-egypt-image344517129.htmlRM2B0E335–unreadable, round arch, demotic, Anubis, stele, limestone, 42 x 35.5 cm, Greco-Roman Period, Egypt
Djedhor, round arch, stele, limestone, 38 x 32 cm, Greco-Roman Period, Ptolemaeëntijd, 201 BC, Egypt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/djedhor-round-arch-stele-limestone-38-x-32-cm-greco-roman-period-ptolemaentijd-201-bc-egypt-image344516700.htmlRM2B0E2FT–Djedhor, round arch, stele, limestone, 38 x 32 cm, Greco-Roman Period, Ptolemaeëntijd, 201 BC, Egypt
Ab, round arch, stele, limestone, 51 x 32 cm, Middle Kingdom, EgyptDescription of the Egyptian collection, II, 33, Pl.XXI Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ab-round-arch-stele-limestone-51-x-32-cm-middle-kingdom-egyptdescription-of-the-egyptian-collection-ii-33-plxxi-image344495538.htmlRM2B0D3G2–Ab, round arch, stele, limestone, 51 x 32 cm, Middle Kingdom, EgyptDescription of the Egyptian collection, II, 33, Pl.XXI
Parthenios, round arch, stele, limestone, 52 x 35 x 8 cm, Greco-Roman Period, Roman imperial age 49 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/parthenios-round-arch-stele-limestone-52-x-35-x-8-cm-greco-roman-period-roman-imperial-age-49-image344534910.htmlRM2B0EWP6–Parthenios, round arch, stele, limestone, 52 x 35 x 8 cm, Greco-Roman Period, Roman imperial age 49
anonymous, round arch, crocodile, stele, limestone, 35 x 25 x 5 cm, New Kingdom 1550-1070 BC, Egypt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anonymous-round-arch-crocodile-stele-limestone-35-x-25-x-5-cm-new-kingdom-1550-1070-bc-egypt-image344535332.htmlRM2B0EX98–anonymous, round arch, crocodile, stele, limestone, 35 x 25 x 5 cm, New Kingdom 1550-1070 BC, Egypt
Ioey-kamose, Senebsen, round arch, stele, limestone, 49.3 x 30.5 cm, Second Intermediate Period, 17th Dynasty (?), Egypt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ioey-kamose-senebsen-round-arch-stele-limestone-493-x-305-cm-second-intermediate-period-17th-dynasty-egypt-image344551187.htmlRM2B0FJFF–Ioey-kamose, Senebsen, round arch, stele, limestone, 49.3 x 30.5 cm, Second Intermediate Period, 17th Dynasty (?), Egypt
The jehutymes, round arch, stele, limestone, 23 x 19 cm, New Kingdom, 18th Dynasty, EgyptDescription of the Egyptian collection, VI, 9, Pl.VII Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-jehutymes-round-arch-stele-limestone-23-x-19-cm-new-kingdom-18th-dynasty-egyptdescription-of-the-egyptian-collection-vi-9-plvii-image344546770.htmlRM2B0FCWP–The jehutymes, round arch, stele, limestone, 23 x 19 cm, New Kingdom, 18th Dynasty, EgyptDescription of the Egyptian collection, VI, 9, Pl.VII
unreadable, round arch, stele, limestone, 14 x 12 x 3.8 cm, New Kingdom, 19th-20th Dynasty, Ramessidische Period, Egypt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unreadable-round-arch-stele-limestone-14-x-12-x-38-cm-new-kingdom-19th-20th-dynasty-ramessidische-period-egypt-image344534678.htmlRM2B0EWDX–unreadable, round arch, stele, limestone, 14 x 12 x 3.8 cm, New Kingdom, 19th-20th Dynasty, Ramessidische Period, Egypt
Sameschent, round arch, stela, sandstone, 51 x 33 cm, Middle Kingdom, EgyptDescription of the Egyptian collection, II, 28, Pl.XIX, F. Doyen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sameschent-round-arch-stela-sandstone-51-x-33-cm-middle-kingdom-egyptdescription-of-the-egyptian-collection-ii-28-plxix-f-doyen-image344535590.htmlRM2B0EXJE–Sameschent, round arch, stela, sandstone, 51 x 33 cm, Middle Kingdom, EgyptDescription of the Egyptian collection, II, 28, Pl.XIX, F. Doyen
anonymous, round arch, archer, stele, limestone, 38 x 27.5 cm, c. 25 kg, First Intermediate Period 2150-2040 BC, Egypt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anonymous-round-arch-archer-stele-limestone-38-x-275-cm-c-25-kg-first-intermediate-period-2150-2040-bc-egypt-image344523632.htmlRM2B0EBBC–anonymous, round arch, archer, stele, limestone, 38 x 27.5 cm, c. 25 kg, First Intermediate Period 2150-2040 BC, Egypt
Parthenios, round arch, stele, limestone, 29.5 x 18.5 x 8 cm, Greco-Roman Period, Roman imperial age, 1st century AD, Egypt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/parthenios-round-arch-stele-limestone-295-x-185-x-8-cm-greco-roman-period-roman-imperial-age-1st-century-ad-egypt-image344498124.htmlRM2B0D6TC–Parthenios, round arch, stele, limestone, 29.5 x 18.5 x 8 cm, Greco-Roman Period, Roman imperial age, 1st century AD, Egypt
Ramses II, round arch, stele, limestone, 70 x 45 x 4 cm, c. 30 kg, New Kingdom, 19th Dynasty 1307-1196 BC, Egypt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ramses-ii-round-arch-stele-limestone-70-x-45-x-4-cm-c-30-kg-new-kingdom-19th-dynasty-1307-1196-bc-egypt-image344535293.htmlRM2B0EX7W–Ramses II, round arch, stele, limestone, 70 x 45 x 4 cm, c. 30 kg, New Kingdom, 19th Dynasty 1307-1196 BC, Egypt
Pepi, round arch, stela, limestone, 59 x 33 cm, Middle Kingdom, EgyptDescription of the Egyptian collection, II, 15, Pl.XV, W.K. Simpson, Terrace, ANOC 36 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pepi-round-arch-stela-limestone-59-x-33-cm-middle-kingdom-egyptdescription-of-the-egyptian-collection-ii-15-plxv-wk-simpson-terrace-anoc-36-image344548156.htmlRM2B0FEK8–Pepi, round arch, stela, limestone, 59 x 33 cm, Middle Kingdom, EgyptDescription of the Egyptian collection, II, 15, Pl.XV, W.K. Simpson, Terrace, ANOC 36
Pepi, round arch, stele, limestone, 60 x 38 cm, Middle Kingdom, EgyptDescription of the Egyptian collection, II, 13, Pl.XIV, J.A.C. Lieblein, Namur. (1871), no. 61 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pepi-round-arch-stele-limestone-60-x-38-cm-middle-kingdom-egyptdescription-of-the-egyptian-collection-ii-13-plxiv-jac-lieblein-namur-1871-no-61-image344489448.htmlRM2B0CRPG–Pepi, round arch, stele, limestone, 60 x 38 cm, Middle Kingdom, EgyptDescription of the Egyptian collection, II, 13, Pl.XIV, J.A.C. Lieblein, Namur. (1871), no. 61
Ptahmery, round arch, stele, limestone, 56 x 37 cm, New Kingdom, EgyptDescription of the Egyptian collection, VI, 5, Pl.VIII, B. Gessler-Löhr, BACE 18 (2007), n . 125 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ptahmery-round-arch-stele-limestone-56-x-37-cm-new-kingdom-egyptdescription-of-the-egyptian-collection-vi-5-plviii-b-gessler-lhr-bace-18-2007-n-125-image344528449.htmlRM2B0EHFD–Ptahmery, round arch, stele, limestone, 56 x 37 cm, New Kingdom, EgyptDescription of the Egyptian collection, VI, 5, Pl.VIII, B. Gessler-Löhr, BACE 18 (2007), n . 125
Djedhor, round arch, stele, limestone, 62 x 40 cm, Late Period, 26th Dynasty, EgyptDescription of the Egyptian collection, VII, 12, PL.XV, thesis Lok-Knap (archive 14.3 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/djedhor-round-arch-stele-limestone-62-x-40-cm-late-period-26th-dynasty-egyptdescription-of-the-egyptian-collection-vii-12-plxv-thesis-lok-knap-archive-143-image344508135.htmlRM2B0DKHY–Djedhor, round arch, stele, limestone, 62 x 40 cm, Late Period, 26th Dynasty, EgyptDescription of the Egyptian collection, VII, 12, PL.XV, thesis Lok-Knap (archive 14.3
Seneb, round arch, stela, alabaster, 38.5 x 30.5 cm, Middle Kingdom, EgyptDescription of the Egyptian collection, II, 53, Pl.XXXV, D. Franke, OMRO 68 (1989), 62 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seneb-round-arch-stela-alabaster-385-x-305-cm-middle-kingdom-egyptdescription-of-the-egyptian-collection-ii-53-plxxxv-d-franke-omro-68-1989-62-image344508136.htmlRM2B0DKJ0–Seneb, round arch, stela, alabaster, 38.5 x 30.5 cm, Middle Kingdom, EgyptDescription of the Egyptian collection, II, 53, Pl.XXXV, D. Franke, OMRO 68 (1989), 62
Pasesjoe, round arch, stele, limestone, 54.5 x 34.5 cm, Middle Kingdom, EgyptDescription of the Egyptian collection, II, 17, Pl.XVI, J. Lieblein, Namur. I (Christiania, 1871), 158 (473 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pasesjoe-round-arch-stele-limestone-545-x-345-cm-middle-kingdom-egyptdescription-of-the-egyptian-collection-ii-17-plxvi-j-lieblein-namur-i-christiania-1871-158-473-image344527657.htmlRM2B0EGF5–Pasesjoe, round arch, stele, limestone, 54.5 x 34.5 cm, Middle Kingdom, EgyptDescription of the Egyptian collection, II, 17, Pl.XVI, J. Lieblein, Namur. I (Christiania, 1871), 158 (473
Neferrenpet, round arch, stele, limestone, 49 x 27 x 9 cm, New Kingdom, 19th Dynasty, EgyptDescription of the Egyptian collection, VI, 35, Pl.XVII, L. Swartz Dodd, JEA 95 (2009) , 91 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/neferrenpet-round-arch-stele-limestone-49-x-27-x-9-cm-new-kingdom-19th-dynasty-egyptdescription-of-the-egyptian-collection-vi-35-plxvii-l-swartz-dodd-jea-95-2009-91-image344562352.htmlRM2B0G4P8–Neferrenpet, round arch, stele, limestone, 49 x 27 x 9 cm, New Kingdom, 19th Dynasty, EgyptDescription of the Egyptian collection, VI, 35, Pl.XVII, L. Swartz Dodd, JEA 95 (2009) , 91
Merteamoon, round arch, stele, limestone, 42 x 29 cm, Late Period, 25th Dynasty, 680-650 BC, EgyptDescription of the Egyptian collection, VI, 20, Pl.VI, P.Munro, Totenstelen (Glückstadt 1973), 263, C.Greco Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/merteamoon-round-arch-stele-limestone-42-x-29-cm-late-period-25th-dynasty-680-650-bc-egyptdescription-of-the-egyptian-collection-vi-20-plvi-pmunro-totenstelen-glckstadt-1973-263-cgreco-image344555064.htmlRM2B0FRE0–Merteamoon, round arch, stele, limestone, 42 x 29 cm, Late Period, 25th Dynasty, 680-650 BC, EgyptDescription of the Egyptian collection, VI, 20, Pl.VI, P.Munro, Totenstelen (Glückstadt 1973), 263, C.Greco
Vaulted construction, source house to Tusculum and construction of the round arch, Etruscan architecture, fig. 51-52, p. 92, Wilhelm Lübke: Geschichte der Architektur von den ältesten Zeiten bis auf die Gegenwart. Leipzig: Verlag von Emil Graul, 1855 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vaulted-construction-source-house-to-tusculum-and-construction-of-the-round-arch-etruscan-architecture-fig-51-52-p-92-wilhelm-lbke-geschichte-der-architektur-von-den-ltesten-zeiten-bis-auf-die-gegenwart-leipzig-verlag-von-emil-graul-1855-image328754087.htmlRM2A2T15B–Vaulted construction, source house to Tusculum and construction of the round arch, Etruscan architecture, fig. 51-52, p. 92, Wilhelm Lübke: Geschichte der Architektur von den ältesten Zeiten bis auf die Gegenwart. Leipzig: Verlag von Emil Graul, 1855
Hekanacht, Paamred, round arch, stele, limestone, 77 x 54 cm, New Kingdom, EgyptDescription of the Egyptian collection, VI, 14, Pl.XI, B. Gessler-Löhr, HÄB 30 (= FS Von Beckerath, 1990), 73 n. 82, see archive 6.4.3 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hekanacht-paamred-round-arch-stele-limestone-77-x-54-cm-new-kingdom-egyptdescription-of-the-egyptian-collection-vi-14-plxi-b-gessler-lhr-hb-30-=-fs-von-beckerath-1990-73-n-82-see-archive-643-image344538742.htmlRM2B0F2K2–Hekanacht, Paamred, round arch, stele, limestone, 77 x 54 cm, New Kingdom, EgyptDescription of the Egyptian collection, VI, 14, Pl.XI, B. Gessler-Löhr, HÄB 30 (= FS Von Beckerath, 1990), 73 n. 82, see archive 6.4.3
anonymous, round arch, stele, limestone, 49 x 55 x 10 cm, New Kingdom 1550-1070 BC, EgyptDescription of the Egyptian collection, VI, 34, Pl.XVII, H.D. Schneider, Life and Death (Perth 1997) No. 20, M. Etienne, Les portes du ciel (Paris 2009), No. 37 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anonymous-round-arch-stele-limestone-49-x-55-x-10-cm-new-kingdom-1550-1070-bc-egyptdescription-of-the-egyptian-collection-vi-34-plxvii-hd-schneider-life-and-death-perth-1997-no-20-m-etienne-les-portes-du-ciel-paris-2009-no-37-image344487320.htmlRM2B0CN2G–anonymous, round arch, stele, limestone, 49 x 55 x 10 cm, New Kingdom 1550-1070 BC, EgyptDescription of the Egyptian collection, VI, 34, Pl.XVII, H.D. Schneider, Life and Death (Perth 1997) No. 20, M. Etienne, Les portes du ciel (Paris 2009), No. 37
Architecture, Stones 2, Sketches of round arch, Scheitrechter arch and vault, Signed: Benard direx, Pl. 2, to p. 48, Benard (dir.), 1778, Denis Diderot; M. d'Alembert: Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métierss, des arts et des métiers. Genève: chez Pellet, MDCCLXXVIII [1778 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/architecture-stones-2-sketches-of-round-arch-scheitrechter-arch-and-vault-signed-benard-direx-pl-2-to-p-48-benard-dir-1778-denis-diderot-m-dalembert-encyclopdie-ou-dictionnaire-raisonn-des-sciences-des-arts-et-des-mtierss-des-arts-et-des-mtiers-genve-chez-pellet-mdcclxxviii-1778-image328759595.htmlRM2A2T863–Architecture, Stones 2, Sketches of round arch, Scheitrechter arch and vault, Signed: Benard direx, Pl. 2, to p. 48, Benard (dir.), 1778, Denis Diderot; M. d'Alembert: Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métierss, des arts et des métiers. Genève: chez Pellet, MDCCLXXVIII [1778
Asetemcheb, round arch, stele, limestone, 52 x 36 cm, Late Period, 26th Dynasty, 650-630 BC, EgyptDescription of the Egyptian collection, VII, 13, Pl.XV, E. Otto, Biographical Inscriptions of Spitzeit, 187-188, P. Munro, Totenstelen (Glückstadt 1973), 284-285, M. Lichtheim, Ancient Egyptian literature III (Berkeley 1980), 58-9, Schneider Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/asetemcheb-round-arch-stele-limestone-52-x-36-cm-late-period-26th-dynasty-650-630-bc-egyptdescription-of-the-egyptian-collection-vii-13-plxv-e-otto-biographical-inscriptions-of-spitzeit-187-188-p-munro-totenstelen-glckstadt-1973-284-285-m-lichtheim-ancient-egyptian-literature-iii-berkeley-1980-58-9-schneider-image344534799.htmlRM2B0EWJ7–Asetemcheb, round arch, stele, limestone, 52 x 36 cm, Late Period, 26th Dynasty, 650-630 BC, EgyptDescription of the Egyptian collection, VII, 13, Pl.XV, E. Otto, Biographical Inscriptions of Spitzeit, 187-188, P. Munro, Totenstelen (Glückstadt 1973), 284-285, M. Lichtheim, Ancient Egyptian literature III (Berkeley 1980), 58-9, Schneider
