XVIII Dynasty 1450 century tomb scene of a banquet from Thebes. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/xviii-dynasty-1450-century-tomb-scene-of-a-banquet-from-thebes-image268845037.html
RMWHAXGD–XVIII Dynasty 1450 century tomb scene of a banquet from Thebes.
Man standing holding the reins of a horse with a dog before. Fresco dated between 14th and 13th century BC. Second palace of Tiryns National Archaeological Museum. Athens. Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/man-standing-holding-the-reins-of-a-horse-with-a-dog-before-fresco-dated-between-14th-and-13th-century-bc-second-palace-of-tiryns-national-archaeological-museum-athens-greece-image220292668.html
RMPPB5F8–Man standing holding the reins of a horse with a dog before. Fresco dated between 14th and 13th century BC. Second palace of Tiryns National Archaeological Museum. Athens. Greece.
Amelekites smote numbers xiv 45 Solider fighting battle war attack death siege God Jesus bible holy testament old new Christ Fir Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-amelekites-smote-numbers-xiv-45-solider-fighting-battle-war-attack-22017148.html
RFB7PY2M–Amelekites smote numbers xiv 45 Solider fighting battle war attack death siege God Jesus bible holy testament old new Christ Fir
TARRAGONA, SPAIN - MAY 12, 2017: Couple standing before the romanic church of Saint Mary and amazing landscape of mountains in the medieval city of Mo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tarragona-spain-may-12-2017-couple-standing-before-the-romanic-church-of-saint-mary-and-amazing-landscape-of-mountains-in-the-medieval-city-of-mo-image345454798.html
RF2B20R3A–TARRAGONA, SPAIN - MAY 12, 2017: Couple standing before the romanic church of Saint Mary and amazing landscape of mountains in the medieval city of Mo
Atreus Treasure or Agamemnon Treasure. Mycenae. Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-atreus-treasure-or-agamemnon-treasure-mycenae-greece-27238456.html
RMBG8PX0–Atreus Treasure or Agamemnon Treasure. Mycenae. Greece.
Menjeperura Tutmosis or Thutmose IV (1400-1301 b.C.) tomb. The two eyes of Horus. Valley of the Kings. Egypt. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-menjeperura-tutmosis-or-thutmose-iv-1400-1301-bc-tomb-the-two-eyes-28611925.html
RMBJFAPD–Menjeperura Tutmosis or Thutmose IV (1400-1301 b.C.) tomb. The two eyes of Horus. Valley of the Kings. Egypt.
Pharaoh Amenhotep III offering to the god Amun lotus flowers and papyrus. New Kingdom. Temple of Luxor. Egypt. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pharaoh-amenhotep-iii-offering-to-the-god-amun-lotus-flowers-and-papyrus-28400418.html
RMBJ5N0J–Pharaoh Amenhotep III offering to the god Amun lotus flowers and papyrus. New Kingdom. Temple of Luxor. Egypt.
EGYPT. Tomb of Menjeperura or Thutmose IV. Anubis gives the Pharaoh the key of life. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-egypt-tomb-of-menjeperura-or-thutmose-iv-anubis-gives-the-pharaoh-27235789.html
RMBG8KEN–EGYPT. Tomb of Menjeperura or Thutmose IV. Anubis gives the Pharaoh the key of life.
Priestess at Altar, Crete, Heraklion, 14th Century BC. Fresco on Hagia Triada sarcophagus. Located in: The Archaeological Museum (Heraklion, Greece). A woman in ceremonial dress, possibly a priestess, offers a libation at an altar. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/priestess-at-altar-crete-heraklion-14th-century-bc-fresco-on-hagia-triada-sarcophagus-located-in-the-archaeological-museum-heraklion-greece-a-woman-in-ceremonial-dress-possibly-a-priestess-offers-a-libation-at-an-altar-image268845031.html
RMWHAXG7–Priestess at Altar, Crete, Heraklion, 14th Century BC. Fresco on Hagia Triada sarcophagus. Located in: The Archaeological Museum (Heraklion, Greece). A woman in ceremonial dress, possibly a priestess, offers a libation at an altar.
Side compartment from an altarpiece with Jesus before Pilate. Pere Serra. Last quarter of the 14th century. Tempera on wood. 117.5 x 109 cm. From Llívia (Cerdanya). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/side-compartment-from-an-altarpiece-with-jesus-before-pilate-pere-serra-last-quarter-of-the-14th-century-tempera-on-wood-1175-x-109-cm-from-llvia-cerdanya-image211443312.html
RMP8022T–Side compartment from an altarpiece with Jesus before Pilate. Pere Serra. Last quarter of the 14th century. Tempera on wood. 117.5 x 109 cm. From Llívia (Cerdanya).
view Ashkelon Judges xiv 19 beach coast sea banks sand ruins God Jesus bible holy testament old new Christ Christian Ashkelon or Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-view-ashkelon-judges-xiv-19-beach-coast-sea-banks-sand-ruins-god-jesus-22014800.html
RMB7PT2T–view Ashkelon Judges xiv 19 beach coast sea banks sand ruins God Jesus bible holy testament old new Christ Christian Ashkelon or
View from lookout in the medieval village of Montblanc with the church of Saint Mary on the left, picturesque houses and landscape of mountains on sun Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-from-lookout-in-the-medieval-village-of-montblanc-with-the-church-of-saint-mary-on-the-left-picturesque-houses-and-landscape-of-mountains-on-sun-image345454923.html
RF2B20R7R–View from lookout in the medieval village of Montblanc with the church of Saint Mary on the left, picturesque houses and landscape of mountains on sun
EGYPT. Tomb of Menjeperura or Thutmose IV. The goddess Hator with solar disk gives the pharaoh the key of life. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-egypt-tomb-of-menjeperura-or-thutmose-iv-the-goddess-hator-with-solar-27235790.html
RMBG8KEP–EGYPT. Tomb of Menjeperura or Thutmose IV. The goddess Hator with solar disk gives the pharaoh the key of life.
Amun protecting Tutankhamen. Tutankhamen by Christiane Desroches Noblecourt, page 17.. Amun (also spelt Amon, Amoun, Amen, and rarely Imenand, and spelt in Greek as Ammon, and Hammon) was the name of a deity, in Egyptian mythology, who gradually rose to become one of the most important, before disappearing back into the shadows.. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/amun-protecting-tutankhamen-tutankhamen-by-christiane-desroches-noblecourt-page-17-amun-also-spelt-amon-amoun-amen-and-rarely-imenand-and-spelt-in-greek-as-ammon-and-hammon-was-the-name-of-a-deity-in-egyptian-mythology-who-gradually-rose-to-become-one-of-the-most-important-before-disappearing-back-into-the-shadows-image268792978.html
RMWH8G56–Amun protecting Tutankhamen. Tutankhamen by Christiane Desroches Noblecourt, page 17.. Amun (also spelt Amon, Amoun, Amen, and rarely Imenand, and spelt in Greek as Ammon, and Hammon) was the name of a deity, in Egyptian mythology, who gradually rose to become one of the most important, before disappearing back into the shadows..
Wild boar hunting. Fresco dated between 14th and 13th century BC. Second palace of Tiryns National Archaeological Museum. Athens. Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wild-boar-hunting-fresco-dated-between-14th-and-13th-century-bc-second-palace-of-tiryns-national-archaeological-museum-athens-greece-image220291259.html
RMPPB3MY–Wild boar hunting. Fresco dated between 14th and 13th century BC. Second palace of Tiryns National Archaeological Museum. Athens. Greece.
View of the gothic church of Saint Mary in the medieval village of Montblanc, province of Tarragona, Spain. Amazing landscape of mountains behind. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-gothic-church-of-saint-mary-in-the-medieval-village-of-montblanc-province-of-tarragona-spain-amazing-landscape-of-mountains-behind-image345454851.html
RF2B20R57–View of the gothic church of Saint Mary in the medieval village of Montblanc, province of Tarragona, Spain. Amazing landscape of mountains behind.
EGYPT. Tomb of Menjeperura or Thutmose IV. Osiris gives tha Pharaoh the key of life. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-egypt-tomb-of-menjeperura-or-thutmose-iv-osiris-gives-tha-pharaoh-27235787.html
RMBG8KEK–EGYPT. Tomb of Menjeperura or Thutmose IV. Osiris gives tha Pharaoh the key of life.
Gilt statue of Tutankhamun astride panther. Tukankhamen, by Christiane Desroches Noblecourt, page 1827.. Egyptian kings and gods are depicted wearing different crowns and headdresses. Before 3000 B.C., there was the white crown of Upper Egypt and the red crown of Lower Egypt. When Egypt was united, these two crowns were amalgamated into the Double Crown of Upper and Lower Egypt. Starting in the eighteenth dynasty, kings also wore the blue crown, and the white crown with a plume on either side and a small disk at the top. . . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gilt-statue-of-tutankhamun-astride-panther-tukankhamen-by-christiane-desroches-noblecourt-page-1827-egyptian-kings-and-gods-are-depicted-wearing-different-crowns-and-headdresses-before-3000-bc-there-was-the-white-crown-of-upper-egypt-and-the-red-crown-of-lower-egypt-when-egypt-was-united-these-two-crowns-were-amalgamated-into-the-double-crown-of-upper-and-lower-egypt-starting-in-the-eighteenth-dynasty-kings-also-wore-the-blue-crown-and-the-white-crown-with-a-plume-on-either-side-and-a-small-disk-at-the-top-image268845461.html
RMWHAY3H–Gilt statue of Tutankhamun astride panther. Tukankhamen, by Christiane Desroches Noblecourt, page 1827.. Egyptian kings and gods are depicted wearing different crowns and headdresses. Before 3000 B.C., there was the white crown of Upper Egypt and the red crown of Lower Egypt. When Egypt was united, these two crowns were amalgamated into the Double Crown of Upper and Lower Egypt. Starting in the eighteenth dynasty, kings also wore the blue crown, and the white crown with a plume on either side and a small disk at the top. . .
Two women in a carriage. Fresco dated between 14th and 13th century BC. Second palace of Tiryns National Archaeological Museum. Athens. Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-women-in-a-carriage-fresco-dated-between-14th-and-13th-century-bc-second-palace-of-tiryns-national-archaeological-museum-athens-greece-image220340709.html
RMPPDAR1–Two women in a carriage. Fresco dated between 14th and 13th century BC. Second palace of Tiryns National Archaeological Museum. Athens. Greece.
View of the top of the Church of Saint Mary in the medieval city of Montblanc, in the province of Tarragona, Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-top-of-the-church-of-saint-mary-in-the-medieval-city-of-montblanc-in-the-province-of-tarragona-spain-image345454703.html
RF2B20PYY–View of the top of the Church of Saint Mary in the medieval city of Montblanc, in the province of Tarragona, Spain.
The sacred goose of Amun effaced from beneath the seat of the vizier at Thebes at the time of the Amarnan heresy (Theban tomb of Ramose). Tutankhamen by Christiane Desroches Noblecourt, page 157.. Amun (also spelt Amon, Amoun, Amen, and rarely Imenand, and spelt in Greek as Ammon, and Hammon) was the name of a deity, in Egyptian mythology, who gradually rose to become one of the most important, before disappearing back into the shadows. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-sacred-goose-of-amun-effaced-from-beneath-the-seat-of-the-vizier-at-thebes-at-the-time-of-the-amarnan-heresy-theban-tomb-of-ramose-tutankhamen-by-christiane-desroches-noblecourt-page-157-amun-also-spelt-amon-amoun-amen-and-rarely-imenand-and-spelt-in-greek-as-ammon-and-hammon-was-the-name-of-a-deity-in-egyptian-mythology-who-gradually-rose-to-become-one-of-the-most-important-before-disappearing-back-into-the-shadows-image268793040.html
RMWH8G7C–The sacred goose of Amun effaced from beneath the seat of the vizier at Thebes at the time of the Amarnan heresy (Theban tomb of Ramose). Tutankhamen by Christiane Desroches Noblecourt, page 157.. Amun (also spelt Amon, Amoun, Amen, and rarely Imenand, and spelt in Greek as Ammon, and Hammon) was the name of a deity, in Egyptian mythology, who gradually rose to become one of the most important, before disappearing back into the shadows.
Mycenae Art. PALACE OF THE KING NESTOR. Built between 1300-1200 b.C. Detail of the ruins. Pylos. Messinia Province. Region of the Peloponnese. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mycenae-art-palace-of-the-king-nestor-built-between-1300-1200-bc-detail-of-the-ruins-pylos-messinia-province-region-of-the-peloponnese-image209572007.html
RMP4XR6F–Mycenae Art. PALACE OF THE KING NESTOR. Built between 1300-1200 b.C. Detail of the ruins. Pylos. Messinia Province. Region of the Peloponnese.
Panoramic view of ancient village of Montblanc, province of Tarragona, Spain, with the gothic church of Saint Mary, picturesque houses and amazing lan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/panoramic-view-of-ancient-village-of-montblanc-province-of-tarragona-spain-with-the-gothic-church-of-saint-mary-picturesque-houses-and-amazing-lan-image345454853.html
RF2B20R59–Panoramic view of ancient village of Montblanc, province of Tarragona, Spain, with the gothic church of Saint Mary, picturesque houses and amazing lan
Detail from the inside of one of the state chariots. The enemies of Egypt vanquished and enslaved. Tukankhamen, by Christiane Desroches Noblecourt, page 91. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/detail-from-the-inside-of-one-of-the-state-chariots-the-enemies-of-egypt-vanquished-and-enslaved-tukankhamen-by-christiane-desroches-noblecourt-page-91-image268845627.html
RMWHAY9F–Detail from the inside of one of the state chariots. The enemies of Egypt vanquished and enslaved. Tukankhamen, by Christiane Desroches Noblecourt, page 91.
Greece. Peloponnese. The Palace of Nestor (1300 BC-1200 BC). Is the central building of a Middle Helladic era settlement surrounded by a fortified wall. The site is the best-preserved Mycenaean Greek palace discovered. Ruins. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/greece-peloponnese-the-palace-of-nestor-1300-bc-1200-bc-is-the-central-building-of-a-middle-helladic-era-settlement-surrounded-by-a-fortified-wall-the-site-is-the-best-preserved-mycenaean-greek-palace-discovered-ruins-image209633021.html
RMP51H1H–Greece. Peloponnese. The Palace of Nestor (1300 BC-1200 BC). Is the central building of a Middle Helladic era settlement surrounded by a fortified wall. The site is the best-preserved Mycenaean Greek palace discovered. Ruins.
View of the top of the Church of Saint Mary in the medieval city of Montblanc, in the province of Tarragona, Spain. Blue sky with clouds behind. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-top-of-the-church-of-saint-mary-in-the-medieval-city-of-montblanc-in-the-province-of-tarragona-spain-blue-sky-with-clouds-behind-image345455106.html
RF2B20REA–View of the top of the Church of Saint Mary in the medieval city of Montblanc, in the province of Tarragona, Spain. Blue sky with clouds behind.
Greece. Peloponnese. The Palace of Nestor (1300 BC-1200 BC). Is the central building of a Middle Helladic era settlement surrounded by a fortified wall. The site is the best-preserved Mycenaean Greek palace discovered. Ruins. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/greece-peloponnese-the-palace-of-nestor-1300-bc-1200-bc-is-the-central-building-of-a-middle-helladic-era-settlement-surrounded-by-a-fortified-wall-the-site-is-the-best-preserved-mycenaean-greek-palace-discovered-ruins-image209633160.html
RMP51H6G–Greece. Peloponnese. The Palace of Nestor (1300 BC-1200 BC). Is the central building of a Middle Helladic era settlement surrounded by a fortified wall. The site is the best-preserved Mycenaean Greek palace discovered. Ruins.
Alabaster vase with a long neck inlaid with floral garland. Tukankhamen, by Christiane Desroches Noblecourt, page 188. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/alabaster-vase-with-a-long-neck-inlaid-with-floral-garland-tukankhamen-by-christiane-desroches-noblecourt-page-188-image268845595.html
RMWHAY8B–Alabaster vase with a long neck inlaid with floral garland. Tukankhamen, by Christiane Desroches Noblecourt, page 188.
Greece. Peloponnese. The Palace of Nestor (1300 BC-1200 BC). Is the central building of a Middle Helladic era settlement surrounded by a fortified wall. The site is the best-preserved Mycenaean Greek palace discovered. Ruins. Stairway to the upper floor. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/greece-peloponnese-the-palace-of-nestor-1300-bc-1200-bc-is-the-central-building-of-a-middle-helladic-era-settlement-surrounded-by-a-fortified-wall-the-site-is-the-best-preserved-mycenaean-greek-palace-discovered-ruins-stairway-to-the-upper-floor-image209633213.html
RMP51H8D–Greece. Peloponnese. The Palace of Nestor (1300 BC-1200 BC). Is the central building of a Middle Helladic era settlement surrounded by a fortified wall. The site is the best-preserved Mycenaean Greek palace discovered. Ruins. Stairway to the upper floor.
An earring. In the centre of the clip is the little king flanked by two sacred serpents. Tukankhamen, by Christiane Desroches Noblecourt, page 23. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-earring-in-the-centre-of-the-clip-is-the-little-king-flanked-by-two-sacred-serpents-tukankhamen-by-christiane-desroches-noblecourt-page-23-image268845625.html
RMWHAY9D–An earring. In the centre of the clip is the little king flanked by two sacred serpents. Tukankhamen, by Christiane Desroches Noblecourt, page 23.