?, round arch, stele, limestone, 32 x 25 cm, c. 20 kg, Greco-Roman Period, Roman period 30 BC-395 AD, EgyptDescription of the Egyptian collection, VII, 23, Pl.XVI, cat. Cleopatra's Egypt (Brooklyn 1988), no. 108, cat. Kleopatra (Munich 1989), no. 104, P. Munro, Die spätägyptische Totenstelen (Glückstadt, 1973), 103, 112, P. Giovetti Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/round-arch-stele-limestone-32-x-25-cm-c-20-kg-greco-roman-period-roman-period-30-bc-395-ad-egyptdescription-of-the-egyptian-collection-vii-23-plxvi-cat-cleopatras-egypt-brooklyn-1988-no-108-cat-kleopatra-munich-1989-no-104-p-munro-die-sptgyptische-totenstelen-glckstadt-1973-103-112-p-giovetti-image344484414.htmlRM2B0CHAP–?, round arch, stele, limestone, 32 x 25 cm, c. 20 kg, Greco-Roman Period, Roman period 30 BC-395 AD, EgyptDescription of the Egyptian collection, VII, 23, Pl.XVI, cat. Cleopatra's Egypt (Brooklyn 1988), no. 108, cat. Kleopatra (Munich 1989), no. 104, P. Munro, Die spätägyptische Totenstelen (Glückstadt, 1973), 103, 112, P. Giovetti
Psemtek, round arch, Necho II, stele, limestone, 45 x 29 cm, Late Period, 26th Dynasty 610-595 BC, EgyptDescription of the Egyptian collection, VII, 15, Pl.XV, K. Piehl , Inscr. here. III (Leipzig, 1903), pl. 28 H, L. Habachi, ASAE 47, 264 n. 4, 280, A. Kucharek, Altägyptische Totenliturgien (Heidelberg 2010), 128, G. Vittmann, in: P. Busi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/psemtek-round-arch-necho-ii-stele-limestone-45-x-29-cm-late-period-26th-dynasty-610-595-bc-egyptdescription-of-the-egyptian-collection-vii-15-plxv-k-piehl-inscr-here-iii-leipzig-1903-pl-28-h-l-habachi-asae-47-264-n-4-280-a-kucharek-altgyptische-totenliturgien-heidelberg-2010-128-g-vittmann-in-p-busi-image344543662.htmlRM2B0F8XP–Psemtek, round arch, Necho II, stele, limestone, 45 x 29 cm, Late Period, 26th Dynasty 610-595 BC, EgyptDescription of the Egyptian collection, VII, 15, Pl.XV, K. Piehl , Inscr. here. III (Leipzig, 1903), pl. 28 H, L. Habachi, ASAE 47, 264 n. 4, 280, A. Kucharek, Altägyptische Totenliturgien (Heidelberg 2010), 128, G. Vittmann, in: P. Busi
Psemtek, round arch, Necho II, stele, limestone, 45 x 26 cm, Late Period, 26th Dynasty 610-595 BC, EgyptDescription of the Egyptian collection, VII, 14, Pl.XV, K. Piehl , Inscr. here. III (Leipzig, 1903), pl. 28 G, L. Habachi, ASAE 47, 264 n. 4, 280, A. Kucharek, Altägyptische Totenliturgien (Heidelberg 2010), 128, G. Vittmann, in: P. Busi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/psemtek-round-arch-necho-ii-stele-limestone-45-x-26-cm-late-period-26th-dynasty-610-595-bc-egyptdescription-of-the-egyptian-collection-vii-14-plxv-k-piehl-inscr-here-iii-leipzig-1903-pl-28-g-l-habachi-asae-47-264-n-4-280-a-kucharek-altgyptische-totenliturgien-heidelberg-2010-128-g-vittmann-in-p-busi-image344542492.htmlRM2B0F7D0–Psemtek, round arch, Necho II, stele, limestone, 45 x 26 cm, Late Period, 26th Dynasty 610-595 BC, EgyptDescription of the Egyptian collection, VII, 14, Pl.XV, K. Piehl , Inscr. here. III (Leipzig, 1903), pl. 28 G, L. Habachi, ASAE 47, 264 n. 4, 280, A. Kucharek, Altägyptische Totenliturgien (Heidelberg 2010), 128, G. Vittmann, in: P. Busi
Maria with child, Maria is seated, half-length depicted under a round arch. She holds the sleeping Christ child in her arms. In the background a mountain landscape with trees is visible., Madonna: Mary sitting or excited, the Christ-child in her lap (or in front or her bosom) (Mary sometimes represented half-length), Nicolas Etienne Edelinck (mentioned on object), 1705, paper, engraving, h 430 mm × w 324 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maria-with-child-maria-is-seated-half-length-depicted-under-a-round-arch-she-holds-the-sleeping-christ-child-in-her-arms-in-the-background-a-mountain-landscape-with-trees-is-visible-madonna-mary-sitting-or-excited-the-christ-child-in-her-lap-or-in-front-or-her-bosom-mary-sometimes-represented-half-length-nicolas-etienne-edelinck-mentioned-on-object-1705-paper-engraving-h-430-mm-w-324-mm-image261405295.htmlRMW5813B–Maria with child, Maria is seated, half-length depicted under a round arch. She holds the sleeping Christ child in her arms. In the background a mountain landscape with trees is visible., Madonna: Mary sitting or excited, the Christ-child in her lap (or in front or her bosom) (Mary sometimes represented half-length), Nicolas Etienne Edelinck (mentioned on object), 1705, paper, engraving, h 430 mm × w 324 mm
Penrennoe, round arch, stele, limestone, 52 x 34 x 7,5 cm, New Kingdom, 19th-20th Dynasty 1550-1196 BC, EgyptDescription of the Egyptian collection, VI, 33, Pl.XXI, J. van Dijk, The New Kingdom necropolis of Memphis (Groningen, 1992), 85 n. 2, H.D. Schneider, Life and Death (Perth, 1997), No. 15, C. Greco, Mossies Egípcies (Barcelona, 2012), 190, 190 cat. 205, P. Giovetti Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/penrennoe-round-arch-stele-limestone-52-x-34-x-75-cm-new-kingdom-19th-20th-dynasty-1550-1196-bc-egyptdescription-of-the-egyptian-collection-vi-33-plxxi-j-van-dijk-the-new-kingdom-necropolis-of-memphis-groningen-1992-85-n-2-hd-schneider-life-and-death-perth-1997-no-15-c-greco-mossies-egpcies-barcelona-2012-190-190-cat-205-p-giovetti-image344490140.htmlRM2B0CTK8–Penrennoe, round arch, stele, limestone, 52 x 34 x 7,5 cm, New Kingdom, 19th-20th Dynasty 1550-1196 BC, EgyptDescription of the Egyptian collection, VI, 33, Pl.XXI, J. van Dijk, The New Kingdom necropolis of Memphis (Groningen, 1992), 85 n. 2, H.D. Schneider, Life and Death (Perth, 1997), No. 15, C. Greco, Mossies Egípcies (Barcelona, 2012), 190, 190 cat. 205, P. Giovetti
miscellaneous, round arch, This limestone stele with round arch mentions the names of several persons who are related to each other. What is special about this stela is that there are no images on it. Six vertical lines of hieroglyphics are on the stela. The text contains a sacrificial formula for the god Osiris, for all the gods of Abydos and the gods Wepwawet and Anubis., Abydos had a great religious significance in Ancient Egypt. The god Osiris, god of the underworld, was thought to be buried here. The gods Wepwawet and Anoebis were also honored in Abydos. Wepwawet was the god who opened Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/miscellaneous-round-arch-this-limestone-stele-with-round-arch-mentions-the-names-of-several-persons-who-are-related-to-each-other-what-is-special-about-this-stela-is-that-there-are-no-images-on-it-six-vertical-lines-of-hieroglyphics-are-on-the-stela-the-text-contains-a-sacrificial-formula-for-the-god-osiris-for-all-the-gods-of-abydos-and-the-gods-wepwawet-and-anubis-abydos-had-a-great-religious-significance-in-ancient-egypt-the-god-osiris-god-of-the-underworld-was-thought-to-be-buried-here-the-gods-wepwawet-and-anoebis-were-also-honored-in-abydos-wepwawet-was-the-god-who-opened-image344484547.htmlRM2B0CHFF–miscellaneous, round arch, This limestone stele with round arch mentions the names of several persons who are related to each other. What is special about this stela is that there are no images on it. Six vertical lines of hieroglyphics are on the stela. The text contains a sacrificial formula for the god Osiris, for all the gods of Abydos and the gods Wepwawet and Anubis., Abydos had a great religious significance in Ancient Egypt. The god Osiris, god of the underworld, was thought to be buried here. The gods Wepwawet and Anoebis were also honored in Abydos. Wepwawet was the god who opened
Taqenna, round arch, stele, limestone, 41.5 x 29 cm, New Kingdom 1550-1070 BC, EgyptDescription of the Egyptian collection, VI, 25, Pl.VI, M.G. Nagel, BIFAO 28 (1929), 38 and fig. 2, B. Bruyere, Report Deir el Médineh 1929.II (Cairo 1930), 44, H.D. Schneider, Life and Death (Perth 1997) No. 7, J. Willeitner, Die ägyptischen Oasen (Mainz 2003), Abb. 14, M.J. Raven, in: S. Petschel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/taqenna-round-arch-stele-limestone-415-x-29-cm-new-kingdom-1550-1070-bc-egyptdescription-of-the-egyptian-collection-vi-25-plvi-mg-nagel-bifao-28-1929-38-and-fig-2-b-bruyere-report-deir-el-mdineh-1929ii-cairo-1930-44-hd-schneider-life-and-death-perth-1997-no-7-j-willeitner-die-gyptischen-oasen-mainz-2003-abb-14-mj-raven-in-s-petschel-image344484515.htmlRM2B0CHEB–Taqenna, round arch, stele, limestone, 41.5 x 29 cm, New Kingdom 1550-1070 BC, EgyptDescription of the Egyptian collection, VI, 25, Pl.VI, M.G. Nagel, BIFAO 28 (1929), 38 and fig. 2, B. Bruyere, Report Deir el Médineh 1929.II (Cairo 1930), 44, H.D. Schneider, Life and Death (Perth 1997) No. 7, J. Willeitner, Die ägyptischen Oasen (Mainz 2003), Abb. 14, M.J. Raven, in: S. Petschel
Amenemhatseneb, round arch, This stele of Amenemhatseneb is decorated with two eyes at the top. The inscription below consists of two parts separated by a vertical line. The right part contains the name of Amenemhatseneb, the left part that of his brother Nechy. The deceased himself sits in front of an offering table, on a chair with lions' legs. His brother is pictured in front of the table, his wife is behind him. In the scene below, on the right is Amenemhatseneb's mother, with two men and a woman in front of her. These are probably Amenemhatseneb, his brother, and Amenemhatseneb's daughter Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/amenemhatseneb-round-arch-this-stele-of-amenemhatseneb-is-decorated-with-two-eyes-at-the-top-the-inscription-below-consists-of-two-parts-separated-by-a-vertical-line-the-right-part-contains-the-name-of-amenemhatseneb-the-left-part-that-of-his-brother-nechy-the-deceased-himself-sits-in-front-of-an-offering-table-on-a-chair-with-lions-legs-his-brother-is-pictured-in-front-of-the-table-his-wife-is-behind-him-in-the-scene-below-on-the-right-is-amenemhatsenebs-mother-with-two-men-and-a-woman-in-front-of-her-these-are-probably-amenemhatseneb-his-brother-and-amenemhatsenebs-daughter-image344496266.htmlRM2B0D4E2–Amenemhatseneb, round arch, This stele of Amenemhatseneb is decorated with two eyes at the top. The inscription below consists of two parts separated by a vertical line. The right part contains the name of Amenemhatseneb, the left part that of his brother Nechy. The deceased himself sits in front of an offering table, on a chair with lions' legs. His brother is pictured in front of the table, his wife is behind him. In the scene below, on the right is Amenemhatseneb's mother, with two men and a woman in front of her. These are probably Amenemhatseneb, his brother, and Amenemhatseneb's daughter
Inytnebchety, round arch, This small limestone stele belongs to Inytnebchety. The text above is a sacrificial formula addressed to the god Osiris. Under the inscription, the graf owner Inytnebchety sits with his wife in front of a sacrificial table. Behind it is one of their sons, Ipi-emsaef. Two other sons are depicted on the bottom scene, one of them is depicted with his wife and son, the other is on the right side of the stele. At the top and bottom of the stela, vases and food offerings are depicted. The entire inscription is made of low relief. Normally the scenes and texts are separated Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inytnebchety-round-arch-this-small-limestone-stele-belongs-to-inytnebchety-the-text-above-is-a-sacrificial-formula-addressed-to-the-god-osiris-under-the-inscription-the-graf-owner-inytnebchety-sits-with-his-wife-in-front-of-a-sacrificial-table-behind-it-is-one-of-their-sons-ipi-emsaef-two-other-sons-are-depicted-on-the-bottom-scene-one-of-them-is-depicted-with-his-wife-and-son-the-other-is-on-the-right-side-of-the-stele-at-the-top-and-bottom-of-the-stela-vases-and-food-offerings-are-depicted-the-entire-inscription-is-made-of-low-relief-normally-the-scenes-and-texts-are-separated-image344491050.htmlRM2B0CWRP–Inytnebchety, round arch, This small limestone stele belongs to Inytnebchety. The text above is a sacrificial formula addressed to the god Osiris. Under the inscription, the graf owner Inytnebchety sits with his wife in front of a sacrificial table. Behind it is one of their sons, Ipi-emsaef. Two other sons are depicted on the bottom scene, one of them is depicted with his wife and son, the other is on the right side of the stele. At the top and bottom of the stela, vases and food offerings are depicted. The entire inscription is made of low relief. Normally the scenes and texts are separated
Emhat, round arch, This grave stele has been from a treasurer Emhat. At the top of the limestone stele is a cartouche, the frame for a king's name. It contains the name of King Sesostris I, Cheperkare. The government year 9 is mentioned above the cartouche. The inscription contains a sacrificial formula for the god Osiris. At the bottom of the stela the graph owner Emhat is shown with hands raised for a sacrificial table. Above this sacrificial table two persons are depicted who bring sacrifices to Emhat. For the ancient Egyptian, sacrifices on a tombstle were equal to real sacrifices, which Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/emhat-round-arch-this-grave-stele-has-been-from-a-treasurer-emhat-at-the-top-of-the-limestone-stele-is-a-cartouche-the-frame-for-a-kings-name-it-contains-the-name-of-king-sesostris-i-cheperkare-the-government-year-9-is-mentioned-above-the-cartouche-the-inscription-contains-a-sacrificial-formula-for-the-god-osiris-at-the-bottom-of-the-stela-the-graph-owner-emhat-is-shown-with-hands-raised-for-a-sacrificial-table-above-this-sacrificial-table-two-persons-are-depicted-who-bring-sacrifices-to-emhat-for-the-ancient-egyptian-sacrifices-on-a-tombstle-were-equal-to-real-sacrifices-which-image344484410.htmlRM2B0CHAJ–Emhat, round arch, This grave stele has been from a treasurer Emhat. At the top of the limestone stele is a cartouche, the frame for a king's name. It contains the name of King Sesostris I, Cheperkare. The government year 9 is mentioned above the cartouche. The inscription contains a sacrificial formula for the god Osiris. At the bottom of the stela the graph owner Emhat is shown with hands raised for a sacrificial table. Above this sacrificial table two persons are depicted who bring sacrifices to Emhat. For the ancient Egyptian, sacrifices on a tombstle were equal to real sacrifices, which
Penserd, round arch, Limestone stele of a king writer named Penserd. In the round arch two Horus eyes with a ring in between. The inscription contains sacrificial formulas for the god Osiris. Penserd is pictured sitting on a chair at an offering table while he smells a lotus flower. For the Egyptians, the lotus was a symbol for regeneration. His wife stands opposite Penserd. She pours out a liquid as an offering, this is called a libation. On the bottom left is Seni pictured, the brother of Penserd. He has founded this stela for Penserd, of course he shows himself on the stela. So he also Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/penserd-round-arch-limestone-stele-of-a-king-writer-named-penserd-in-the-round-arch-two-horus-eyes-with-a-ring-in-between-the-inscription-contains-sacrificial-formulas-for-the-god-osiris-penserd-is-pictured-sitting-on-a-chair-at-an-offering-table-while-he-smells-a-lotus-flower-for-the-egyptians-the-lotus-was-a-symbol-for-regeneration-his-wife-stands-opposite-penserd-she-pours-out-a-liquid-as-an-offering-this-is-called-a-libation-on-the-bottom-left-is-seni-pictured-the-brother-of-penserd-he-has-founded-this-stela-for-penserd-of-course-he-shows-himself-on-the-stela-so-he-also-image344527697.htmlRM2B0EGGH–Penserd, round arch, Limestone stele of a king writer named Penserd. In the round arch two Horus eyes with a ring in between. The inscription contains sacrificial formulas for the god Osiris. Penserd is pictured sitting on a chair at an offering table while he smells a lotus flower. For the Egyptians, the lotus was a symbol for regeneration. His wife stands opposite Penserd. She pours out a liquid as an offering, this is called a libation. On the bottom left is Seni pictured, the brother of Penserd. He has founded this stela for Penserd, of course he shows himself on the stela. So he also
Sebek Night, round arch, This burial stele with round arch was from the man Sebeknacht. On the stela is a sacrificial formula for the god Osiris written and a speech to the living on earth. In this passage passersby from the tomb of Sebeknacht were asked to make a sacrifice. The graph owner tells in such a speech about the good deeds he has done during his life. He hopes that he will be good-natured and will leave food and drink in his grave. At the bottom of the stela, Sebeknacht is depicted opposite his parents. Between Sebeknacht and his parents a sacrificial table. Just above the head of Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sebek-night-round-arch-this-burial-stele-with-round-arch-was-from-the-man-sebeknacht-on-the-stela-is-a-sacrificial-formula-for-the-god-osiris-written-and-a-speech-to-the-living-on-earth-in-this-passage-passersby-from-the-tomb-of-sebeknacht-were-asked-to-make-a-sacrifice-the-graph-owner-tells-in-such-a-speech-about-the-good-deeds-he-has-done-during-his-life-he-hopes-that-he-will-be-good-natured-and-will-leave-food-and-drink-in-his-grave-at-the-bottom-of-the-stela-sebeknacht-is-depicted-opposite-his-parents-between-sebeknacht-and-his-parents-a-sacrificial-table-just-above-the-head-of-image344483609.htmlRM2B0CGA1–Sebek Night, round arch, This burial stele with round arch was from the man Sebeknacht. On the stela is a sacrificial formula for the god Osiris written and a speech to the living on earth. In this passage passersby from the tomb of Sebeknacht were asked to make a sacrifice. The graph owner tells in such a speech about the good deeds he has done during his life. He hopes that he will be good-natured and will leave food and drink in his grave. At the bottom of the stela, Sebeknacht is depicted opposite his parents. Between Sebeknacht and his parents a sacrificial table. Just above the head of
![Rome, round arch, stele, limestone, 88 x 61 x 8 cm, c. 100 kg, New Kingdom, 19th Dynasty 1307-1196 BC, EgyptDescription of the Egyptian collection, VI, 43, Pl.XXIV, C. Leemans, Monuments égyptiens portant des légendes royales, Lettre à Salvolini (Leiden 1838), Pl. VII, [72-5], p. 49, J. Lieblein, Namenwb (Christiania 1871), 559, G. Lefebvre, Histoire des Grands Prêtres d'Amon (Paris 1929), p. 42-43, Porter & Moss, I (Oxford 1931), 807, H.D. Schneider, Life and Death (Perth 1997) no. 41, S. Bickel, Ingenischer Gesellschaft (Freiburg 2004), 30, E. Hofmann, Bilder im Wandel (Mainz am Rhein Stock Photo](https://c8.alamy.com/comp/2B0CTBH/rome-round-arch-stele-limestone-88-x-61-x-8-cm-c-100-kg-new-kingdom-19th-dynasty-1307-1196-bc-egyptdescription-of-the-egyptian-collection-vi-43-plxxiv-c-leemans-monuments-gyptiens-portant-des-lgendes-royales-lettre-salvolini-leiden-1838-pl-vii-72-5-p-49-j-lieblein-namenwb-christiania-1871-559-g-lefebvre-histoire-des-grands-prtres-damon-paris-1929-p-42-43-porter-amp-moss-i-oxford-1931-807-hd-schneider-life-and-death-perth-1997-no-41-s-bickel-ingenischer-gesellschaft-freiburg-2004-30-e-hofmann-bilder-im-wandel-mainz-am-rhein-2B0CTBH.jpg "Rome, round arch, stele, limestone, 88 x 61 x 8 cm, c. 100 kg, New Kingdom, 19th Dynasty 1307-1196 BC, EgyptDescription of the Egyptian collection, VI, 43, Pl.XXIV, C. Leemans, Monuments égyptiens portant des légendes royales, Lettre à Salvolini (Leiden 1838), Pl. VII, [72-5], p. 49, J. Lieblein, Namenwb (Christiania 1871), 559, G. Lefebvre, Histoire des Grands Prêtres d'Amon (Paris 1929), p. 42-43, Porter & Moss, I (Oxford 1931), 807, H.D. Schneider, Life and Death (Perth 1997) no. 41, S. Bickel, Ingenischer Gesellschaft (Freiburg 2004), 30, E. Hofmann, Bilder im Wandel (Mainz am Rhein Stock Photo")
Rome, round arch, stele, limestone, 88 x 61 x 8 cm, c. 100 kg, New Kingdom, 19th Dynasty 1307-1196 BC, EgyptDescription of the Egyptian collection, VI, 43, Pl.XXIV, C. Leemans, Monuments égyptiens portant des légendes royales, Lettre à Salvolini (Leiden 1838), Pl. VII, [72-5], p. 49, J. Lieblein, Namenwb (Christiania 1871), 559, G. Lefebvre, Histoire des Grands Prêtres d'Amon (Paris 1929), p. 42-43, Porter & Moss, I (Oxford 1931), 807, H.D. Schneider, Life and Death (Perth 1997) no. 41, S. Bickel, Ingenischer Gesellschaft (Freiburg 2004), 30, E. Hofmann, Bilder im Wandel (Mainz am Rhein Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rome-round-arch-stele-limestone-88-x-61-x-8-cm-c-100-kg-new-kingdom-19th-dynasty-1307-1196-bc-egyptdescription-of-the-egyptian-collection-vi-43-plxxiv-c-leemans-monuments-gyptiens-portant-des-lgendes-royales-lettre-salvolini-leiden-1838-pl-vii-72-5-p-49-j-lieblein-namenwb-christiania-1871-559-g-lefebvre-histoire-des-grands-prtres-damon-paris-1929-p-42-43-porter-amp-moss-i-oxford-1931-807-hd-schneider-life-and-death-perth-1997-no-41-s-bickel-ingenischer-gesellschaft-freiburg-2004-30-e-hofmann-bilder-im-wandel-mainz-am-rhein-image344489925.htmlRM2B0CTBH–Rome, round arch, stele, limestone, 88 x 61 x 8 cm, c. 100 kg, New Kingdom, 19th Dynasty 1307-1196 BC, EgyptDescription of the Egyptian collection, VI, 43, Pl.XXIV, C. Leemans, Monuments égyptiens portant des légendes royales, Lettre à Salvolini (Leiden 1838), Pl. VII, [72-5], p. 49, J. Lieblein, Namenwb (Christiania 1871), 559, G. Lefebvre, Histoire des Grands Prêtres d'Amon (Paris 1929), p. 42-43, Porter & Moss, I (Oxford 1931), 807, H.D. Schneider, Life and Death (Perth 1997) no. 41, S. Bickel, Ingenischer Gesellschaft (Freiburg 2004), 30, E. Hofmann, Bilder im Wandel (Mainz am Rhein
Chalice Chalice on a round base, decorated with a representation of Christ on the cross, Chalice of gilt silver, unadorned, funnel-shaped cuppa. On the round foot in stamping work: Christ on the cross between Mary and John and five sitting figures of saints. The nodus is adorned with ajour floral and vines ornament, the tribe has a round-arch frieze in filigree work both above and below the nodus, crucified Christ with Mary and John on either side of the cross, Holy Red, anonymous, Oost-Nederland, c. 1200 - c. 1299, silver (metal), gilding, h 18.5 cm × d 15.2 cm × w 462.0 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chalice-chalice-on-a-round-base-decorated-with-a-representation-of-christ-on-the-cross-chalice-of-gilt-silver-unadorned-funnel-shaped-cuppa-on-the-round-foot-in-stamping-work-christ-on-the-cross-between-mary-and-john-and-five-sitting-figures-of-saints-the-nodus-is-adorned-with-ajour-floral-and-vines-ornament-the-tribe-has-a-round-arch-frieze-in-filigree-work-both-above-and-below-the-nodus-crucified-christ-with-mary-and-john-on-either-side-of-the-cross-holy-red-anonymous-oost-nederland-c-1200-c-1299-silver-metal-gilding-h-185-cm-d-152-cm-w-4620-image261372106.htmlRMW56EP2–Chalice Chalice on a round base, decorated with a representation of Christ on the cross, Chalice of gilt silver, unadorned, funnel-shaped cuppa. On the round foot in stamping work: Christ on the cross between Mary and John and five sitting figures of saints. The nodus is adorned with ajour floral and vines ornament, the tribe has a round-arch frieze in filigree work both above and below the nodus, crucified Christ with Mary and John on either side of the cross, Holy Red, anonymous, Oost-Nederland, c. 1200 - c. 1299, silver (metal), gilding, h 18.5 cm × d 15.2 cm × w 462.0
Bronze fibula (eye fibula with round brace), fibula, arch fibula, metal, bronze, 5 x 2,3 cm, roman 1-100 AD, Netherlands, Friesland, Súdwest Fryslân, Kimswerd Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bronze-fibula-eye-fibula-with-round-brace-fibula-arch-fibula-metal-bronze-5-x-23-cm-roman-1-100-ad-netherlands-friesland-sdwest-frysln-kimswerd-image344547971.htmlRM2B0FECK–Bronze fibula (eye fibula with round brace), fibula, arch fibula, metal, bronze, 5 x 2,3 cm, roman 1-100 AD, Netherlands, Friesland, Súdwest Fryslân, Kimswerd
Bronze crossbow fibula, the bow on top with a bud, including a crossbar, whose ends end in round buds, the lower end of the arch ending in a hollow pin, in which the needle closes in an upright slot, fibula, crossbow fibula, metal, bronze, 7,4 x 4,9 x 2,9 cm, roman 290-325 AD, Netherlands, Gelderland, Nijmegen, Nijmegen, Waal Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bronze-crossbow-fibula-the-bow-on-top-with-a-bud-including-a-crossbar-whose-ends-end-in-round-buds-the-lower-end-of-the-arch-ending-in-a-hollow-pin-in-which-the-needle-closes-in-an-upright-slot-fibula-crossbow-fibula-metal-bronze-74-x-49-x-29-cm-roman-290-325-ad-netherlands-gelderland-nijmegen-nijmegen-waal-image344543073.htmlRM2B0F85N–Bronze crossbow fibula, the bow on top with a bud, including a crossbar, whose ends end in round buds, the lower end of the arch ending in a hollow pin, in which the needle closes in an upright slot, fibula, crossbow fibula, metal, bronze, 7,4 x 4,9 x 2,9 cm, roman 290-325 AD, Netherlands, Gelderland, Nijmegen, Nijmegen, Waal
Salome with the Head of John the Baptist Salome and the Head of John the Baptist, Salome with the head of John the Baptist on a large round tin dish. Standing under an arch, in the distance a landscape with farms on a river, the head of John the Baptist on a platter, Jacob Cornelisz van Oostsanen, Amsterdam, 1524, panel, oil paint (paint), support: h 71.8 cm × w 53.6 cm frame: h 83.8 cm × w 66.5 cm × t 5.5 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/salome-with-the-head-of-john-the-baptist-salome-and-the-head-of-john-the-baptist-salome-with-the-head-of-john-the-baptist-on-a-large-round-tin-dish-standing-under-an-arch-in-the-distance-a-landscape-with-farms-on-a-river-the-head-of-john-the-baptist-on-a-platter-jacob-cornelisz-van-oostsanen-amsterdam-1524-panel-oil-paint-paint-support-h-718-cm-w-536-cm-frame-h-838-cm-w-665-cm-t-55-cm-image261413062.htmlRMW58B0P–Salome with the Head of John the Baptist Salome and the Head of John the Baptist, Salome with the head of John the Baptist on a large round tin dish. Standing under an arch, in the distance a landscape with farms on a river, the head of John the Baptist on a platter, Jacob Cornelisz van Oostsanen, Amsterdam, 1524, panel, oil paint (paint), support: h 71.8 cm × w 53.6 cm frame: h 83.8 cm × w 66.5 cm × t 5.5 cm
Baptismal bow made of brass, The lobe-shaped arch is made up of more or less round shapes. In the decoration at the top and in the two ends, which have the shape of a curl, you can recognize dolphin heads and joint parts. The original presumably detachable vase-shaped bud has been replaced by a simple bud decoration. The arms of the bow show fractures. The left arm is slightly bent, has some casts at the bottom and may have been repaired there. The pedestals are originally., Constantijn Huygens (I), Anna Roemers Visscher, anonymous, Noord-Holland, c. 1675 - c. 1700, brass (alloy), oak (wood Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/baptismal-bow-made-of-brass-the-lobe-shaped-arch-is-made-up-of-more-or-less-round-shapes-in-the-decoration-at-the-top-and-in-the-two-ends-which-have-the-shape-of-a-curl-you-can-recognize-dolphin-heads-and-joint-parts-the-original-presumably-detachable-vase-shaped-bud-has-been-replaced-by-a-simple-bud-decoration-the-arms-of-the-bow-show-fractures-the-left-arm-is-slightly-bent-has-some-casts-at-the-bottom-and-may-have-been-repaired-there-the-pedestals-are-originally-constantijn-huygens-i-anna-roemers-visscher-anonymous-noord-holland-c-1675-c-1700-brass-alloy-oak-wood-image261346151.htmlRMW559K3–Baptismal bow made of brass, The lobe-shaped arch is made up of more or less round shapes. In the decoration at the top and in the two ends, which have the shape of a curl, you can recognize dolphin heads and joint parts. The original presumably detachable vase-shaped bud has been replaced by a simple bud decoration. The arms of the bow show fractures. The left arm is slightly bent, has some casts at the bottom and may have been repaired there. The pedestals are originally., Constantijn Huygens (I), Anna Roemers Visscher, anonymous, Noord-Holland, c. 1675 - c. 1700, brass (alloy), oak (wood