Greece. Peloponnese. The Palace of Nestor (1300 BC-1200 BC). Is the central building of a Middle Helladic era settlement surrounded by a fortified wall. The site is the best-preserved Mycenaean Greek palace discovered. Ruins. Bathroom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/greece-peloponnese-the-palace-of-nestor-1300-bc-1200-bc-is-the-central-building-of-a-middle-helladic-era-settlement-surrounded-by-a-fortified-wall-the-site-is-the-best-preserved-mycenaean-greek-palace-discovered-ruins-bathroom-image209633076.html
RMP51H3G–Greece. Peloponnese. The Palace of Nestor (1300 BC-1200 BC). Is the central building of a Middle Helladic era settlement surrounded by a fortified wall. The site is the best-preserved Mycenaean Greek palace discovered. Ruins. Bathroom.
Folding headrest in painted ivory decorated with the two heads of the protective spirit Bes. Tukankhamen, by Christiane Desroches Noblecourt, page 193. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/folding-headrest-in-painted-ivory-decorated-with-the-two-heads-of-the-protective-spirit-bes-tukankhamen-by-christiane-desroches-noblecourt-page-193-image268845588.html
RMWHAY84–Folding headrest in painted ivory decorated with the two heads of the protective spirit Bes. Tukankhamen, by Christiane Desroches Noblecourt, page 193.
The lid of the alabaster jar, decorated with a small bowl showing a bird in its nest having just emerged from its egg.. Tukankhamen, by Christiane Desroches Noblecourt, page 227. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-lid-of-the-alabaster-jar-decorated-with-a-small-bowl-showing-a-bird-in-its-nest-having-just-emerged-from-its-egg-tukankhamen-by-christiane-desroches-noblecourt-page-227-image268845603.html
RMWHAY8K–The lid of the alabaster jar, decorated with a small bowl showing a bird in its nest having just emerged from its egg.. Tukankhamen, by Christiane Desroches Noblecourt, page 227.
The king's dagger, showing the detail of the hilt of the first dagger. Tukankhamen, by Christiane Desroches Noblecourt, page 97. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-kings-dagger-showing-the-detail-of-the-hilt-of-the-first-dagger-tukankhamen-by-christiane-desroches-noblecourt-page-97-image268845605.html
RMWHAY8N–The king's dagger, showing the detail of the hilt of the first dagger. Tukankhamen, by Christiane Desroches Noblecourt, page 97.
Head of one of the funeral couches in the form of a cheetah. Tukankhamen, by Christiane Desroches Noblecourt, page 133. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-of-one-of-the-funeral-couches-in-the-form-of-a-cheetah-tukankhamen-by-christiane-desroches-noblecourt-page-133-image268845592.html
RMWHAY88–Head of one of the funeral couches in the form of a cheetah. Tukankhamen, by Christiane Desroches Noblecourt, page 133.
Funerary headrest in opaque blue glass paste. Gold frieze decorated with two recurring signs of divine life. Tukankhamen, by Christiane Desroches Noblecourt, page 193. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/funerary-headrest-in-opaque-blue-glass-paste-gold-frieze-decorated-with-two-recurring-signs-of-divine-life-tukankhamen-by-christiane-desroches-noblecourt-page-193-image268845642.html
RMWHAYA2–Funerary headrest in opaque blue glass paste. Gold frieze decorated with two recurring signs of divine life. Tukankhamen, by Christiane Desroches Noblecourt, page 193.
A model of one of the pharaoh's boats. Tukankhamen, by Christiane Desroches Noblecourt, page 113. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-model-of-one-of-the-pharaohs-boats-tukankhamen-by-christiane-desroches-noblecourt-page-113-image268845655.html
RMWHAYAF–A model of one of the pharaoh's boats. Tukankhamen, by Christiane Desroches Noblecourt, page 113.
The bezel of a ring showing Tutankhamen's veneration of the Sun God. Tukankhamen, by Christiane Desroches Noblecourt, page 113. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-bezel-of-a-ring-showing-tutankhamens-veneration-of-the-sun-god-tukankhamen-by-christiane-desroches-noblecourt-page-113-image268845602.html
RMWHAY8J–The bezel of a ring showing Tutankhamen's veneration of the Sun God. Tukankhamen, by Christiane Desroches Noblecourt, page 113.
Head of a funeral couch in the form of the hippopotamus Goddess Tueris. Tukankhamen, by Christiane Desroches Noblecourt, page 150. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-of-a-funeral-couch-in-the-form-of-the-hippopotamus-goddess-tueris-tukankhamen-by-christiane-desroches-noblecourt-page-150-image268845618.html
RMWHAY96–Head of a funeral couch in the form of the hippopotamus Goddess Tueris. Tukankhamen, by Christiane Desroches Noblecourt, page 150.
Thebes XVIII Dynasty Tomb of Nebamun. 18th Dynasty. Nebamun served during the reign of Amenhotep II. He was a sculptor and supervised the construction of many royal building projects. He was buried in a tomb with Ipuki, his brother, that was found at Thebes near Deir el-Bahri. Furniture in the Ancient World page 193.. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thebes-xviii-dynasty-tomb-of-nebamun-18th-dynasty-nebamun-served-during-the-reign-of-amenhotep-ii-he-was-a-sculptor-and-supervised-the-construction-of-many-royal-building-projects-he-was-buried-in-a-tomb-with-ipuki-his-brother-that-was-found-at-thebes-near-deir-el-bahri-furniture-in-the-ancient-world-page-193-image268845021.html
RMWHAXFW–Thebes XVIII Dynasty Tomb of Nebamun. 18th Dynasty. Nebamun served during the reign of Amenhotep II. He was a sculptor and supervised the construction of many royal building projects. He was buried in a tomb with Ipuki, his brother, that was found at Thebes near Deir el-Bahri. Furniture in the Ancient World page 193..
Votive shield showing the king slaying two lions. Tukankhamen, by Christiane Desroches Noblecourt, page 79. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/votive-shield-showing-the-king-slaying-two-lions-tukankhamen-by-christiane-desroches-noblecourt-page-79-image268845600.html
RMWHAY8G–Votive shield showing the king slaying two lions. Tukankhamen, by Christiane Desroches Noblecourt, page 79.
Bags of natron and chaff used in the mummification of Tutankhamun. The Treasures of Tutankhamen, The Exhibition Catalogue by I E S Edwards, page 31. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bags-of-natron-and-chaff-used-in-the-mummification-of-tutankhamun-the-treasures-of-tutankhamen-the-exhibition-catalogue-by-i-e-s-edwards-page-31-image268793716.html
RMWH8H3G–Bags of natron and chaff used in the mummification of Tutankhamun. The Treasures of Tutankhamen, The Exhibition Catalogue by I E S Edwards, page 31.
The blue green faience cup of Tutankhamen found by Ayrton under a boulder in the gully containing Amenhotep II's tomb. Tutankhamun (alternate transcription Tutankhamen), named Tutankhaten early in his life, was Pharaoh of the Eighteenth dynasty of Egypt (ruled 1334 BC/1333 BC-1323 BC, lived ca. 1341 BC-1323 BC), during the period known as the New Kingdom. Aakheperure Amenhotep II (d. 1400 BC) was the seventh Pharaoh of the 18th dynasty of Egypt. He ruled from 1427 BC to 1400 BC.. Valley of the Kings by John Romer, page 217. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-blue-green-faience-cup-of-tutankhamen-found-by-ayrton-under-a-boulder-in-the-gully-containing-amenhotep-iis-tomb-tutankhamun-alternate-transcription-tutankhamen-named-tutankhaten-early-in-his-life-was-pharaoh-of-the-eighteenth-dynasty-of-egypt-ruled-1334-bc1333-bc-1323-bc-lived-ca-1341-bc-1323-bc-during-the-period-known-as-the-new-kingdom-aakheperure-amenhotep-ii-d-1400-bc-was-the-seventh-pharaoh-of-the-18th-dynasty-of-egypt-he-ruled-from-1427-bc-to-1400-bc-valley-of-the-kings-by-john-romer-page-217-image268845640.html
RMWHAYA0–The blue green faience cup of Tutankhamen found by Ayrton under a boulder in the gully containing Amenhotep II's tomb. Tutankhamun (alternate transcription Tutankhamen), named Tutankhaten early in his life, was Pharaoh of the Eighteenth dynasty of Egypt (ruled 1334 BC/1333 BC-1323 BC, lived ca. 1341 BC-1323 BC), during the period known as the New Kingdom. Aakheperure Amenhotep II (d. 1400 BC) was the seventh Pharaoh of the 18th dynasty of Egypt. He ruled from 1427 BC to 1400 BC.. Valley of the Kings by John Romer, page 217.
Details from the ceremonial footstool of the king. The adversaries of the south a Nubian and a Sudanese. Tukankhamen, by Christiane Desroches Noblecourt, page 51. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/details-from-the-ceremonial-footstool-of-the-king-the-adversaries-of-the-south-a-nubian-and-a-sudanese-tukankhamen-by-christiane-desroches-noblecourt-page-51-image268845580.html
RMWHAY7T–Details from the ceremonial footstool of the king. The adversaries of the south a Nubian and a Sudanese. Tukankhamen, by Christiane Desroches Noblecourt, page 51.