Forehead glasses with silver frame and polished round lenses, Forehead glasses with silver frame with spoon attached to the bridge between the lenses and ground round lenses. Model: In the middle of the arch-shaped bridge, ending in a curl on the rim around the glass, a pin is attached that fixes the spoon to the glasses. The spoon has a hinge halfway. The edges around the glasses are open at the top and bent back so that they form a hook with a metal wire around it for closing., anonymous, Netherlands (possibly), c. 1675 - c. 1775, montuur, glazen, grinding, l 9 cm d 3.5 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/forehead-glasses-with-silver-frame-and-polished-round-lenses-forehead-glasses-with-silver-frame-with-spoon-attached-to-the-bridge-between-the-lenses-and-ground-round-lenses-model-in-the-middle-of-the-arch-shaped-bridge-ending-in-a-curl-on-the-rim-around-the-glass-a-pin-is-attached-that-fixes-the-spoon-to-the-glasses-the-spoon-has-a-hinge-halfway-the-edges-around-the-glasses-are-open-at-the-top-and-bent-back-so-that-they-form-a-hook-with-a-metal-wire-around-it-for-closing-anonymous-netherlands-possibly-c-1675-c-1775-montuur-glazen-grinding-l-9-cm-d-35-cm-image261359120.htmlRMW55X68–Forehead glasses with silver frame and polished round lenses, Forehead glasses with silver frame with spoon attached to the bridge between the lenses and ground round lenses. Model: In the middle of the arch-shaped bridge, ending in a curl on the rim around the glass, a pin is attached that fixes the spoon to the glasses. The spoon has a hinge halfway. The edges around the glasses are open at the top and bent back so that they form a hook with a metal wire around it for closing., anonymous, Netherlands (possibly), c. 1675 - c. 1775, montuur, glazen, grinding, l 9 cm d 3.5 cm
Disoeemib, round arch, stele, limestone, 57 x 36 cm, New Kingdom, 19th Dynasty, EgyptDescription of the Egyptian collection, VI, 24, Pl.IX, B.G. Ockinga, JEA 91 (2005), 87 n. 18 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/disoeemib-round-arch-stele-limestone-57-x-36-cm-new-kingdom-19th-dynasty-egyptdescription-of-the-egyptian-collection-vi-24-plix-bg-ockinga-jea-91-2005-87-n-18-image344568175.htmlRM2B0GC67–Disoeemib, round arch, stele, limestone, 57 x 36 cm, New Kingdom, 19th Dynasty, EgyptDescription of the Egyptian collection, VI, 24, Pl.IX, B.G. Ockinga, JEA 91 (2005), 87 n. 18
Anchhorsaisis, round arch, stele, limestone, 38 x 23 cm, Late Period, 26th Dynasty, 650-640 BC, EgyptDescription of the Egyptian collection, VI, 53, Pl.XXVII, H. de Meulenaere, JEOL 20 (1968), p. 17, no. 84, P. Munro, Totenstelen (Glückstadt 1973), 267 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anchhorsaisis-round-arch-stele-limestone-38-x-23-cm-late-period-26th-dynasty-650-640-bc-egyptdescription-of-the-egyptian-collection-vi-53-plxxvii-h-de-meulenaere-jeol-20-1968-p-17-no-84-p-munro-totenstelen-glckstadt-1973-267-image344569518.htmlRM2B0GDX6–Anchhorsaisis, round arch, stele, limestone, 38 x 23 cm, Late Period, 26th Dynasty, 650-640 BC, EgyptDescription of the Egyptian collection, VI, 53, Pl.XXVII, H. de Meulenaere, JEOL 20 (1968), p. 17, no. 84, P. Munro, Totenstelen (Glückstadt 1973), 267
Allegorical representation with satyrs near portrait medallion and altar, Two satyrs carry a cloth over their heads and flank a medallion with double portrait. In front of them, a woman with garland stands near a burning altar. Putti with buck-legs with masks, garlands and flower basket surround her. In the foreground a round arch with medallions including those of sins., print maker: anonymous, after design by: Jan Goeree, (possibly), 1700 - 1799, paper, engraving, height 228 mm × width 173 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allegorical-representation-with-satyrs-near-portrait-medallion-and-altar-two-satyrs-carry-a-cloth-over-their-heads-and-flank-a-medallion-with-double-portrait-in-front-of-them-a-woman-with-garland-stands-near-a-burning-altar-putti-with-buck-legs-with-masks-garlands-and-flower-basket-surround-her-in-the-foreground-a-round-arch-with-medallions-including-those-of-sins-print-maker-anonymous-after-design-by-jan-goeree-possibly-1700-1799-paper-engraving-height-228-mm-width-173-mm-image473277565.htmlRM2JDYJA5–Allegorical representation with satyrs near portrait medallion and altar, Two satyrs carry a cloth over their heads and flank a medallion with double portrait. In front of them, a woman with garland stands near a burning altar. Putti with buck-legs with masks, garlands and flower basket surround her. In the foreground a round arch with medallions including those of sins., print maker: anonymous, after design by: Jan Goeree, (possibly), 1700 - 1799, paper, engraving, height 228 mm × width 173 mm
Allegorical representation with satyrs near portrait medallion and altar, Two satyrs carry a cloth over their heads and flank a medallion with double portrait. In front of them, a woman with garland stands near a burning altar. Putti with buck-legs with masks, garlands and flower basket surround her. In the foreground a round arch with medallions including those of sins., print maker: anonymous, after design by: Jan Goeree, (possibly), 1700 - 1799, paper, engraving, height 228 mm × width 173 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allegorical-representation-with-satyrs-near-portrait-medallion-and-altar-two-satyrs-carry-a-cloth-over-their-heads-and-flank-a-medallion-with-double-portrait-in-front-of-them-a-woman-with-garland-stands-near-a-burning-altar-putti-with-buck-legs-with-masks-garlands-and-flower-basket-surround-her-in-the-foreground-a-round-arch-with-medallions-including-those-of-sins-print-maker-anonymous-after-design-by-jan-goeree-possibly-1700-1799-paper-engraving-height-228-mm-width-173-mm-image473360332.htmlRM2JE3BX4–Allegorical representation with satyrs near portrait medallion and altar, Two satyrs carry a cloth over their heads and flank a medallion with double portrait. In front of them, a woman with garland stands near a burning altar. Putti with buck-legs with masks, garlands and flower basket surround her. In the foreground a round arch with medallions including those of sins., print maker: anonymous, after design by: Jan Goeree, (possibly), 1700 - 1799, paper, engraving, height 228 mm × width 173 mm
Stove plate with coats of arms and lions, Stove plate made of cast iron, divided into two zones. Two coats of arms are depicted in the upper zone, both with a standing lion. The shields are placed between three columns, on which two double arches rest with sloping work above. In the lower half two standing lions under a round arch, separated by a column. Above the lion are two bunches of grapes., anonymous, Germany, c. 1475 - c. 1525, iron (metal), founding, h 78.0 cm × w 49.0 cm × w 43 kg Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stove-plate-with-coats-of-arms-and-lions-stove-plate-made-of-cast-iron-divided-into-two-zones-two-coats-of-arms-are-depicted-in-the-upper-zone-both-with-a-standing-lion-the-shields-are-placed-between-three-columns-on-which-two-double-arches-rest-with-sloping-work-above-in-the-lower-half-two-standing-lions-under-a-round-arch-separated-by-a-column-above-the-lion-are-two-bunches-of-grapes-anonymous-germany-c-1475-c-1525-iron-metal-founding-h-780-cm-w-490-cm-w-43-kg-image261352178.htmlRMW55HAA–Stove plate with coats of arms and lions, Stove plate made of cast iron, divided into two zones. Two coats of arms are depicted in the upper zone, both with a standing lion. The shields are placed between three columns, on which two double arches rest with sloping work above. In the lower half two standing lions under a round arch, separated by a column. Above the lion are two bunches of grapes., anonymous, Germany, c. 1475 - c. 1525, iron (metal), founding, h 78.0 cm × w 49.0 cm × w 43 kg
Luteplaying painter, painting, Johan van Swieten, c. 1655, Signature front, on the bottom of the easel: Johan van Swieten, panel, oil paint, painted, Overall dimensions according to catalog 1983: 65.2 × 53.1cm 652 × 531mm, With frame: 87.3 x 75.6 x 7.3cm 873 x 756 x 73mm, allegory, making music, skull, lute, artist, studio, interior, Allegorical depiction of self-indulgence, depicted as a painter playing lute in his workroom. In a room closed high by a round arch, almost straight forward and leaning against a table placed to the right in front of a pillar, a painter plays a lute resting on his Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/luteplaying-painter-painting-johan-van-swieten-c-1655-signature-front-on-the-bottom-of-the-easel-johan-van-swieten-panel-oil-paint-painted-overall-dimensions-according-to-catalog-1983-652-531cm-652-531mm-with-frame-873-x-756-x-73cm-873-x-756-x-73mm-allegory-making-music-skull-lute-artist-studio-interior-allegorical-depiction-of-self-indulgence-depicted-as-a-painter-playing-lute-in-his-workroom-in-a-room-closed-high-by-a-round-arch-almost-straight-forward-and-leaning-against-a-table-placed-to-the-right-in-front-of-a-pillar-a-painter-plays-a-lute-resting-on-his-image386385868.htmlRM2DCHB38–Luteplaying painter, painting, Johan van Swieten, c. 1655, Signature front, on the bottom of the easel: Johan van Swieten, panel, oil paint, painted, Overall dimensions according to catalog 1983: 65.2 × 53.1cm 652 × 531mm, With frame: 87.3 x 75.6 x 7.3cm 873 x 756 x 73mm, allegory, making music, skull, lute, artist, studio, interior, Allegorical depiction of self-indulgence, depicted as a painter playing lute in his workroom. In a room closed high by a round arch, almost straight forward and leaning against a table placed to the right in front of a pillar, a painter plays a lute resting on his
Decoration over an Arch with a Landscape Scene in a Round Compartment, Gaetano Galdi, 177, 1770 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-decoration-over-an-arch-with-a-landscape-scene-in-a-round-compartment-162483737.htmlRMKC9NJH–Decoration over an Arch with a Landscape Scene in a Round Compartment, Gaetano Galdi, 177, 1770
Two Schemes for Church Windows, John La Farge, American, 1835–1910, Graphite and watercolor on paper, Two round arched windows in the Byzantine style; left, single arch; right, double arch. Panels of colored marble indicated below., USA, 1890–1900, architecture, interiors, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-schemes-for-church-windows-john-la-farge-american-18351910-graphite-and-watercolor-on-paper-two-round-arched-windows-in-the-byzantine-style-left-single-arch-right-double-arch-panels-of-colored-marble-indicated-below-usa-18901900-architecture-interiors-drawing-image391417325.htmlRM2DMPGP5–Two Schemes for Church Windows, John La Farge, American, 1835–1910, Graphite and watercolor on paper, Two round arched windows in the Byzantine style; left, single arch; right, double arch. Panels of colored marble indicated below., USA, 1890–1900, architecture, interiors, Drawing
Strip of needle lace with falling blossoms, On the field there are circular flowers placed in oblique rows with a hanging twig. Standing arches, supported by round medallions, form a border together with a triple arch sling. Alençon side, anonymous, France, c. 1780 - c. 1790, linen (material), Alençon lace, l 125 cm × w 8 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/strip-of-needle-lace-with-falling-blossoms-on-the-field-there-are-circular-flowers-placed-in-oblique-rows-with-a-hanging-twig-standing-arches-supported-by-round-medallions-form-a-border-together-with-a-triple-arch-sling-alenon-side-anonymous-france-c-1780-c-1790-linen-material-alenon-lace-l-125-cm-w-8-cm-image261353210.htmlRMW55JK6–Strip of needle lace with falling blossoms, On the field there are circular flowers placed in oblique rows with a hanging twig. Standing arches, supported by round medallions, form a border together with a triple arch sling. Alençon side, anonymous, France, c. 1780 - c. 1790, linen (material), Alençon lace, l 125 cm × w 8 cm
Bronze upper-arched fibula (Van Buchem 14Ca) with thick, almost round brace. With button on the foot (Haalebos type C). Bracket decorated with spirals and dot lines. Very cool. Böhme refers to Almgren 16., fibula, arch fibula, metal, bronze, length: 6,9 cm, width: 2,1 cm, height 3,0 cm, roman 41-150 AD, Netherlands, Gelderland, unknown, unknown, Maas or Waal Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bronze-upper-arched-fibula-van-buchem-14ca-with-thick-almost-round-brace-with-button-on-the-foot-haalebos-type-c-bracket-decorated-with-spirals-and-dot-lines-very-cool-bhme-refers-to-almgren-16-fibula-arch-fibula-metal-bronze-length-69-cm-width-21-cm-height-30-cm-roman-41-150-ad-netherlands-gelderland-unknown-unknown-maas-or-waal-image344506061.htmlRM2B0DGYW–Bronze upper-arched fibula (Van Buchem 14Ca) with thick, almost round brace. With button on the foot (Haalebos type C). Bracket decorated with spirals and dot lines. Very cool. Böhme refers to Almgren 16., fibula, arch fibula, metal, bronze, length: 6,9 cm, width: 2,1 cm, height 3,0 cm, roman 41-150 AD, Netherlands, Gelderland, unknown, unknown, Maas or Waal
Gaaischieten in Beveren, medal with inscription 'silk bird no. 3 ', Silver medal consisting of two round plates mounted in a ring, attached to an openwork crown on the supporting ring. Obverse: in relief: two crossed arrows on an arch within an oak wreath. Reverse: inscription inside the inscription, in the reverse side field two nails, with which both sides are joined together, Beveren, anonymous, Belgium, 1847, silver (metal), founding, h 6.2 cm × d 4.7 cm × w 18.85 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gaaischieten-in-beveren-medal-with-inscription-silk-bird-no-3-silver-medal-consisting-of-two-round-plates-mounted-in-a-ring-attached-to-an-openwork-crown-on-the-supporting-ring-obverse-in-relief-two-crossed-arrows-on-an-arch-within-an-oak-wreath-reverse-inscription-inside-the-inscription-in-the-reverse-side-field-two-nails-with-which-both-sides-are-joined-together-beveren-anonymous-belgium-1847-silver-metal-founding-h-62-cm-d-47-cm-w-1885-image261387483.htmlRMW576B7–Gaaischieten in Beveren, medal with inscription 'silk bird no. 3 ', Silver medal consisting of two round plates mounted in a ring, attached to an openwork crown on the supporting ring. Obverse: in relief: two crossed arrows on an arch within an oak wreath. Reverse: inscription inside the inscription, in the reverse side field two nails, with which both sides are joined together, Beveren, anonymous, Belgium, 1847, silver (metal), founding, h 6.2 cm × d 4.7 cm × w 18.85