Unguent jar in the form of an ibex. Inlaid alabaster. The remaining horn is natural. Tukankhamen, by Christiane Desroches Noblecourt, page 213. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unguent-jar-in-the-form-of-an-ibex-inlaid-alabaster-the-remaining-horn-is-natural-tukankhamen-by-christiane-desroches-noblecourt-page-213-image268845567.html
RMWHAY7B–Unguent jar in the form of an ibex. Inlaid alabaster. The remaining horn is natural. Tukankhamen, by Christiane Desroches Noblecourt, page 213.
A lion dedicated by Tutankhamen in the temple of Soleb. Tutankhamen by Christiane Desroches Noblecourt, page 278. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-lion-dedicated-by-tutankhamen-in-the-temple-of-soleb-tutankhamen-by-christiane-desroches-noblecourt-page-278-image268793446.html
RMWH8GNX–A lion dedicated by Tutankhamen in the temple of Soleb. Tutankhamen by Christiane Desroches Noblecourt, page 278.
Object in red gold openwork showing the king's triumphant return with prisoners. Tukankhamen, by Christiane Desroches Noblecourt, page 98.. The Egyptian symbol for gold is a collar with beads along the lower edge. Gold has long been associated with the gods and royalty. This imperishable metal reflects the brilliance of the sun and the hope of eternal life. . In the shape of a mirror or a knot, the ankh is a symbol of life. It was often carried by deities or people in a funeral procession, or offered to the king as the breath of life. Here, the Ankh is carried by the vulture top centre.. . . . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/object-in-red-gold-openwork-showing-the-kings-triumphant-return-with-prisoners-tukankhamen-by-christiane-desroches-noblecourt-page-98-the-egyptian-symbol-for-gold-is-a-collar-with-beads-along-the-lower-edge-gold-has-long-been-associated-with-the-gods-and-royalty-this-imperishable-metal-reflects-the-brilliance-of-the-sun-and-the-hope-of-eternal-life-in-the-shape-of-a-mirror-or-a-knot-the-ankh-is-a-symbol-of-life-it-was-often-carried-by-deities-or-people-in-a-funeral-procession-or-offered-to-the-king-as-the-breath-of-life-here-the-ankh-is-carried-by-the-vulture-top-centre-image268845582.html
RMWHAY7X–Object in red gold openwork showing the king's triumphant return with prisoners. Tukankhamen, by Christiane Desroches Noblecourt, page 98.. The Egyptian symbol for gold is a collar with beads along the lower edge. Gold has long been associated with the gods and royalty. This imperishable metal reflects the brilliance of the sun and the hope of eternal life. . In the shape of a mirror or a knot, the ankh is a symbol of life. It was often carried by deities or people in a funeral procession, or offered to the king as the breath of life. Here, the Ankh is carried by the vulture top centre.. . . .
Drinking cup, found at the entrance of the tomb made of calcite, is sculpted in the form of a half open lotus flower. Tukankhamen, by Christiane Desroches Noblecourt, page 98. . The blue lotus was a symbol of the Sun God and the pharaohs. Like the sun that sets in the evening and rises in the morning, the lotus flower blooms in the day and closes each night. In one version of the creation myth, the sun first rose out of a giant lotus flower that bloomed on the primordial mound. The lotus thus became a symbol of rebirth, the renewal of life and the promise of everlasting life.. . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drinking-cup-found-at-the-entrance-of-the-tomb-made-of-calcite-is-sculpted-in-the-form-of-a-half-open-lotus-flower-tukankhamen-by-christiane-desroches-noblecourt-page-98-the-blue-lotus-was-a-symbol-of-the-sun-god-and-the-pharaohs-like-the-sun-that-sets-in-the-evening-and-rises-in-the-morning-the-lotus-flower-blooms-in-the-day-and-closes-each-night-in-one-version-of-the-creation-myth-the-sun-first-rose-out-of-a-giant-lotus-flower-that-bloomed-on-the-primordial-mound-the-lotus-thus-became-a-symbol-of-rebirth-the-renewal-of-life-and-the-promise-of-everlasting-life-image268845648.html
RMWHAYA8–Drinking cup, found at the entrance of the tomb made of calcite, is sculpted in the form of a half open lotus flower. Tukankhamen, by Christiane Desroches Noblecourt, page 98. . The blue lotus was a symbol of the Sun God and the pharaohs. Like the sun that sets in the evening and rises in the morning, the lotus flower blooms in the day and closes each night. In one version of the creation myth, the sun first rose out of a giant lotus flower that bloomed on the primordial mound. The lotus thus became a symbol of rebirth, the renewal of life and the promise of everlasting life.. .
Head of a funeral couch in the form of the sacred cow. Tukankhamen, by Christiane Desroches Noblecourt, page 149. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-of-a-funeral-couch-in-the-form-of-the-sacred-cow-tukankhamen-by-christiane-desroches-noblecourt-page-149-image268845624.html
RMWHAY9C–Head of a funeral couch in the form of the sacred cow. Tukankhamen, by Christiane Desroches Noblecourt, page 149.
Unguent box in the shape of a double cartouche, probably used for ritual purposes. Tukankhamen, by Christiane Desroches Noblecourt, page 69.. The crook and flail are two of the most prominent items in the royal regalia. Kings held them across their chest. The crook, in the shape of a shepherd's staff, is a sceptre symbolizing government and that may be related to the concept of a good shepherd leading his flock.. . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unguent-box-in-the-shape-of-a-double-cartouche-probably-used-for-ritual-purposes-tukankhamen-by-christiane-desroches-noblecourt-page-69-the-crook-and-flail-are-two-of-the-most-prominent-items-in-the-royal-regalia-kings-held-them-across-their-chest-the-crook-in-the-shape-of-a-shepherds-staff-is-a-sceptre-symbolizing-government-and-that-may-be-related-to-the-concept-of-a-good-shepherd-leading-his-flock-image268845632.html
RMWHAY9M–Unguent box in the shape of a double cartouche, probably used for ritual purposes. Tukankhamen, by Christiane Desroches Noblecourt, page 69.. The crook and flail are two of the most prominent items in the royal regalia. Kings held them across their chest. The crook, in the shape of a shepherd's staff, is a sceptre symbolizing government and that may be related to the concept of a good shepherd leading his flock.. .
Mirror case found in a large coffer. In the form of the sign of life, it is made of gilt wood inlaid with glass paste. Tukankhamen, by Christiane Desroches Noblecourt, page 188.. In the shape of a mirror or a knot, the ankh is a symbol of life. It was often carried by deities or people in a funeral procession, or offered to the king as the breath of life.. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mirror-case-found-in-a-large-coffer-in-the-form-of-the-sign-of-life-it-is-made-of-gilt-wood-inlaid-with-glass-paste-tukankhamen-by-christiane-desroches-noblecourt-page-188-in-the-shape-of-a-mirror-or-a-knot-the-ankh-is-a-symbol-of-life-it-was-often-carried-by-deities-or-people-in-a-funeral-procession-or-offered-to-the-king-as-the-breath-of-life-image268845637.html
RMWHAY9W–Mirror case found in a large coffer. In the form of the sign of life, it is made of gilt wood inlaid with glass paste. Tukankhamen, by Christiane Desroches Noblecourt, page 188.. In the shape of a mirror or a knot, the ankh is a symbol of life. It was often carried by deities or people in a funeral procession, or offered to the king as the breath of life..
The king's two daggers, one with a blade of gold and the other with a blade of iron. Tukankhamen, by Christiane Desroches Noblecourt, page 97. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-kings-two-daggers-one-with-a-blade-of-gold-and-the-other-with-a-blade-of-iron-tukankhamen-by-christiane-desroches-noblecourt-page-97-image268845620.html
RMWHAY98–The king's two daggers, one with a blade of gold and the other with a blade of iron. Tukankhamen, by Christiane Desroches Noblecourt, page 97.
Head of a dummy of the young Tutankhamen wearing a compromise between the crown of the kings of Lower Egypt and the headdress of Nefertiti. Stuccoed and painted wood. Tukankhamen, by Christiane Desroches Noblecourt, page 194.. Kings are often represented wearing the nemes headcloth, a piece of cloth pulled tight across the forehead and tied at the back, with two flaps hanging on the sides. Cobra (uraeus) and vulture heads were worn on the forehead.. The vulture was the symbol of Upper Egypt. Pharaohs wore the uraeus (cobra) and the head of a vulture on their foreheads as symbols of royal Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-of-a-dummy-of-the-young-tutankhamen-wearing-a-compromise-between-the-crown-of-the-kings-of-lower-egypt-and-the-headdress-of-nefertiti-stuccoed-and-painted-wood-tukankhamen-by-christiane-desroches-noblecourt-page-194-kings-are-often-represented-wearing-the-nemes-headcloth-a-piece-of-cloth-pulled-tight-across-the-forehead-and-tied-at-the-back-with-two-flaps-hanging-on-the-sides-cobra-uraeus-and-vulture-heads-were-worn-on-the-forehead-the-vulture-was-the-symbol-of-upper-egypt-pharaohs-wore-the-uraeus-cobra-and-the-head-of-a-vulture-on-their-foreheads-as-symbols-of-royal-image268845645.html
RMWHAYA5–Head of a dummy of the young Tutankhamen wearing a compromise between the crown of the kings of Lower Egypt and the headdress of Nefertiti. Stuccoed and painted wood. Tukankhamen, by Christiane Desroches Noblecourt, page 194.. Kings are often represented wearing the nemes headcloth, a piece of cloth pulled tight across the forehead and tied at the back, with two flaps hanging on the sides. Cobra (uraeus) and vulture heads were worn on the forehead.. The vulture was the symbol of Upper Egypt. Pharaohs wore the uraeus (cobra) and the head of a vulture on their foreheads as symbols of royal
Reconstruction of the central room from vizier Nakht's house at Tell el Amerna. Tutankhamen by Christiane Desroches Noblecourt, page 139. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/reconstruction-of-the-central-room-from-vizier-nakhts-house-at-tell-el-amerna-tutankhamen-by-christiane-desroches-noblecourt-page-139-image268792964.html
RMWH8G4M–Reconstruction of the central room from vizier Nakht's house at Tell el Amerna. Tutankhamen by Christiane Desroches Noblecourt, page 139.