Jug with a representation of the electors, Stoneware jug on a high foot with a cylindrical body, round shoulder and wide neck. Profiles on the neck, body and foot. Covered with a brown engobe. On the belly in relief a printed and imposed band with bows. Under each arch is a Elector with his respective coat of arms (the Archbishops of Trier, Cologne and Mainz, the King of Bohemia, the Margrave of Brandenburg, Palzgraaf and the Duke of Saxony), with his title in the arc. In the leftmost box the date '1602'. The lower part of the abdomen is sloping towards the foot and has incised pockets Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jug-with-a-representation-of-the-electors-stoneware-jug-on-a-high-foot-with-a-cylindrical-body-round-shoulder-and-wide-neck-profiles-on-the-neck-body-and-foot-covered-with-a-brown-engobe-on-the-belly-in-relief-a-printed-and-imposed-band-with-bows-under-each-arch-is-a-elector-with-his-respective-coat-of-arms-the-archbishops-of-trier-cologne-and-mainz-the-king-of-bohemia-the-margrave-of-brandenburg-palzgraaf-and-the-duke-of-saxony-with-his-title-in-the-arc-in-the-leftmost-box-the-date-1602-the-lower-part-of-the-abdomen-is-sloping-towards-the-foot-and-has-incised-pockets-image261372869.htmlRMW56FN9–Jug with a representation of the electors, Stoneware jug on a high foot with a cylindrical body, round shoulder and wide neck. Profiles on the neck, body and foot. Covered with a brown engobe. On the belly in relief a printed and imposed band with bows. Under each arch is a Elector with his respective coat of arms (the Archbishops of Trier, Cologne and Mainz, the King of Bohemia, the Margrave of Brandenburg, Palzgraaf and the Duke of Saxony), with his title in the arc. In the leftmost box the date '1602'. The lower part of the abdomen is sloping towards the foot and has incised pockets
Jug with a representation of the electors, Stoneware jug on a high foot with a cylindrical body, round shoulder and wide neck. The C-shaped ear is attached to the neck and shoulder. Profiles on the neck, body and foot. Partially covered with cobalt blue and brown. On the belly in relief a printed and imposed band with bows. An Elector with his respective weapon is depicted under each arch. The lower part of the abdomen is sloping towards the foot and is covered with canelures. On the shoulder canelures interspersed with notch. The neck with a band rolling work interrupted by medallions Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jug-with-a-representation-of-the-electors-stoneware-jug-on-a-high-foot-with-a-cylindrical-body-round-shoulder-and-wide-neck-the-c-shaped-ear-is-attached-to-the-neck-and-shoulder-profiles-on-the-neck-body-and-foot-partially-covered-with-cobalt-blue-and-brown-on-the-belly-in-relief-a-printed-and-imposed-band-with-bows-an-elector-with-his-respective-weapon-is-depicted-under-each-arch-the-lower-part-of-the-abdomen-is-sloping-towards-the-foot-and-is-covered-with-canelures-on-the-shoulder-canelures-interspersed-with-notch-the-neck-with-a-band-rolling-work-interrupted-by-medallions-image261367217.htmlRMW568FD–Jug with a representation of the electors, Stoneware jug on a high foot with a cylindrical body, round shoulder and wide neck. The C-shaped ear is attached to the neck and shoulder. Profiles on the neck, body and foot. Partially covered with cobalt blue and brown. On the belly in relief a printed and imposed band with bows. An Elector with his respective weapon is depicted under each arch. The lower part of the abdomen is sloping towards the foot and is covered with canelures. On the shoulder canelures interspersed with notch. The neck with a band rolling work interrupted by medallions
Jug with a representation of the electors, Can of stoneware on high feet with a cylindrical body, round shoulder and narrow neck with a pinched spout. The C-shaped ear is attached to the neck and shoulder. Profiles on the neck, abdomen and foot. Partially covered with cobalt blue. On the belly in relief a printed and imposed band with bows. An Elector with his respective weapon is depicted under each arch. The date '1602' in one box. The lower part of the abdomen runs obliquely down to the foot and is covered with incised compartments with a stamped mandrel. The shoulder is slightly narrower Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jug-with-a-representation-of-the-electors-can-of-stoneware-on-high-feet-with-a-cylindrical-body-round-shoulder-and-narrow-neck-with-a-pinched-spout-the-c-shaped-ear-is-attached-to-the-neck-and-shoulder-profiles-on-the-neck-abdomen-and-foot-partially-covered-with-cobalt-blue-on-the-belly-in-relief-a-printed-and-imposed-band-with-bows-an-elector-with-his-respective-weapon-is-depicted-under-each-arch-the-date-1602-in-one-box-the-lower-part-of-the-abdomen-runs-obliquely-down-to-the-foot-and-is-covered-with-incised-compartments-with-a-stamped-mandrel-the-shoulder-is-slightly-narrower-image261373065.htmlRMW56G09–Jug with a representation of the electors, Can of stoneware on high feet with a cylindrical body, round shoulder and narrow neck with a pinched spout. The C-shaped ear is attached to the neck and shoulder. Profiles on the neck, abdomen and foot. Partially covered with cobalt blue. On the belly in relief a printed and imposed band with bows. An Elector with his respective weapon is depicted under each arch. The date '1602' in one box. The lower part of the abdomen runs obliquely down to the foot and is covered with incised compartments with a stamped mandrel. The shoulder is slightly narrower
Strip of bobbin lace with carnation in a U-shaped reserve, Natural strip of bobbin lace: Mechelen lace. The repeating pattern consists of two compositions, one with a carnation hanging from a U-shaped reserve and the other with an arch formed by two flower branches with one rosette flower in the top. The motifs are connected by a fine mesh ground, the Mechelen ground. The motifs are made in linen with cutouts, and are provided with thicker and shiny contour threads. A decorative ground with snowflakes combined with larger round motifs has been applied in the u-shaped reserves. The scalloped Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/strip-of-bobbin-lace-with-carnation-in-a-u-shaped-reserve-natural-strip-of-bobbin-lace-mechelen-lace-the-repeating-pattern-consists-of-two-compositions-one-with-a-carnation-hanging-from-a-u-shaped-reserve-and-the-other-with-an-arch-formed-by-two-flower-branches-with-one-rosette-flower-in-the-top-the-motifs-are-connected-by-a-fine-mesh-ground-the-mechelen-ground-the-motifs-are-made-in-linen-with-cutouts-and-are-provided-with-thicker-and-shiny-contour-threads-a-decorative-ground-with-snowflakes-combined-with-larger-round-motifs-has-been-applied-in-the-u-shaped-reserves-the-scalloped-image261340205.htmlRMW5522N–Strip of bobbin lace with carnation in a U-shaped reserve, Natural strip of bobbin lace: Mechelen lace. The repeating pattern consists of two compositions, one with a carnation hanging from a U-shaped reserve and the other with an arch formed by two flower branches with one rosette flower in the top. The motifs are connected by a fine mesh ground, the Mechelen ground. The motifs are made in linen with cutouts, and are provided with thicker and shiny contour threads. A decorative ground with snowflakes combined with larger round motifs has been applied in the u-shaped reserves. The scalloped
A bronze fibula. The arch is angled outwards in the middle. On both sides of the curve a broad and long thickening, over the width decorated with several grooves (diameter arc: 0.3 cm, thickenings: 0.6 cm). One end of the arch forms a locking hook. The hook consists of a flat part with the end bent round backwards and decorated along the length with four parallel grooves. The shape and decoration of the bow and hook are reminiscent of a hand and an arm decorated with bracelets. The other end of the arch is spirally bent and merges into an angled outwardly bent needle (diameter: 0.2 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-bronze-fibula-the-arch-is-angled-outwards-in-the-middle-on-both-sides-of-the-curve-a-broad-and-long-thickening-over-the-width-decorated-with-several-grooves-diameter-arc-03-cm-thickenings-06-cm-one-end-of-the-arch-forms-a-locking-hook-the-hook-consists-of-a-flat-part-with-the-end-bent-round-backwards-and-decorated-along-the-length-with-four-parallel-grooves-the-shape-and-decoration-of-the-bow-and-hook-are-reminiscent-of-a-hand-and-an-arm-decorated-with-bracelets-the-other-end-of-the-arch-is-spirally-bent-and-merges-into-an-angled-outwardly-bent-needle-diameter-02-cm-image344518387.htmlRM2B0E4M3–A bronze fibula. The arch is angled outwards in the middle. On both sides of the curve a broad and long thickening, over the width decorated with several grooves (diameter arc: 0.3 cm, thickenings: 0.6 cm). One end of the arch forms a locking hook. The hook consists of a flat part with the end bent round backwards and decorated along the length with four parallel grooves. The shape and decoration of the bow and hook are reminiscent of a hand and an arm decorated with bracelets. The other end of the arch is spirally bent and merges into an angled outwardly bent needle (diameter: 0.2 cm
Strip of bobbin lace with bows of stems with a large round flower, Strip of natural-colored bobbin lace: Mechelen lace. The repeating symmetrical pattern consists of an arc formed by two hanging flower stems, with a large round flower with a worked-out heart of flowers and a whimsically lobed edge halfway through. Under the arch there is an oval cartouche along the underside of the strip, flanked by pointed leaves and topped by a v-shaped leaf with a loose flower above it. The motifs are connected by a nice mesh ground, a Mechelen ground. The motifs are made of linen with few cut-outs and Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/strip-of-bobbin-lace-with-bows-of-stems-with-a-large-round-flower-strip-of-natural-colored-bobbin-lace-mechelen-lace-the-repeating-symmetrical-pattern-consists-of-an-arc-formed-by-two-hanging-flower-stems-with-a-large-round-flower-with-a-worked-out-heart-of-flowers-and-a-whimsically-lobed-edge-halfway-through-under-the-arch-there-is-an-oval-cartouche-along-the-underside-of-the-strip-flanked-by-pointed-leaves-and-topped-by-a-v-shaped-leaf-with-a-loose-flower-above-it-the-motifs-are-connected-by-a-nice-mesh-ground-a-mechelen-ground-the-motifs-are-made-of-linen-with-few-cut-outs-and-image261341203.htmlRMW553AB–Strip of bobbin lace with bows of stems with a large round flower, Strip of natural-colored bobbin lace: Mechelen lace. The repeating symmetrical pattern consists of an arc formed by two hanging flower stems, with a large round flower with a worked-out heart of flowers and a whimsically lobed edge halfway through. Under the arch there is an oval cartouche along the underside of the strip, flanked by pointed leaves and topped by a v-shaped leaf with a loose flower above it. The motifs are connected by a nice mesh ground, a Mechelen ground. The motifs are made of linen with few cut-outs and
Face à main with gilt copper frame with white and dark blue enamel, Glasses, face à main, with round glasses, gilt copper frame with white and dark blue enamel. Handle in the shape of a spoon handle, eyelets for a chain. At the top there are narrow round rings around the glasses, which have a round facet for close viewing. Round nose arch and relief embossed, with hinges. A spring is concealed in the stem and is operated with a small button at the bottom, so that the two glasses can be folded together. Embellishment: a slender white-rimmed drop in gold runs into the slender part of the stem Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/face-main-with-gilt-copper-frame-with-white-and-dark-blue-enamel-glasses-face-main-with-round-glasses-gilt-copper-frame-with-white-and-dark-blue-enamel-handle-in-the-shape-of-a-spoon-handle-eyelets-for-a-chain-at-the-top-there-are-narrow-round-rings-around-the-glasses-which-have-a-round-facet-for-close-viewing-round-nose-arch-and-relief-embossed-with-hinges-a-spring-is-concealed-in-the-stem-and-is-operated-with-a-small-button-at-the-bottom-so-that-the-two-glasses-can-be-folded-together-embellishment-a-slender-white-rimmed-drop-in-gold-runs-into-the-slender-part-of-the-stem-image261344356.htmlRMW557B0–Face à main with gilt copper frame with white and dark blue enamel, Glasses, face à main, with round glasses, gilt copper frame with white and dark blue enamel. Handle in the shape of a spoon handle, eyelets for a chain. At the top there are narrow round rings around the glasses, which have a round facet for close viewing. Round nose arch and relief embossed, with hinges. A spring is concealed in the stem and is operated with a small button at the bottom, so that the two glasses can be folded together. Embellishment: a slender white-rimmed drop in gold runs into the slender part of the stem
Strip of machine side with a large flower under a flower arch with a bending flower branch over it, Strip of natural-colored machine side: machine Alençon side. The repeating pattern consists of an arch of concatenated flowers, starting and ending with a curved and feathered leaf. Underneath one of these leaves is a row of five C-shaped curls. In the field under the arch one large round flower with heart-shaped petals around an oval flower heart. A flower branch springs from the side of the flower arch, which bends back towards the arch where it bends over halfway. One large and several Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/strip-of-machine-side-with-a-large-flower-under-a-flower-arch-with-a-bending-flower-branch-over-it-strip-of-natural-colored-machine-side-machine-alenon-side-the-repeating-pattern-consists-of-an-arch-of-concatenated-flowers-starting-and-ending-with-a-curved-and-feathered-leaf-underneath-one-of-these-leaves-is-a-row-of-five-c-shaped-curls-in-the-field-under-the-arch-one-large-round-flower-with-heart-shaped-petals-around-an-oval-flower-heart-a-flower-branch-springs-from-the-side-of-the-flower-arch-which-bends-back-towards-the-arch-where-it-bends-over-halfway-one-large-and-several-image261348222.htmlRMW55C92–Strip of machine side with a large flower under a flower arch with a bending flower branch over it, Strip of natural-colored machine side: machine Alençon side. The repeating pattern consists of an arch of concatenated flowers, starting and ending with a curved and feathered leaf. Underneath one of these leaves is a row of five C-shaped curls. In the field under the arch one large round flower with heart-shaped petals around an oval flower heart. A flower branch springs from the side of the flower arch, which bends back towards the arch where it bends over halfway. One large and several
![Jug with scenes of a dancing couple, Stoneware jug on high feet with a cylindrical body, round shoulder and wide, ribbed neck. Profiles on the body and foot. Covered with a brown engobe. On the belly in relief a printed and imposed band with bows. The musicians are depicted under the first arch, the other arches with a dancing couple. In the second box from the left the date '1597'. Under the band the inscription 'GERHET DV MVS DAPER BLASEN SO DANSSEN DI BVREN ALS WEREN SI RASEN FRS VF SPRICHT BASTOR ICH VER DANS DI K [...]'. The lower part of the abdomen is sloping towards the foot and has Stock Photo](https://c8.alamy.com/comp/W55RF1/jug-with-scenes-of-a-dancing-couple-stoneware-jug-on-high-feet-with-a-cylindrical-body-round-shoulder-and-wide-ribbed-neck-profiles-on-the-body-and-foot-covered-with-a-brown-engobe-on-the-belly-in-relief-a-printed-and-imposed-band-with-bows-the-musicians-are-depicted-under-the-first-arch-the-other-arches-with-a-dancing-couple-in-the-second-box-from-the-left-the-date-1597-under-the-band-the-inscription-gerhet-dv-mvs-daper-blasen-so-danssen-di-bvren-als-weren-si-rasen-frs-vf-spricht-bastor-ich-ver-dans-di-k-the-lower-part-of-the-abdomen-is-sloping-towards-the-foot-and-has-W55RF1.jpg "Jug with scenes of a dancing couple, Stoneware jug on high feet with a cylindrical body, round shoulder and wide, ribbed neck. Profiles on the body and foot. Covered with a brown engobe. On the belly in relief a printed and imposed band with bows. The musicians are depicted under the first arch, the other arches with a dancing couple. In the second box from the left the date '1597'. Under the band the inscription 'GERHET DV MVS DAPER BLASEN SO DANSSEN DI BVREN ALS WEREN SI RASEN FRS VF SPRICHT BASTOR ICH VER DANS DI K [...]'. The lower part of the abdomen is sloping towards the foot and has Stock Photo")
Jug with scenes of a dancing couple, Stoneware jug on high feet with a cylindrical body, round shoulder and wide, ribbed neck. Profiles on the body and foot. Covered with a brown engobe. On the belly in relief a printed and imposed band with bows. The musicians are depicted under the first arch, the other arches with a dancing couple. In the second box from the left the date '1597'. Under the band the inscription 'GERHET DV MVS DAPER BLASEN SO DANSSEN DI BVREN ALS WEREN SI RASEN FRS VF SPRICHT BASTOR ICH VER DANS DI K [...]'. The lower part of the abdomen is sloping towards the foot and has Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jug-with-scenes-of-a-dancing-couple-stoneware-jug-on-high-feet-with-a-cylindrical-body-round-shoulder-and-wide-ribbed-neck-profiles-on-the-body-and-foot-covered-with-a-brown-engobe-on-the-belly-in-relief-a-printed-and-imposed-band-with-bows-the-musicians-are-depicted-under-the-first-arch-the-other-arches-with-a-dancing-couple-in-the-second-box-from-the-left-the-date-1597-under-the-band-the-inscription-gerhet-dv-mvs-daper-blasen-so-danssen-di-bvren-als-weren-si-rasen-frs-vf-spricht-bastor-ich-ver-dans-di-k-the-lower-part-of-the-abdomen-is-sloping-towards-the-foot-and-has-image261357013.htmlRMW55RF1–Jug with scenes of a dancing couple, Stoneware jug on high feet with a cylindrical body, round shoulder and wide, ribbed neck. Profiles on the body and foot. Covered with a brown engobe. On the belly in relief a printed and imposed band with bows. The musicians are depicted under the first arch, the other arches with a dancing couple. In the second box from the left the date '1597'. Under the band the inscription 'GERHET DV MVS DAPER BLASEN SO DANSSEN DI BVREN ALS WEREN SI RASEN FRS VF SPRICHT BASTOR ICH VER DANS DI K [...]'. The lower part of the abdomen is sloping towards the foot and has
Crossbow Crossbow, Target crossbow, so-called foot arch with English tensioner (not the original tensioner). Column of (elm) wood. On top of the column, for a separate visor piece with thumb cavity, a round inlaid bone image. The bolt yellow of iron ends at the front in a strip of bone. Iron foot bracket and trigger guard. Undefinable mark (crowned coat of arms?) On the inside of the bow., anonymous, Nederlanden, c. 1500 - c. 1600, wood (plant material), steel (alloy), iron (metal), bone (material), forging, l 132.5 cm w 80.0 cm × d 18.0 cm × w 10 kg Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/crossbow-crossbow-target-crossbow-so-called-foot-arch-with-english-tensioner-not-the-original-tensioner-column-of-elm-wood-on-top-of-the-column-for-a-separate-visor-piece-with-thumb-cavity-a-round-inlaid-bone-image-the-bolt-yellow-of-iron-ends-at-the-front-in-a-strip-of-bone-iron-foot-bracket-and-trigger-guard-undefinable-mark-crowned-coat-of-arms-on-the-inside-of-the-bow-anonymous-nederlanden-c-1500-c-1600-wood-plant-material-steel-alloy-iron-metal-bone-material-forging-l-1325-cm-w-800-cm-d-180-cm-w-10-kg-image261383033.htmlRMW570M9–Crossbow Crossbow, Target crossbow, so-called foot arch with English tensioner (not the original tensioner). Column of (elm) wood. On top of the column, for a separate visor piece with thumb cavity, a round inlaid bone image. The bolt yellow of iron ends at the front in a strip of bone. Iron foot bracket and trigger guard. Undefinable mark (crowned coat of arms?) On the inside of the bow., anonymous, Nederlanden, c. 1500 - c. 1600, wood (plant material), steel (alloy), iron (metal), bone (material), forging, l 132.5 cm w 80.0 cm × d 18.0 cm × w 10 kg
Plate 9: the Arch of Constantine to left, seen from the side, part of the Colosseum to right, various horses and figures Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-plate-9-the-arch-of-constantine-to-left-seen-from-the-side-part-of-162492811.htmlRMKCA56K–Plate 9: the Arch of Constantine to left, seen from the side, part of the Colosseum to right, various horses and figures
Plate 9: the Arch of Constantine to left, seen from the side, part of the Colosseum to right, various horses and figures Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-plate-9-the-arch-of-constantine-to-left-seen-from-the-side-part-of-162497595.htmlRMKCAB9F–Plate 9: the Arch of Constantine to left, seen from the side, part of the Colosseum to right, various horses and figures
A red-nested lamp with a round body on a flat base. The concave mirror is surrounded by recessed concentric circles and is decorated with a relief of Eros with a large semi-circular object (arch?). The short, broad spout with a large fire hole is decorated with volutes and round closed. The small filling hole is located at the bottom right of the figure. Brand: D in relief, oil lamp, earthenware, terracotta, 3 x 10.2 x 6.5 cm, 1st and 2nd century AD. 1-200, Turkey Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-red-nested-lamp-with-a-round-body-on-a-flat-base-the-concave-mirror-is-surrounded-by-recessed-concentric-circles-and-is-decorated-with-a-relief-of-eros-with-a-large-semi-circular-object-arch-the-short-broad-spout-with-a-large-fire-hole-is-decorated-with-volutes-and-round-closed-the-small-filling-hole-is-located-at-the-bottom-right-of-the-figure-brand-d-in-relief-oil-lamp-earthenware-terracotta-3-x-102-x-65-cm-1st-and-2nd-century-ad-1-200-turkey-image344490664.htmlRM2B0CWA0–A red-nested lamp with a round body on a flat base. The concave mirror is surrounded by recessed concentric circles and is decorated with a relief of Eros with a large semi-circular object (arch?). The short, broad spout with a large fire hole is decorated with volutes and round closed. The small filling hole is located at the bottom right of the figure. Brand: D in relief, oil lamp, earthenware, terracotta, 3 x 10.2 x 6.5 cm, 1st and 2nd century AD. 1-200, Turkey
Batker handkerchief finished all round with bobbin lace with a pine cone-shaped cartouche in each corner with rosette flower, Natural batist handkerchief finished with natural-colored bobbin lace all around: fine Bruges floral work. Symmetrical pattern with a pine cone-shaped cartouche in each corner with a rosette flower on a long straight stem with two pairs of oval petals. Four c-volutes connected together on each side with a zigzag line in it. In the middle of each side, the point of contact of two c-volutes is crowned by a flower with three oval petals. The flower is flanked by two round Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/batker-handkerchief-finished-all-round-with-bobbin-lace-with-a-pine-cone-shaped-cartouche-in-each-corner-with-rosette-flower-natural-batist-handkerchief-finished-with-natural-colored-bobbin-lace-all-around-fine-bruges-floral-work-symmetrical-pattern-with-a-pine-cone-shaped-cartouche-in-each-corner-with-a-rosette-flower-on-a-long-straight-stem-with-two-pairs-of-oval-petals-four-c-volutes-connected-together-on-each-side-with-a-zigzag-line-in-it-in-the-middle-of-each-side-the-point-of-contact-of-two-c-volutes-is-crowned-by-a-flower-with-three-oval-petals-the-flower-is-flanked-by-two-round-image261344411.htmlRMW557CY–Batker handkerchief finished all round with bobbin lace with a pine cone-shaped cartouche in each corner with rosette flower, Natural batist handkerchief finished with natural-colored bobbin lace all around: fine Bruges floral work. Symmetrical pattern with a pine cone-shaped cartouche in each corner with a rosette flower on a long straight stem with two pairs of oval petals. Four c-volutes connected together on each side with a zigzag line in it. In the middle of each side, the point of contact of two c-volutes is crowned by a flower with three oval petals. The flower is flanked by two round
Hercules armed, The history of Hercules (series title), In a round temple stands on a tiled floor in the middle front a column with a statue of a god a knight assisted by two squires. The inscription on the skirt is in its mail chain: HERCULES. Hercules leans his arm on the head of one of the squires. He raised the other arm. Hercules and the gunman wear a flat bonnet of red with a stored edge. The rear wall again has screened windows and hooks have a coat of arms and a helmet on the left. The blue domed roof has a lucarne with two side turrets with pinnacles, forming a canopy for the image Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hercules-armed-the-history-of-hercules-series-title-in-a-round-temple-stands-on-a-tiled-floor-in-the-middle-front-a-column-with-a-statue-of-a-god-a-knight-assisted-by-two-squires-the-inscription-on-the-skirt-is-in-its-mail-chain-hercules-hercules-leans-his-arm-on-the-head-of-one-of-the-squires-he-raised-the-other-arm-hercules-and-the-gunman-wear-a-flat-bonnet-of-red-with-a-stored-edge-the-rear-wall-again-has-screened-windows-and-hooks-have-a-coat-of-arms-and-a-helmet-on-the-left-the-blue-domed-roof-has-a-lucarne-with-two-side-turrets-with-pinnacles-forming-a-canopy-for-the-image-image261332017.htmlRMW54KJ9–Hercules armed, The history of Hercules (series title), In a round temple stands on a tiled floor in the middle front a column with a statue of a god a knight assisted by two squires. The inscription on the skirt is in its mail chain: HERCULES. Hercules leans his arm on the head of one of the squires. He raised the other arm. Hercules and the gunman wear a flat bonnet of red with a stored edge. The rear wall again has screened windows and hooks have a coat of arms and a helmet on the left. The blue domed roof has a lucarne with two side turrets with pinnacles, forming a canopy for the image
Harbor at Sunrise, An imaginary harbor at the crack of the day. On the right a Roman triumphal arch (based on the Arco degli Argentieri in Rome) with four travelers below. Behind the triumphal arch a sailing ship with two yellow flags on the masts. On the left a round tower (based on the tower of the castle in Tivoli) with four ships around it. In the background an antique city with a pyramid and buildings decorated with statues. In the foreground on the left a boat, two talking men, a man carrying a barrel on his back and a sleeping man with a walking stick next to him. On the horizon in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/harbor-at-sunrise-an-imaginary-harbor-at-the-crack-of-the-day-on-the-right-a-roman-triumphal-arch-based-on-the-arco-degli-argentieri-in-rome-with-four-travelers-below-behind-the-triumphal-arch-a-sailing-ship-with-two-yellow-flags-on-the-masts-on-the-left-a-round-tower-based-on-the-tower-of-the-castle-in-tivoli-with-four-ships-around-it-in-the-background-an-antique-city-with-a-pyramid-and-buildings-decorated-with-statues-in-the-foreground-on-the-left-a-boat-two-talking-men-a-man-carrying-a-barrel-on-his-back-and-a-sleeping-man-with-a-walking-stick-next-to-him-on-the-horizon-in-image261412378.htmlRMW58A4A–Harbor at Sunrise, An imaginary harbor at the crack of the day. On the right a Roman triumphal arch (based on the Arco degli Argentieri in Rome) with four travelers below. Behind the triumphal arch a sailing ship with two yellow flags on the masts. On the left a round tower (based on the tower of the castle in Tivoli) with four ships around it. In the background an antique city with a pyramid and buildings decorated with statues. In the foreground on the left a boat, two talking men, a man carrying a barrel on his back and a sleeping man with a walking stick next to him. On the horizon in
Almost circular slate, uneven surface, slate soil found slate stone, cutted Round cut disc arch archeology Valckensteyn Poortugaal Albrandswaard stone building play Soil discovery: castle Valckensteyn in Poortugaal now Albrandswaard 1961. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/almost-circular-slate-uneven-surface-slate-soil-found-slate-stone-cutted-round-cut-disc-arch-archeology-valckensteyn-poortugaal-albrandswaard-stone-building-play-soil-discovery-castle-valckensteyn-in-poortugaal-now-albrandswaard-1961-image228086672.htmlRMR726TG–Almost circular slate, uneven surface, slate soil found slate stone, cutted Round cut disc arch archeology Valckensteyn Poortugaal Albrandswaard stone building play Soil discovery: castle Valckensteyn in Poortugaal now Albrandswaard 1961.