Details from the ceremonial footstool of the king. The enemies of Egypt conquered and placed beneath the yoke of the pharaoh (a variation of the scene of Union of Two Countries). Tutankhamun, by Christiane Desroches Noblecourt page 51. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/details-from-the-ceremonial-footstool-of-the-king-the-enemies-of-egypt-conquered-and-placed-beneath-the-yoke-of-the-pharaoh-a-variation-of-the-scene-of-union-of-two-countries-tutankhamun-by-christiane-desroches-noblecourt-page-51-image268845598.html
RMWHAY8E–Details from the ceremonial footstool of the king. The enemies of Egypt conquered and placed beneath the yoke of the pharaoh (a variation of the scene of Union of Two Countries). Tutankhamun, by Christiane Desroches Noblecourt page 51.
Painting of Nebamun and Ipuky 1380 BC Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-of-nebamun-and-ipuky-1380-bc-image268845006.html
RMWHAXFA–Painting of Nebamun and Ipuky 1380 BC
Boomerangs from the eastern room of rebirth. Tutankhamen by Christiane Desroches Noblecourt, page 271. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/boomerangs-from-the-eastern-room-of-rebirth-tutankhamen-by-christiane-desroches-noblecourt-page-271-image268793020.html
RMWH8G6M–Boomerangs from the eastern room of rebirth. Tutankhamen by Christiane Desroches Noblecourt, page 271.
Base of the portable chest. The Treasures of Tutankhamen, The Exhibition Catalogue by I E S Edwards, page 90. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/base-of-the-portable-chest-the-treasures-of-tutankhamen-the-exhibition-catalogue-by-i-e-s-edwards-page-90-image268793669.html
RMWH8H1W–Base of the portable chest. The Treasures of Tutankhamen, The Exhibition Catalogue by I E S Edwards, page 90.
Details from the ceremonial footstool of the king. The adversaries of the north a Syrian and a Libyan. Tukankhamen, by Christiane Desroches Noblecourt, page 51. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/details-from-the-ceremonial-footstool-of-the-king-the-adversaries-of-the-north-a-syrian-and-a-libyan-tukankhamen-by-christiane-desroches-noblecourt-page-51-image268845597.html
RMWHAY8D–Details from the ceremonial footstool of the king. The adversaries of the north a Syrian and a Libyan. Tukankhamen, by Christiane Desroches Noblecourt, page 51.
The king's pendant in the form of a boat, showing the symbol of the god's resurrection, flanked by two royal serpents. Tukankhamen, by Christiane Desroches Noblecourt, page 193. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-kings-pendant-in-the-form-of-a-boat-showing-the-symbol-of-the-gods-resurrection-flanked-by-two-royal-serpents-tukankhamen-by-christiane-desroches-noblecourt-page-193-image268845663.html
RMWHAYAR–The king's pendant in the form of a boat, showing the symbol of the god's resurrection, flanked by two royal serpents. Tukankhamen, by Christiane Desroches Noblecourt, page 193.
Pharaoh's ecclesiastical throne. Remains of the openwork decoration between the feet refer to the Union of Two Countries. Tukankhamen, by Christiane Desroches Noblecourt, page 53.. This throne was produced in the early years of the reign of Tutankhamun, prior to the religious counter reformation that marked the definitive end of the Amarna Period. The arms of the throne are in the form of two winged and crowned serpents holding the cartouche of Tutankhamun in front of them. The legs, which were linked at the front and rear with a heraldic motif symbolizing the union of southern and northern Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pharaohs-ecclesiastical-throne-remains-of-the-openwork-decoration-between-the-feet-refer-to-the-union-of-two-countries-tukankhamen-by-christiane-desroches-noblecourt-page-53-this-throne-was-produced-in-the-early-years-of-the-reign-of-tutankhamun-prior-to-the-religious-counter-reformation-that-marked-the-definitive-end-of-the-amarna-period-the-arms-of-the-throne-are-in-the-form-of-two-winged-and-crowned-serpents-holding-the-cartouche-of-tutankhamun-in-front-of-them-the-legs-which-were-linked-at-the-front-and-rear-with-a-heraldic-motif-symbolizing-the-union-of-southern-and-northern-image268845626.html
RMWHAY9E–Pharaoh's ecclesiastical throne. Remains of the openwork decoration between the feet refer to the Union of Two Countries. Tukankhamen, by Christiane Desroches Noblecourt, page 53.. This throne was produced in the early years of the reign of Tutankhamun, prior to the religious counter reformation that marked the definitive end of the Amarna Period. The arms of the throne are in the form of two winged and crowned serpents holding the cartouche of Tutankhamun in front of them. The legs, which were linked at the front and rear with a heraldic motif symbolizing the union of southern and northern
Reconstruction of the commercial quarter of Tell el Amarna. Tutankhamen by Christiane Desroches Noblecourt, page 140.. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/reconstruction-of-the-commercial-quarter-of-tell-el-amarna-tutankhamen-by-christiane-desroches-noblecourt-page-140-image268793032.html
RMWH8G74–Reconstruction of the commercial quarter of Tell el Amarna. Tutankhamen by Christiane Desroches Noblecourt, page 140..
The famous painted box which shows Tutankhamen in his chariot. Tukankhamen, by Christiane Desroches Noblecourt, page 80. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-famous-painted-box-which-shows-tutankhamen-in-his-chariot-tukankhamen-by-christiane-desroches-noblecourt-page-80-image268845652.html
RMWHAYAC–The famous painted box which shows Tutankhamen in his chariot. Tukankhamen, by Christiane Desroches Noblecourt, page 80.
The ancient workmen's village from the Theban necropolis at Deir el Medineh. Tutankhamen by Christiane Desroches Noblecourt, page 54.. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-ancient-workmens-village-from-the-theban-necropolis-at-deir-el-medineh-tutankhamen-by-christiane-desroches-noblecourt-page-54-image268793486.html
RMWH8GRA–The ancient workmen's village from the Theban necropolis at Deir el Medineh. Tutankhamen by Christiane Desroches Noblecourt, page 54..
Details of the famous painted box which shows destruction of the Asians. Tukankhamen, by Christiane Desroches Noblecourt, page 80. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/details-of-the-famous-painted-box-which-shows-destruction-of-the-asians-tukankhamen-by-christiane-desroches-noblecourt-page-80-image268845611.html
RMWHAY8Y–Details of the famous painted box which shows destruction of the Asians. Tukankhamen, by Christiane Desroches Noblecourt, page 80.
Painted Relief. A Barber working in the fields. Scene in the Theban chapel of Woserhet. Tutankhamen by Christiane Desroches Noblecourt, page 45. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painted-relief-a-barber-working-in-the-fields-scene-in-the-theban-chapel-of-woserhet-tutankhamen-by-christiane-desroches-noblecourt-page-45-image268793006.html
RMWH8G66–Painted Relief. A Barber working in the fields. Scene in the Theban chapel of Woserhet. Tutankhamen by Christiane Desroches Noblecourt, page 45.
The alabaster canopic shrine which was contained within the double coffer of gilded wood. Tukankhamen, by Christiane Desroches Noblecourt, page 159. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-alabaster-canopic-shrine-which-was-contained-within-the-double-coffer-of-gilded-wood-tukankhamen-by-christiane-desroches-noblecourt-page-159-image268845610.html
RMWHAY8X–The alabaster canopic shrine which was contained within the double coffer of gilded wood. Tukankhamen, by Christiane Desroches Noblecourt, page 159.
The names of Tutankhamen which have survived on the memorial statue from Karnak. Tutankhamen by Christiane Desroches Noblecourt, page 287.. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-names-of-tutankhamen-which-have-survived-on-the-memorial-statue-from-karnak-tutankhamen-by-christiane-desroches-noblecourt-page-287-image268793045.html
RMWH8G7H–The names of Tutankhamen which have survived on the memorial statue from Karnak. Tutankhamen by Christiane Desroches Noblecourt, page 287..