Stage Design, Imaginary City, Pen and brown ink on paper with uneven edges, lined with cream paper, Horizontal rectangle. Design for a stage set. Broad staircases leading up to a group of classical temples of various shapes (rectangular and round). A large arch spans above the staircases., Italy, early 19th century, theater, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stage-design-imaginary-city-pen-and-brown-ink-on-paper-with-uneven-edges-lined-with-cream-paper-horizontal-rectangle-design-for-a-stage-set-broad-staircases-leading-up-to-a-group-of-classical-temples-of-various-shapes-rectangular-and-round-a-large-arch-spans-above-the-staircases-italy-early-19th-century-theater-drawing-image391246303.htmlRM2DMEPJ7–Stage Design, Imaginary City, Pen and brown ink on paper with uneven edges, lined with cream paper, Horizontal rectangle. Design for a stage set. Broad staircases leading up to a group of classical temples of various shapes (rectangular and round). A large arch spans above the staircases., Italy, early 19th century, theater, Drawing
Bronze arch fibula (Haalebos type B), intact, with round brace, which is separated from the long flat foot by an all-round thickening. At the end of the foot a button. Pearl stripe on the bow, fibula, bow fibula, metal, bronze, 5.9 x 2.5 cm, roman 27 BC-41 AD, Netherlands, Gelderland, Neder-Betuwe, Kesteren, Hoge Woerd Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bronze-arch-fibula-haalebos-type-b-intact-with-round-brace-which-is-separated-from-the-long-flat-foot-by-an-all-round-thickening-at-the-end-of-the-foot-a-button-pearl-stripe-on-the-bow-fibula-bow-fibula-metal-bronze-59-x-25-cm-roman-27-bc-41-ad-netherlands-gelderland-neder-betuwe-kesteren-hoge-woerd-image344570295.htmlRM2B0GEWY–Bronze arch fibula (Haalebos type B), intact, with round brace, which is separated from the long flat foot by an all-round thickening. At the end of the foot a button. Pearl stripe on the bow, fibula, bow fibula, metal, bronze, 5.9 x 2.5 cm, roman 27 BC-41 AD, Netherlands, Gelderland, Neder-Betuwe, Kesteren, Hoge Woerd
Pottery pot on stand, baluster shape, used in the sugar industry, sugar bowl pot holder soil find ceramic earthenware glaze lead glaze, hand turned glazed earthenware pot on stand. Baluster shape with round shoulder and narrow neck opening Thick and rounded neckline including waistline. Red shard internally glazed Blurred spinning of the entire height and shallow dent in the sidewall under the arch archeology indigenous pottery sugar sugar industry confectionery Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pottery-pot-on-stand-baluster-shape-used-in-the-sugar-industry-sugar-bowl-pot-holder-soil-find-ceramic-earthenware-glaze-lead-glaze-hand-turned-glazed-earthenware-pot-on-stand-baluster-shape-with-round-shoulder-and-narrow-neck-opening-thick-and-rounded-neckline-including-waistline-red-shard-internally-glazed-blurred-spinning-of-the-entire-height-and-shallow-dent-in-the-sidewall-under-the-arch-archeology-indigenous-pottery-sugar-sugar-industry-confectionery-image228092050.htmlRMR72DMJ–Pottery pot on stand, baluster shape, used in the sugar industry, sugar bowl pot holder soil find ceramic earthenware glaze lead glaze, hand turned glazed earthenware pot on stand. Baluster shape with round shoulder and narrow neck opening Thick and rounded neckline including waistline. Red shard internally glazed Blurred spinning of the entire height and shallow dent in the sidewall under the arch archeology indigenous pottery sugar sugar industry confectionery
Elevation of a bell tower, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Three stories; beside the lower and the central ones are remnants of designs of architecture. The plans of the lower stories are octagonal. Both have openings at the front, with balustrades below. The lower one has the shape of an arch. The upper one is angular. Above the entablature of the central story stand statues. The top story has the shape of a round pavilion, with pairs of columns supporting the entablature. Three bells are shown. Colored backgound Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elevation-of-a-bell-tower-giuseppe-barberi-italian-17461809-pen-and-brown-ink-brush-and-brown-wash-on-lined-off-white-laid-paper-three-stories-beside-the-lower-and-the-central-ones-are-remnants-of-designs-of-architecture-the-plans-of-the-lower-stories-are-octagonal-both-have-openings-at-the-front-with-balustrades-below-the-lower-one-has-the-shape-of-an-arch-the-upper-one-is-angular-above-the-entablature-of-the-central-story-stand-statues-the-top-story-has-the-shape-of-a-round-pavilion-with-pairs-of-columns-supporting-the-entablature-three-bells-are-shown-colored-backgound-image391709294.htmlRM2DN7W5J–Elevation of a bell tower, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Three stories; beside the lower and the central ones are remnants of designs of architecture. The plans of the lower stories are octagonal. Both have openings at the front, with balustrades below. The lower one has the shape of an arch. The upper one is angular. Above the entablature of the central story stand statues. The top story has the shape of a round pavilion, with pairs of columns supporting the entablature. Three bells are shown. Colored backgound
Pomellum with acanthus leaf and text band, The object made of copper plate consists of two hemispheres, tinned on the inside, and decorated with an engraved continuous acanthus ornament, in which two or three figures with lance or arrow and arch are included and the round openings are labeled with gothic minuskels jesus, maria, johes. There is a band on the outer edge of one sphere that closes on another., anonymous, Germany (possibly), c. 1500 - c. 1550, copper (metal), gilding (material), tin (metal), gilding, h 5.9 cm × d 6.4 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pomellum-with-acanthus-leaf-and-text-band-the-object-made-of-copper-plate-consists-of-two-hemispheres-tinned-on-the-inside-and-decorated-with-an-engraved-continuous-acanthus-ornament-in-which-two-or-three-figures-with-lance-or-arrow-and-arch-are-included-and-the-round-openings-are-labeled-with-gothic-minuskels-jesus-maria-johes-there-is-a-band-on-the-outer-edge-of-one-sphere-that-closes-on-another-anonymous-germany-possibly-c-1500-c-1550-copper-metal-gilding-material-tin-metal-gilding-h-59-cm-d-64-cm-image261364271.htmlRMW564P7–Pomellum with acanthus leaf and text band, The object made of copper plate consists of two hemispheres, tinned on the inside, and decorated with an engraved continuous acanthus ornament, in which two or three figures with lance or arrow and arch are included and the round openings are labeled with gothic minuskels jesus, maria, johes. There is a band on the outer edge of one sphere that closes on another., anonymous, Germany (possibly), c. 1500 - c. 1550, copper (metal), gilding (material), tin (metal), gilding, h 5.9 cm × d 6.4 cm
Pottery cooking pot, large format, half round on three legs, two ears, cooking pot crockery holder kitchen utensils earthenware ceramics earthenware glaze lead glaze, hand-turned glazed fried Large pot of red earthenware half round shape three legs of which two in plaster profiled edge two pinched ears rotations Wide top arch archeology Valckensteyn Poortugaal Albrandswaard indigenous pottery kitchen cooking nutrition food preparation Soil discovery: canal at kitchen castle Valckensteyn at Poortugaal now Albrandswaard 1962 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pottery-cooking-pot-large-format-half-round-on-three-legs-two-ears-cooking-pot-crockery-holder-kitchen-utensils-earthenware-ceramics-earthenware-glaze-lead-glaze-hand-turned-glazed-fried-large-pot-of-red-earthenware-half-round-shape-three-legs-of-which-two-in-plaster-profiled-edge-two-pinched-ears-rotations-wide-top-arch-archeology-valckensteyn-poortugaal-albrandswaard-indigenous-pottery-kitchen-cooking-nutrition-food-preparation-soil-discovery-canal-at-kitchen-castle-valckensteyn-at-poortugaal-now-albrandswaard-1962-image228086599.htmlRMR726NY–Pottery cooking pot, large format, half round on three legs, two ears, cooking pot crockery holder kitchen utensils earthenware ceramics earthenware glaze lead glaze, hand-turned glazed fried Large pot of red earthenware half round shape three legs of which two in plaster profiled edge two pinched ears rotations Wide top arch archeology Valckensteyn Poortugaal Albrandswaard indigenous pottery kitchen cooking nutrition food preparation Soil discovery: canal at kitchen castle Valckensteyn at Poortugaal now Albrandswaard 1962
Cachet with the coat of arms of Pieter Labbert (?) Schmidt, On the one side a rock crystal is attached to the golden dangle with eyelet and bearing ring. The crystal has three oval sides, one of which is decorated with a coat of arms. A copper pendant is attached to the other side of the pendant, consisting of a round closure with a carrying eye, two links and a holder with a carrying eye. The holder is empty and has the shape of a gothic arch, Pieter Labbert Schmidt, Colombo, 1700 - 1750, gold (metal), copper (metal), grinding, h 1.3 cm × w 1.1 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cachet-with-the-coat-of-arms-of-pieter-labbert-schmidt-on-the-one-side-a-rock-crystal-is-attached-to-the-golden-dangle-with-eyelet-and-bearing-ring-the-crystal-has-three-oval-sides-one-of-which-is-decorated-with-a-coat-of-arms-a-copper-pendant-is-attached-to-the-other-side-of-the-pendant-consisting-of-a-round-closure-with-a-carrying-eye-two-links-and-a-holder-with-a-carrying-eye-the-holder-is-empty-and-has-the-shape-of-a-gothic-arch-pieter-labbert-schmidt-colombo-1700-1750-gold-metal-copper-metal-grinding-h-13-cm-w-11-cm-image261379036.htmlRMW56RHG–Cachet with the coat of arms of Pieter Labbert (?) Schmidt, On the one side a rock crystal is attached to the golden dangle with eyelet and bearing ring. The crystal has three oval sides, one of which is decorated with a coat of arms. A copper pendant is attached to the other side of the pendant, consisting of a round closure with a carrying eye, two links and a holder with a carrying eye. The holder is empty and has the shape of a gothic arch, Pieter Labbert Schmidt, Colombo, 1700 - 1750, gold (metal), copper (metal), grinding, h 1.3 cm × w 1.1 cm
Machine-made insert with oak leaves, Machine-made insert: machine embroidery on machine lawn. The pattern consists of a slightly wavy thin center line, with an oak leaf and a dot on each side immediately after each other. The top and bottom of the strip are finished with a scallop edge. Each scallop is a pointed arch, accented by three contour threads and with a dot in the center. The scallops are finished with round loops made on the tulle., anonymous, Plauen, c. 1890 - c. 1909, cotton (textile), l 74 cm × w 5 cm ×, 1.3 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/machine-made-insert-with-oak-leaves-machine-made-insert-machine-embroidery-on-machine-lawn-the-pattern-consists-of-a-slightly-wavy-thin-center-line-with-an-oak-leaf-and-a-dot-on-each-side-immediately-after-each-other-the-top-and-bottom-of-the-strip-are-finished-with-a-scallop-edge-each-scallop-is-a-pointed-arch-accented-by-three-contour-threads-and-with-a-dot-in-the-center-the-scallops-are-finished-with-round-loops-made-on-the-tulle-anonymous-plauen-c-1890-c-1909-cotton-textile-l-74-cm-w-5-cm-13-cm-image261373733.htmlRMW56GT5–Machine-made insert with oak leaves, Machine-made insert: machine embroidery on machine lawn. The pattern consists of a slightly wavy thin center line, with an oak leaf and a dot on each side immediately after each other. The top and bottom of the strip are finished with a scallop edge. Each scallop is a pointed arch, accented by three contour threads and with a dot in the center. The scallops are finished with round loops made on the tulle., anonymous, Plauen, c. 1890 - c. 1909, cotton (textile), l 74 cm × w 5 cm ×, 1.3 cm
Castel Sant'Angelo, Rome, John Inigo Richards RA, 1730/31?–1810, British, 1776, Oil on canvas, Support (PTG): 15 3/8 x 20 1/4 inches (39.1 x 51.4 cm), animal, arch, architectural subject, architecture, Architecture--Classical, Architecture--Roman, buildings, castle, children, city, cityscape, Classical, cylindrical, dog (animal), figures (illustrations), fortress, landscape, mausoleum, men, monument, path, road, Roman (style or period), round, sky, stone, umbrella, view, wall, women, Castel Sant'Angelo, Italy, Lazio, Rome Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/castel-santangelo-rome-john-inigo-richards-ra-1730311810-british-1776-oil-on-canvas-support-ptg-15-38-x-20-14-inches-391-x-514-cm-animal-arch-architectural-subject-architecture-architecture-classical-architecture-roman-buildings-castle-children-city-cityscape-classical-cylindrical-dog-animal-figures-illustrations-fortress-landscape-mausoleum-men-monument-path-road-roman-style-or-period-round-sky-stone-umbrella-view-wall-women-castel-santangelo-italy-lazio-rome-image389593353.htmlRM2DHRE89–Castel Sant'Angelo, Rome, John Inigo Richards RA, 1730/31?–1810, British, 1776, Oil on canvas, Support (PTG): 15 3/8 x 20 1/4 inches (39.1 x 51.4 cm), animal, arch, architectural subject, architecture, Architecture--Classical, Architecture--Roman, buildings, castle, children, city, cityscape, Classical, cylindrical, dog (animal), figures (illustrations), fortress, landscape, mausoleum, men, monument, path, road, Roman (style or period), round, sky, stone, umbrella, view, wall, women, Castel Sant'Angelo, Italy, Lazio, Rome
lantern, Anonymous, 18th century, wood, iron, forged, Hexagonal candle lantern made of black painted sheet iron with straight walls. The six walls, reinforced with rods at the corners, have arched windows, one of which is a hinged door. One of the windows is missing. The bottom is mounted on a wooden supporting cross and on the inside there are three cylindrical candle holders. The pagoda-shaped roof, which is profiled in three layers, has arch-shaped, round-covered ventilation holes. The bottom layer two holes per side and the two above one. On top of the lantern roof is a flat sheet iron Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lantern-anonymous-18th-century-wood-iron-forged-hexagonal-candle-lantern-made-of-black-painted-sheet-iron-with-straight-walls-the-six-walls-reinforced-with-rods-at-the-corners-have-arched-windows-one-of-which-is-a-hinged-door-one-of-the-windows-is-missing-the-bottom-is-mounted-on-a-wooden-supporting-cross-and-on-the-inside-there-are-three-cylindrical-candle-holders-the-pagoda-shaped-roof-which-is-profiled-in-three-layers-has-arch-shaped-round-covered-ventilation-holes-the-bottom-layer-two-holes-per-side-and-the-two-above-one-on-top-of-the-lantern-roof-is-a-flat-sheet-iron-image387986557.htmlRM2DF68PN–lantern, Anonymous, 18th century, wood, iron, forged, Hexagonal candle lantern made of black painted sheet iron with straight walls. The six walls, reinforced with rods at the corners, have arched windows, one of which is a hinged door. One of the windows is missing. The bottom is mounted on a wooden supporting cross and on the inside there are three cylindrical candle holders. The pagoda-shaped roof, which is profiled in three layers, has arch-shaped, round-covered ventilation holes. The bottom layer two holes per side and the two above one. On top of the lantern roof is a flat sheet iron
lantern, Anonymous, 18th century, wood, iron, forged, Hexagonal candle lantern made of black painted sheet iron with straight walls. The six walls, reinforced with rods at the corners, have arched windows, one of which is a hinged door. One of the windows is missing. The bottom is mounted on a wooden supporting cross and on the inside there are three cylindrical candle holders. The pagoda-shaped roof, which is profiled in three layers, has arch-shaped, round-covered ventilation holes. The bottom layer two holes per side and the two above one. On top of the lantern roof is a flat sheet iron Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lantern-anonymous-18th-century-wood-iron-forged-hexagonal-candle-lantern-made-of-black-painted-sheet-iron-with-straight-walls-the-six-walls-reinforced-with-rods-at-the-corners-have-arched-windows-one-of-which-is-a-hinged-door-one-of-the-windows-is-missing-the-bottom-is-mounted-on-a-wooden-supporting-cross-and-on-the-inside-there-are-three-cylindrical-candle-holders-the-pagoda-shaped-roof-which-is-profiled-in-three-layers-has-arch-shaped-round-covered-ventilation-holes-the-bottom-layer-two-holes-per-side-and-the-two-above-one-on-top-of-the-lantern-roof-is-a-flat-sheet-iron-image387986577.htmlRM2DF68RD–lantern, Anonymous, 18th century, wood, iron, forged, Hexagonal candle lantern made of black painted sheet iron with straight walls. The six walls, reinforced with rods at the corners, have arched windows, one of which is a hinged door. One of the windows is missing. The bottom is mounted on a wooden supporting cross and on the inside there are three cylindrical candle holders. The pagoda-shaped roof, which is profiled in three layers, has arch-shaped, round-covered ventilation holes. The bottom layer two holes per side and the two above one. On top of the lantern roof is a flat sheet iron