Ushabti Figure. A view of the inscription on the base. The Treasures of Tutankhamen, The Exhibition Catalogue by I E S Edwards, page 83. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ushabti-figure-a-view-of-the-inscription-on-the-base-the-treasures-of-tutankhamen-the-exhibition-catalogue-by-i-e-s-edwards-page-83-image268793726.html
RMWH8H3X–Ushabti Figure. A view of the inscription on the base. The Treasures of Tutankhamen, The Exhibition Catalogue by I E S Edwards, page 83.
The coffer from the Treasury, divided inside into sixteen compartments. Wood and ivory with applied gold and silver. Tukankhamen, by Christiane Desroches Noblecourt, page 233. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-coffer-from-the-treasury-divided-inside-into-sixteen-compartments-wood-and-ivory-with-applied-gold-and-silver-tukankhamen-by-christiane-desroches-noblecourt-page-233-image268845614.html
RMWHAY92–The coffer from the Treasury, divided inside into sixteen compartments. Wood and ivory with applied gold and silver. Tukankhamen, by Christiane Desroches Noblecourt, page 233.
Golden figure of the King mounted on a tubular staff of gold. The Treasures of Tutankhamen, The Exhibition Catalogue by I E S Edwards, page 107. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/golden-figure-of-the-king-mounted-on-a-tubular-staff-of-gold-the-treasures-of-tutankhamen-the-exhibition-catalogue-by-i-e-s-edwards-page-107-image268793677.html
RMWH8H25–Golden figure of the King mounted on a tubular staff of gold. The Treasures of Tutankhamen, The Exhibition Catalogue by I E S Edwards, page 107.
An alabaster lamp in the shape of three lotus flowers. Tukankhamen, by Christiane Desroches Noblecourt, page 107. . The blue lotus was a symbol of the Sun God and the pharaohs. Like the sun that sets in the evening and rises in the morning, the lotus flower blooms in the day and closes each night. The lotus flower became a symbol of rebirth, the renewal of life and the promise of everlasting life.. . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-alabaster-lamp-in-the-shape-of-three-lotus-flowers-tukankhamen-by-christiane-desroches-noblecourt-page-107-the-blue-lotus-was-a-symbol-of-the-sun-god-and-the-pharaohs-like-the-sun-that-sets-in-the-evening-and-rises-in-the-morning-the-lotus-flower-blooms-in-the-day-and-closes-each-night-the-lotus-flower-became-a-symbol-of-rebirth-the-renewal-of-life-and-the-promise-of-everlasting-life-image268845572.html
RMWHAY7G–An alabaster lamp in the shape of three lotus flowers. Tukankhamen, by Christiane Desroches Noblecourt, page 107. . The blue lotus was a symbol of the Sun God and the pharaohs. Like the sun that sets in the evening and rises in the morning, the lotus flower blooms in the day and closes each night. The lotus flower became a symbol of rebirth, the renewal of life and the promise of everlasting life.. .
The king's pectoral decorated with the sacred eye flanked by the serpent goddess of the North and the vulture goddess of the South. Gold cloisonné with glass paste. Tukankhamen, by Christiane Desroches Noblecourt, page 187.. The vulture was the symbol of Upper Egypt. Pharaohs wore the uraeus (cobra) and the head of a vulture on their foreheads as symbols of royal protection. The goddess Nekhbet was also portrayed as a vulture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-kings-pectoral-decorated-with-the-sacred-eye-flanked-by-the-serpent-goddess-of-the-north-and-the-vulture-goddess-of-the-south-gold-cloisonn-with-glass-paste-tukankhamen-by-christiane-desroches-noblecourt-page-187-the-vulture-was-the-symbol-of-upper-egypt-pharaohs-wore-the-uraeus-cobra-and-the-head-of-a-vulture-on-their-foreheads-as-symbols-of-royal-protection-the-goddess-nekhbet-was-also-portrayed-as-a-vulture-image268845616.html
RMWHAY94–The king's pectoral decorated with the sacred eye flanked by the serpent goddess of the North and the vulture goddess of the South. Gold cloisonné with glass paste. Tukankhamen, by Christiane Desroches Noblecourt, page 187.. The vulture was the symbol of Upper Egypt. Pharaohs wore the uraeus (cobra) and the head of a vulture on their foreheads as symbols of royal protection. The goddess Nekhbet was also portrayed as a vulture.
Detail from the inside of one of the panels of a state chariot. The king is shown as a sphinx trampling the enemies of Egypt underfoot. Tukankhamen, by Christiane Desroches Noblecourt, page 91. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/detail-from-the-inside-of-one-of-the-panels-of-a-state-chariot-the-king-is-shown-as-a-sphinx-trampling-the-enemies-of-egypt-underfoot-tukankhamen-by-christiane-desroches-noblecourt-page-91-image268845593.html
RMWHAY89–Detail from the inside of one of the panels of a state chariot. The king is shown as a sphinx trampling the enemies of Egypt underfoot. Tukankhamen, by Christiane Desroches Noblecourt, page 91.
A cabinet with legs, ancestor of the modern commode. Cedarwood and gilded ebony, decorated with hieroglyphic symbols ensuring divine life. Tukankhamen, by Christiane Desroches Noblecourt, page 234. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-cabinet-with-legs-ancestor-of-the-modern-commode-cedarwood-and-gilded-ebony-decorated-with-hieroglyphic-symbols-ensuring-divine-life-tukankhamen-by-christiane-desroches-noblecourt-page-234-image268845601.html
RMWHAY8H–A cabinet with legs, ancestor of the modern commode. Cedarwood and gilded ebony, decorated with hieroglyphic symbols ensuring divine life. Tukankhamen, by Christiane Desroches Noblecourt, page 234.
The most precious of all the king's coffers, made of ivory to contain gold rings. Tukankhamen, by Christiane Desroches Noblecourt, page 107. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-most-precious-of-all-the-kings-coffers-made-of-ivory-to-contain-gold-rings-tukankhamen-by-christiane-desroches-noblecourt-page-107-image268845633.html
RMWHAY9N–The most precious of all the king's coffers, made of ivory to contain gold rings. Tukankhamen, by Christiane Desroches Noblecourt, page 107.
Unguent jar showing hunting scene, dominated by the figure of the King revealed as a lion. Painted alabaster. Tukankhamen, by Christiane Desroches Noblecourt, page 211. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unguent-jar-showing-hunting-scene-dominated-by-the-figure-of-the-king-revealed-as-a-lion-painted-alabaster-tukankhamen-by-christiane-desroches-noblecourt-page-211-image268845639.html
RMWHAY9Y–Unguent jar showing hunting scene, dominated by the figure of the King revealed as a lion. Painted alabaster. Tukankhamen, by Christiane Desroches Noblecourt, page 211.
Boomerang found in Tutankhamun's tomb. The Treasures of Tutankhamen, The Exhibition Catalogue by I E S Edwards, page 150. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/boomerang-found-in-tutankhamuns-tomb-the-treasures-of-tutankhamen-the-exhibition-catalogue-by-i-e-s-edwards-page-150-image268793608.html
RMWH8GYM–Boomerang found in Tutankhamun's tomb. The Treasures of Tutankhamen, The Exhibition Catalogue by I E S Edwards, page 150.
Serket protecting the canopic shrine. Tukankhamen, by Christiane Desroches Noblecourt, page 159.. In Egyptian mythology, Serket (also spelt Serket-hetyt, Selket, Selkis, Selchis, and Selkhit) was originally the deification of the scorpion. Scorpion stings lead to paralysis, and Serket's name describes this, as it means one who tightens the throat. However, Serket's name can mean one who causes the throat to breath. Therefore, in addition to being seen as stinging the unrighteous, Serket was seen as one who could cure scorpion stings, and other poisons, such as snake bites.. Serket was Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/serket-protecting-the-canopic-shrine-tukankhamen-by-christiane-desroches-noblecourt-page-159-in-egyptian-mythology-serket-also-spelt-serket-hetyt-selket-selkis-selchis-and-selkhit-was-originally-the-deification-of-the-scorpion-scorpion-stings-lead-to-paralysis-and-serkets-name-describes-this-as-it-means-one-who-tightens-the-throat-however-serkets-name-can-mean-one-who-causes-the-throat-to-breath-therefore-in-addition-to-being-seen-as-stinging-the-unrighteous-serket-was-seen-as-one-who-could-cure-scorpion-stings-and-other-poisons-such-as-snake-bites-serket-was-image268845650.html
RMWHAYAA–Serket protecting the canopic shrine. Tukankhamen, by Christiane Desroches Noblecourt, page 159.. In Egyptian mythology, Serket (also spelt Serket-hetyt, Selket, Selkis, Selchis, and Selkhit) was originally the deification of the scorpion. Scorpion stings lead to paralysis, and Serket's name describes this, as it means one who tightens the throat. However, Serket's name can mean one who causes the throat to breath. Therefore, in addition to being seen as stinging the unrighteous, Serket was seen as one who could cure scorpion stings, and other poisons, such as snake bites.. Serket was
Statue of Amenophis III executed in the Amarnan style. Tutankhamen by Christiane Desroches Noblecourt, page 122. . Nebmaatre Amenhotep III (called Nibmu(`w)areya in the Amarna letters) was an Egyptian pharaoh of the Eighteenth dynasty. According to different authors he ruled ca.1405 BC-1367 BC, or 1391 BC-1353 BC, following on from his father Thutmose IV. With his Chief Queen Tiy, he fathered Akhenaten, who succeeded him on the throne.. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/statue-of-amenophis-iii-executed-in-the-amarnan-style-tutankhamen-by-christiane-desroches-noblecourt-page-122-nebmaatre-amenhotep-iii-called-nibmu`wareya-in-the-amarna-letters-was-an-egyptian-pharaoh-of-the-eighteenth-dynasty-according-to-different-authors-he-ruled-ca1405-bc-1367-bc-or-1391-bc-1353-bc-following-on-from-his-father-thutmose-iv-with-his-chief-queen-tiy-he-fathered-akhenaten-who-succeeded-him-on-the-throne-image268792921.html
RMWH8G35–Statue of Amenophis III executed in the Amarnan style. Tutankhamen by Christiane Desroches Noblecourt, page 122. . Nebmaatre Amenhotep III (called Nibmu(`w)areya in the Amarna letters) was an Egyptian pharaoh of the Eighteenth dynasty. According to different authors he ruled ca.1405 BC-1367 BC, or 1391 BC-1353 BC, following on from his father Thutmose IV. With his Chief Queen Tiy, he fathered Akhenaten, who succeeded him on the throne..