watch stand, Anonymous, 18th century, General: 28 x 17.5 x 7cm 280 x 175 x 70mm, Watch stand of green painted spruce with carving of Louis XV style curls. The stand has a round, openwork dial opening. Decorated all around with a wavy edge and with holes. On both sides an openwork half arch with seed beads. On top of a copper button. The whole is placed on a console that is notched in diamond shape. The bottom is hollowed out. The back is roughly cut away and has a semicircular opening with a slot for the timepiece. Without a clockwork, 1892 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/watch-stand-anonymous-18th-century-general-28-x-175-x-7cm-280-x-175-x-70mm-watch-stand-of-green-painted-spruce-with-carving-of-louis-xv-style-curls-the-stand-has-a-round-openwork-dial-opening-decorated-all-around-with-a-wavy-edge-and-with-holes-on-both-sides-an-openwork-half-arch-with-seed-beads-on-top-of-a-copper-button-the-whole-is-placed-on-a-console-that-is-notched-in-diamond-shape-the-bottom-is-hollowed-out-the-back-is-roughly-cut-away-and-has-a-semicircular-opening-with-a-slot-for-the-timepiece-without-a-clockwork-1892-image386383974.htmlRM2DCH8KJ–watch stand, Anonymous, 18th century, General: 28 x 17.5 x 7cm 280 x 175 x 70mm, Watch stand of green painted spruce with carving of Louis XV style curls. The stand has a round, openwork dial opening. Decorated all around with a wavy edge and with holes. On both sides an openwork half arch with seed beads. On top of a copper button. The whole is placed on a console that is notched in diamond shape. The bottom is hollowed out. The back is roughly cut away and has a semicircular opening with a slot for the timepiece. Without a clockwork, 1892
watch stand, Anonymous, 18th century, General: 28 x 17.5 x 7cm 280 x 175 x 70mm, Watch stand of green painted spruce with carving of Louis XV style curls. The stand has a round, openwork dial opening. Decorated all around with a wavy edge and with holes. On both sides an openwork half arch with seed beads. On top of a copper button. The whole is placed on a console that is notched in diamond shape. The bottom is hollowed out. The back is roughly cut away and has a semicircular opening with a slot for the timepiece. Without a clockwork, 1892 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/watch-stand-anonymous-18th-century-general-28-x-175-x-7cm-280-x-175-x-70mm-watch-stand-of-green-painted-spruce-with-carving-of-louis-xv-style-curls-the-stand-has-a-round-openwork-dial-opening-decorated-all-around-with-a-wavy-edge-and-with-holes-on-both-sides-an-openwork-half-arch-with-seed-beads-on-top-of-a-copper-button-the-whole-is-placed-on-a-console-that-is-notched-in-diamond-shape-the-bottom-is-hollowed-out-the-back-is-roughly-cut-away-and-has-a-semicircular-opening-with-a-slot-for-the-timepiece-without-a-clockwork-1892-image386383986.htmlRM2DCH8M2–watch stand, Anonymous, 18th century, General: 28 x 17.5 x 7cm 280 x 175 x 70mm, Watch stand of green painted spruce with carving of Louis XV style curls. The stand has a round, openwork dial opening. Decorated all around with a wavy edge and with holes. On both sides an openwork half arch with seed beads. On top of a copper button. The whole is placed on a console that is notched in diamond shape. The bottom is hollowed out. The back is roughly cut away and has a semicircular opening with a slot for the timepiece. Without a clockwork, 1892
Small head, clay, hand modelled, clay, hand modelled, Total: Height: 7.7 cm; Width: 7.4 cm; Depth: 4.2 cm, ceramics, small sculptures, antiquity, The frontal view of the head is characterized by large, almost round eye sockets with a circumferential arch, the protruding, widely projecting left ear and a narrow, horizontally incised mouth. The nose is a little pre-bent. The cheeks are flat and don't step out. Below the chin, the base of the neck is preserved. Above the forehead there are two horizontal incised lines each indicating hair or headgear. A hole on the back served for fastening. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/small-head-clay-hand-modelled-clay-hand-modelled-total-height-77-cm-width-74-cm-depth-42-cm-ceramics-small-sculptures-antiquity-the-frontal-view-of-the-head-is-characterized-by-large-almost-round-eye-sockets-with-a-circumferential-arch-the-protruding-widely-projecting-left-ear-and-a-narrow-horizontally-incised-mouth-the-nose-is-a-little-pre-bent-the-cheeks-are-flat-and-dont-step-out-below-the-chin-the-base-of-the-neck-is-preserved-above-the-forehead-there-are-two-horizontal-incised-lines-each-indicating-hair-or-headgear-a-hole-on-the-back-served-for-fastening-image392063261.htmlRM2DNT0K9–Small head, clay, hand modelled, clay, hand modelled, Total: Height: 7.7 cm; Width: 7.4 cm; Depth: 4.2 cm, ceramics, small sculptures, antiquity, The frontal view of the head is characterized by large, almost round eye sockets with a circumferential arch, the protruding, widely projecting left ear and a narrow, horizontally incised mouth. The nose is a little pre-bent. The cheeks are flat and don't step out. Below the chin, the base of the neck is preserved. Above the forehead there are two horizontal incised lines each indicating hair or headgear. A hole on the back served for fastening.
Project: a fountain in honor of Emperor Napoleon, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Horizontal rectangle. Shown like 1938-88-1774. The design is a variation of that of 1938-88-1774. The central rock has the shape of a natural arch. Winged genii upon winged horses stand upon round pedestals, upon the ledges. On top of the arch is a circular base, with an inscription. Above the inscription is a trophy of arms. Dark brown framing band. Framed by gray-blue paper stripes., Rome, Italy, 1796–1801, architecture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/project-a-fountain-in-honor-of-emperor-napoleon-giuseppe-barberi-italian-17461809-pen-and-brown-ink-brush-and-brown-wash-graphite-on-off-white-laid-paper-lined-horizontal-rectangle-shown-like-1938-88-1774-the-design-is-a-variation-of-that-of-1938-88-1774-the-central-rock-has-the-shape-of-a-natural-arch-winged-genii-upon-winged-horses-stand-upon-round-pedestals-upon-the-ledges-on-top-of-the-arch-is-a-circular-base-with-an-inscription-above-the-inscription-is-a-trophy-of-arms-dark-brown-framing-band-framed-by-gray-blue-paper-stripes-rome-italy-17961801-architecture-image391137594.htmlRM2DM9RYP–Project: a fountain in honor of Emperor Napoleon, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Horizontal rectangle. Shown like 1938-88-1774. The design is a variation of that of 1938-88-1774. The central rock has the shape of a natural arch. Winged genii upon winged horses stand upon round pedestals, upon the ledges. On top of the arch is a circular base, with an inscription. Above the inscription is a trophy of arms. Dark brown framing band. Framed by gray-blue paper stripes., Rome, Italy, 1796–1801, architecture
Bronze fibula or mantle pin, decorated disc fibula, without pin, fibula fastener soil find bronze metal w 3,6 cast drawn bronze fibula or mantle pin Disc fibula consisting of round disc on which six studs are formed in mold. On the underside remnants of frame of pin and locking arch archeology Spijkenisse roman time early Middle Ages dress fastening pins Soil discovery Spijkenisse. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bronze-fibula-or-mantle-pin-decorated-disc-fibula-without-pin-fibula-fastener-soil-find-bronze-metal-w-36-cast-drawn-bronze-fibula-or-mantle-pin-disc-fibula-consisting-of-round-disc-on-which-six-studs-are-formed-in-mold-on-the-underside-remnants-of-frame-of-pin-and-locking-arch-archeology-spijkenisse-roman-time-early-middle-ages-dress-fastening-pins-soil-discovery-spijkenisse-image228074918.htmlRMR71KTP–Bronze fibula or mantle pin, decorated disc fibula, without pin, fibula fastener soil find bronze metal w 3,6 cast drawn bronze fibula or mantle pin Disc fibula consisting of round disc on which six studs are formed in mold. On the underside remnants of frame of pin and locking arch archeology Spijkenisse roman time early Middle Ages dress fastening pins Soil discovery Spijkenisse.
Fireback woman with three children is offered branch, the Love, fire place iron, Rectangular arch at the top. On top of pomegranate flanked by dolphins Around wide border between the frame and pearl necklace in which leafy drinks with fruits In the middle picture of sitting woman in landscape The woman has small child on the arm and two larger children on her left and right side. The child on the left offers her branch with fruits; the child on the right holds up small round object. In the background flying bird and tree residential environment interior heating maternity Love Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fireback-woman-with-three-children-is-offered-branch-the-love-fire-place-iron-rectangular-arch-at-the-top-on-top-of-pomegranate-flanked-by-dolphins-around-wide-border-between-the-frame-and-pearl-necklace-in-which-leafy-drinks-with-fruits-in-the-middle-picture-of-sitting-woman-in-landscape-the-woman-has-small-child-on-the-arm-and-two-larger-children-on-her-left-and-right-side-the-child-on-the-left-offers-her-branch-with-fruits-the-child-on-the-right-holds-up-small-round-object-in-the-background-flying-bird-and-tree-residential-environment-interior-heating-maternity-love-image228117596.htmlRMR73J90–Fireback woman with three children is offered branch, the Love, fire place iron, Rectangular arch at the top. On top of pomegranate flanked by dolphins Around wide border between the frame and pearl necklace in which leafy drinks with fruits In the middle picture of sitting woman in landscape The woman has small child on the arm and two larger children on her left and right side. The child on the left offers her branch with fruits; the child on the right holds up small round object. In the background flying bird and tree residential environment interior heating maternity Love
Rouletteman, Round table with baluster-shaped trunk that ends in a tripod. A twelve-pointed star is engraved on the table top with the numbers 1 to 12 around it. In the middle of the table is a cylindrical trunk on which a man balances on his foot. The man is attached to a semicircular arch with pear-shaped ends. The man has a cane in his left hand and a hat in his right. The image is marked: mt. = Abraham Vilelle, a dolphin and a crowned O, roulette, Balance, Equilibrium (symbolical representation of concept), Abraham Vilelle, Amsterdam, 1780, silver (metal), h 11.6 cm × d 4.6 cm w 39.90 gr w Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rouletteman-round-table-with-baluster-shaped-trunk-that-ends-in-a-tripod-a-twelve-pointed-star-is-engraved-on-the-table-top-with-the-numbers-1-to-12-around-it-in-the-middle-of-the-table-is-a-cylindrical-trunk-on-which-a-man-balances-on-his-foot-the-man-is-attached-to-a-semicircular-arch-with-pear-shaped-ends-the-man-has-a-cane-in-his-left-hand-and-a-hat-in-his-right-the-image-is-marked-mt-=-abraham-vilelle-a-dolphin-and-a-crowned-o-roulette-balance-equilibrium-symbolical-representation-of-concept-abraham-vilelle-amsterdam-1780-silver-metal-h-116-cm-d-46-cm-w-3990-gr-w-image261327998.htmlRMW54EEP–Rouletteman, Round table with baluster-shaped trunk that ends in a tripod. A twelve-pointed star is engraved on the table top with the numbers 1 to 12 around it. In the middle of the table is a cylindrical trunk on which a man balances on his foot. The man is attached to a semicircular arch with pear-shaped ends. The man has a cane in his left hand and a hat in his right. The image is marked: mt. = Abraham Vilelle, a dolphin and a crowned O, roulette, Balance, Equilibrium (symbolical representation of concept), Abraham Vilelle, Amsterdam, 1780, silver (metal), h 11.6 cm × d 4.6 cm w 39.90 gr w
Fragment of bobbin lace with inverted fan-shaped motif in scallop edge, Fragment of black bobbin lace: Chantilly lace. The fragment is elongated in shape, with a scalloped edge on one long side, the other sides are cut off irregularly. The repeating pattern consists of a diamond-shaped configuration of four rosette flowers, under which hangs a more or less fan-shaped motif. The successive impellers are connected by arcs with leaves. Under each arch there are four rosette flowers again, which form the suspension points of the continuous decorative band that also forms the shell edge. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-of-bobbin-lace-with-inverted-fan-shaped-motif-in-scallop-edge-fragment-of-black-bobbin-lace-chantilly-lace-the-fragment-is-elongated-in-shape-with-a-scalloped-edge-on-one-long-side-the-other-sides-are-cut-off-irregularly-the-repeating-pattern-consists-of-a-diamond-shaped-configuration-of-four-rosette-flowers-under-which-hangs-a-more-or-less-fan-shaped-motif-the-successive-impellers-are-connected-by-arcs-with-leaves-under-each-arch-there-are-four-rosette-flowers-again-which-form-the-suspension-points-of-the-continuous-decorative-band-that-also-forms-the-shell-edge-image261366591.htmlRMW567N3–Fragment of bobbin lace with inverted fan-shaped motif in scallop edge, Fragment of black bobbin lace: Chantilly lace. The fragment is elongated in shape, with a scalloped edge on one long side, the other sides are cut off irregularly. The repeating pattern consists of a diamond-shaped configuration of four rosette flowers, under which hangs a more or less fan-shaped motif. The successive impellers are connected by arcs with leaves. Under each arch there are four rosette flowers again, which form the suspension points of the continuous decorative band that also forms the shell edge.
Laying the first stone by HM the King on the railway bridge in Zutphen on the 22nd October 1861 (title on object), Ceremony of laying the first stone for the railway bridge in Zutphen, performed by King William III on October 22, 1861. The company under a kind of canopy adorned with garlands and weapons, in the center a scaffold with the first stone, to the left of it the king signs an act that is placed in the first stone. Presentation of company under decorated arches, with a party stand. A row of round poles can be seen across the entire width, with garlands wrapped around it, and at a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/laying-the-first-stone-by-hm-the-king-on-the-railway-bridge-in-zutphen-on-the-22nd-october-1861-title-on-object-ceremony-of-laying-the-first-stone-for-the-railway-bridge-in-zutphen-performed-by-king-william-iii-on-october-22-1861-the-company-under-a-kind-of-canopy-adorned-with-garlands-and-weapons-in-the-center-a-scaffold-with-the-first-stone-to-the-left-of-it-the-king-signs-an-act-that-is-placed-in-the-first-stone-presentation-of-company-under-decorated-arches-with-a-party-stand-a-row-of-round-poles-can-be-seen-across-the-entire-width-with-garlands-wrapped-around-it-and-at-a-image261377120.htmlRMW56N54–Laying the first stone by HM the King on the railway bridge in Zutphen on the 22nd October 1861 (title on object), Ceremony of laying the first stone for the railway bridge in Zutphen, performed by King William III on October 22, 1861. The company under a kind of canopy adorned with garlands and weapons, in the center a scaffold with the first stone, to the left of it the king signs an act that is placed in the first stone. Presentation of company under decorated arches, with a party stand. A row of round poles can be seen across the entire width, with garlands wrapped around it, and at a
Landscape with Waterfall, Anonymous, Herman van Swanevelt, Herman van Swanevelt, 1650 - 1705 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-landscape-with-waterfall-anonymous-herman-van-swanevelt-herman-van-104917667.htmlRMG2KBFF–Landscape with Waterfall, Anonymous, Herman van Swanevelt, Herman van Swanevelt, 1650 - 1705
Landscape with Waterfall, Anonymous, Herman van Swanevelt, Herman van Swanevelt, 1650 - 1705 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-with-waterfall-anonymous-herman-van-swanevelt-herman-van-swanevelt-1650-1705-image240614943.htmlRMRYCXPR–Landscape with Waterfall, Anonymous, Herman van Swanevelt, Herman van Swanevelt, 1650 - 1705
Search Results for Round arch Stock Photos and Images (99)
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