The lower ends of ceremonial canes showing the two adversaries of Egypt - the black African. Tukankhamen, by Christiane Desroches Noblecourt, page 82.. The detail on the ceremonial walking staff was found buried with Tutankhamun. it depicts the two foes, or the Northern and Southern enemies of Egypt. The African type shown here is ebony.The other type is the Asiatic, which is ivory.. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-lower-ends-of-ceremonial-canes-showing-the-two-adversaries-of-egypt-the-black-african-tukankhamen-by-christiane-desroches-noblecourt-page-82-the-detail-on-the-ceremonial-walking-staff-was-found-buried-with-tutankhamun-it-depicts-the-two-foes-or-the-northern-and-southern-enemies-of-egypt-the-african-type-shown-here-is-ebonythe-other-type-is-the-asiatic-which-is-ivory-image268845612.html
RMWHAY90–The lower ends of ceremonial canes showing the two adversaries of Egypt - the black African. Tukankhamen, by Christiane Desroches Noblecourt, page 82.. The detail on the ceremonial walking staff was found buried with Tutankhamun. it depicts the two foes, or the Northern and Southern enemies of Egypt. The African type shown here is ebony.The other type is the Asiatic, which is ivory..
Detail of the gilded shrine showing the Queen Ankhesenamun at the feet of the king. Tukankhamen, by Christiane Desroches Noblecourt, page 251.. The external walls and the doors of the shrine are subdivided into panels framed by hieroglyphic inscriptions with scenes showing Tutankhamun and his wife in various aspects of married life, a theme that recalls the scenes of the Amarna Period. The entire decorative scheme of the shrine has strong symbolic connotations associated with the religious and political spheres. The intimate ties between the pharaoh and his bride represent the serene Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/detail-of-the-gilded-shrine-showing-the-queen-ankhesenamun-at-the-feet-of-the-king-tukankhamen-by-christiane-desroches-noblecourt-page-251-the-external-walls-and-the-doors-of-the-shrine-are-subdivided-into-panels-framed-by-hieroglyphic-inscriptions-with-scenes-showing-tutankhamun-and-his-wife-in-various-aspects-of-married-life-a-theme-that-recalls-the-scenes-of-the-amarna-period-the-entire-decorative-scheme-of-the-shrine-has-strong-symbolic-connotations-associated-with-the-religious-and-political-spheres-the-intimate-ties-between-the-pharaoh-and-his-bride-represent-the-serene-image268845622.html
RMWHAY9A–Detail of the gilded shrine showing the Queen Ankhesenamun at the feet of the king. Tukankhamen, by Christiane Desroches Noblecourt, page 251.. The external walls and the doors of the shrine are subdivided into panels framed by hieroglyphic inscriptions with scenes showing Tutankhamun and his wife in various aspects of married life, a theme that recalls the scenes of the Amarna Period. The entire decorative scheme of the shrine has strong symbolic connotations associated with the religious and political spheres. The intimate ties between the pharaoh and his bride represent the serene
The lower ends of ceremonial canes showing the two adversaries of Egypt - the Asian. Tukankhamen, by Christiane Desroches Noblecourt, page 82.. The detail on the ceremonial walking staff was found buried with Tutankhamun. it depicts the two foes, or the Northern and Southern enemies of Egypt. The Asiatic type shown here is ivory. The other is the African type, which is ebony. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-lower-ends-of-ceremonial-canes-showing-the-two-adversaries-of-egypt-the-asian-tukankhamen-by-christiane-desroches-noblecourt-page-82-the-detail-on-the-ceremonial-walking-staff-was-found-buried-with-tutankhamun-it-depicts-the-two-foes-or-the-northern-and-southern-enemies-of-egypt-the-asiatic-type-shown-here-is-ivory-the-other-is-the-african-type-which-is-ebony-image268845589.html
RMWHAY85–The lower ends of ceremonial canes showing the two adversaries of Egypt - the Asian. Tukankhamen, by Christiane Desroches Noblecourt, page 82.. The detail on the ceremonial walking staff was found buried with Tutankhamun. it depicts the two foes, or the Northern and Southern enemies of Egypt. The Asiatic type shown here is ivory. The other is the African type, which is ebony.
Details of the exterior of the gilt shrine. The king pours a perfumed liquid into the queen's hand. Tukankhamen, by Christiane Desroches Noblecourt, page 41.. The external walls and the doors of the shrine are subdivided into panels framed by hieroglyphic inscriptions with scenes showing Tutankhamun and his wife in various aspects of married life, a theme that recalls the scenes of the Amarna Period. The entire decorative scheme of the shrine has strong symbolic connotations associated with the religious and political spheres. The intimate ties between the pharaoh and his bride represent the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/details-of-the-exterior-of-the-gilt-shrine-the-king-pours-a-perfumed-liquid-into-the-queens-hand-tukankhamen-by-christiane-desroches-noblecourt-page-41-the-external-walls-and-the-doors-of-the-shrine-are-subdivided-into-panels-framed-by-hieroglyphic-inscriptions-with-scenes-showing-tutankhamun-and-his-wife-in-various-aspects-of-married-life-a-theme-that-recalls-the-scenes-of-the-amarna-period-the-entire-decorative-scheme-of-the-shrine-has-strong-symbolic-connotations-associated-with-the-religious-and-political-spheres-the-intimate-ties-between-the-pharaoh-and-his-bride-represent-the-image268845613.html
RMWHAY91–Details of the exterior of the gilt shrine. The king pours a perfumed liquid into the queen's hand. Tukankhamen, by Christiane Desroches Noblecourt, page 41.. The external walls and the doors of the shrine are subdivided into panels framed by hieroglyphic inscriptions with scenes showing Tutankhamun and his wife in various aspects of married life, a theme that recalls the scenes of the Amarna Period. The entire decorative scheme of the shrine has strong symbolic connotations associated with the religious and political spheres. The intimate ties between the pharaoh and his bride represent the
Human headed bird on the miniature effigy of the King lying on a bier. The Treasures of Tutankhamen, The Exhibition Catalogue by I E S Edwards, page 81. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/human-headed-bird-on-the-miniature-effigy-of-the-king-lying-on-a-bier-the-treasures-of-tutankhamen-the-exhibition-catalogue-by-i-e-s-edwards-page-81-image268793610.html
RMWH8GYP–Human headed bird on the miniature effigy of the King lying on a bier. The Treasures of Tutankhamen, The Exhibition Catalogue by I E S Edwards, page 81.
Pieces of glazed terracotta bricks decorated with Amarnan motives. Tutankhamen by Christiane Desroches Noblecourt, page 165.. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pieces-of-glazed-terracotta-bricks-decorated-with-amarnan-motives-tutankhamen-by-christiane-desroches-noblecourt-page-165-image268793062.html
RMWH8G86–Pieces of glazed terracotta bricks decorated with Amarnan motives. Tutankhamen by Christiane Desroches Noblecourt, page 165..
Detail of the second mummiform coffin. Gold plated wood inlaid with glass-paste. Tukankhamen, by Christiane Desroches Noblecourt, page 268.. The Egyptologist Howard Carter (employed by Lord Carnarvon) discovered Tutankhamun's tomb (since designated KV62) in The Valley of The Kings on November 4, 1922 near the entrance to the tomb of Ramses VI. Carter contacted his patron, and on November 26 of that year both men became the first people to enter Tutankhamun's tomb in over 3000 years. After many weeks of careful excavation, on February 16, 1923 Carter opened the inner chamber and first saw the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/detail-of-the-second-mummiform-coffin-gold-plated-wood-inlaid-with-glass-paste-tukankhamen-by-christiane-desroches-noblecourt-page-268-the-egyptologist-howard-carter-employed-by-lord-carnarvon-discovered-tutankhamuns-tomb-since-designated-kv62-in-the-valley-of-the-kings-on-november-4-1922-near-the-entrance-to-the-tomb-of-ramses-vi-carter-contacted-his-patron-and-on-november-26-of-that-year-both-men-became-the-first-people-to-enter-tutankhamuns-tomb-in-over-3000-years-after-many-weeks-of-careful-excavation-on-february-16-1923-carter-opened-the-inner-chamber-and-first-saw-the-image268845579.html
RMWHAY7R–Detail of the second mummiform coffin. Gold plated wood inlaid with glass-paste. Tukankhamen, by Christiane Desroches Noblecourt, page 268.. The Egyptologist Howard Carter (employed by Lord Carnarvon) discovered Tutankhamun's tomb (since designated KV62) in The Valley of The Kings on November 4, 1922 near the entrance to the tomb of Ramses VI. Carter contacted his patron, and on November 26 of that year both men became the first people to enter Tutankhamun's tomb in over 3000 years. After many weeks of careful excavation, on February 16, 1923 Carter opened the inner chamber and first saw the
The king's pendant in gold cloisonne depicting the vulture (Nekhabet) goddess of the South Nekhabet, Upper Egypt. Tukankhamen, by Christiane Desroches Noblecourt, page 177.. Nekheb (the modern el-Kâb, a few miles north of Edfu) was the capital of the Southern Kingdom. the vulture-goddess, Nekhabet, was its protecting deity. But at both capitals the hawk-god, Horus, was worshipped as the distinctive patron-deity of both kings.. The vulture was the symbol of Upper Egypt. Pharaohs wore the uraeus (cobra) and the head of a vulture on their foreheads as symbols of royal protection. The goddess Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-kings-pendant-in-gold-cloisonne-depicting-the-vulture-nekhabet-goddess-of-the-south-nekhabet-upper-egypt-tukankhamen-by-christiane-desroches-noblecourt-page-177-nekheb-the-modern-el-kb-a-few-miles-north-of-edfu-was-the-capital-of-the-southern-kingdom-the-vulture-goddess-nekhabet-was-its-protecting-deity-but-at-both-capitals-the-hawk-god-horus-was-worshipped-as-the-distinctive-patron-deity-of-both-kings-the-vulture-was-the-symbol-of-upper-egypt-pharaohs-wore-the-uraeus-cobra-and-the-head-of-a-vulture-on-their-foreheads-as-symbols-of-royal-protection-the-goddess-image268845654.html
RMWHAYAE–The king's pendant in gold cloisonne depicting the vulture (Nekhabet) goddess of the South Nekhabet, Upper Egypt. Tukankhamen, by Christiane Desroches Noblecourt, page 177.. Nekheb (the modern el-Kâb, a few miles north of Edfu) was the capital of the Southern Kingdom. the vulture-goddess, Nekhabet, was its protecting deity. But at both capitals the hawk-god, Horus, was worshipped as the distinctive patron-deity of both kings.. The vulture was the symbol of Upper Egypt. Pharaohs wore the uraeus (cobra) and the head of a vulture on their foreheads as symbols of royal protection. The goddess
Tutankhamen in the form of the dog Anubis during the course of his transformations. Tukankhamen, by Christiane Desroches Noblecourt, page 252.. Anubis, is the Greek name for the ancient god of the underworld in Egyptian mythology, who guided and protected the spirits of the dead. The hieroglyphic is more accurately spelt Anpu (also Anup, Anupu, Wip, Ienpw, Inepu, Yinepu, or Inpw). Prayers to Anubis have been found carved on the most ancient tombs in Egypt. Anubis was painted black to further link him with the deceased - a body that has been embalmed became a pitch black colour. Black was also Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tutankhamen-in-the-form-of-the-dog-anubis-during-the-course-of-his-transformations-tukankhamen-by-christiane-desroches-noblecourt-page-252-anubis-is-the-greek-name-for-the-ancient-god-of-the-underworld-in-egyptian-mythology-who-guided-and-protected-the-spirits-of-the-dead-the-hieroglyphic-is-more-accurately-spelt-anpu-also-anup-anupu-wip-ienpw-inepu-yinepu-or-inpw-prayers-to-anubis-have-been-found-carved-on-the-most-ancient-tombs-in-egypt-anubis-was-painted-black-to-further-link-him-with-the-deceased-a-body-that-has-been-embalmed-became-a-pitch-black-colour-black-was-also-image268845619.html
RMWHAY97–Tutankhamen in the form of the dog Anubis during the course of his transformations. Tukankhamen, by Christiane Desroches Noblecourt, page 252.. Anubis, is the Greek name for the ancient god of the underworld in Egyptian mythology, who guided and protected the spirits of the dead. The hieroglyphic is more accurately spelt Anpu (also Anup, Anupu, Wip, Ienpw, Inepu, Yinepu, or Inpw). Prayers to Anubis have been found carved on the most ancient tombs in Egypt. Anubis was painted black to further link him with the deceased - a body that has been embalmed became a pitch black colour. Black was also
The Divine Father Ay and the Nurse Tey receiving their rewards in Akhetaten. Tutankhamen by Christiane Desroches Noblecourt, page 122.. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-divine-father-ay-and-the-nurse-tey-receiving-their-rewards-in-akhetaten-tutankhamen-by-christiane-desroches-noblecourt-page-122-image268792965.html
RMWH8G4N–The Divine Father Ay and the Nurse Tey receiving their rewards in Akhetaten. Tutankhamen by Christiane Desroches Noblecourt, page 122..
Tutankhamen - Tut Pl. 26 (XXVI) Gold Mask (found by Howard Carter) Tutankhamen's funeral mask in solid gold, inlaid with semi-precious stones and glass paste. Tukankhamen, by Christiane Desroches Noblecourt, The mask of Tutankhamen's mummy is now a popular icon for Ancient Egypt - the close-up of Tutankhamun's facial features as represented by 18th Dynasty artisans in the young king's death mask. The Egyptologist Howard Carter (employed by Lord Carnarvon) discovered Tutankhamun's tomb (since designated KV62) in The Valley of The Kings on November 4, 1922 near the entrance to the tomb of Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tutankhamen-tut-pl-26-xxvi-gold-mask-found-by-howard-carter-tutankhamens-funeral-mask-in-solid-gold-inlaid-with-semi-precious-stones-and-glass-paste-tukankhamen-by-christiane-desroches-noblecourt-the-mask-of-tutankhamens-mummy-is-now-a-popular-icon-for-ancient-egypt-the-close-up-of-tutankhamuns-facial-features-as-represented-by-18th-dynasty-artisans-in-the-young-kings-death-mask-the-egyptologist-howard-carter-employed-by-lord-carnarvon-discovered-tutankhamuns-tomb-since-designated-kv62-in-the-valley-of-the-kings-on-november-4-1922-near-the-entrance-to-the-tomb-of-image268844975.html
RMWHAXE7–Tutankhamen - Tut Pl. 26 (XXVI) Gold Mask (found by Howard Carter) Tutankhamen's funeral mask in solid gold, inlaid with semi-precious stones and glass paste. Tukankhamen, by Christiane Desroches Noblecourt, The mask of Tutankhamen's mummy is now a popular icon for Ancient Egypt - the close-up of Tutankhamun's facial features as represented by 18th Dynasty artisans in the young king's death mask. The Egyptologist Howard Carter (employed by Lord Carnarvon) discovered Tutankhamun's tomb (since designated KV62) in The Valley of The Kings on November 4, 1922 near the entrance to the tomb of
Detail of the miniature effigy of the King lying on a bier. The Treasures of Tutankhamen, The Exhibition Catalogue by I E S Edwards, page 81. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/detail-of-the-miniature-effigy-of-the-king-lying-on-a-bier-the-treasures-of-tutankhamen-the-exhibition-catalogue-by-i-e-s-edwards-page-81-image268793648.html
RMWH8H14–Detail of the miniature effigy of the King lying on a bier. The Treasures of Tutankhamen, The Exhibition Catalogue by I E S Edwards, page 81.
The king's fly whisk. The front shows the king hunting ostriches. Tukankhamen, by Christiane Desroches Noblecourt, page 92. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-kings-fly-whisk-the-front-shows-the-king-hunting-ostriches-tukankhamen-by-christiane-desroches-noblecourt-page-92-image268845623.html
RMWHAY9B–The king's fly whisk. The front shows the king hunting ostriches. Tukankhamen, by Christiane Desroches Noblecourt, page 92.
Head of Queen Tiye (c.1398 BC-1338 BC) in inlaid ebony. Tutankhamen by Christiane Desroches Noblecourt, page 135. . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-of-queen-tiye-c1398-bc-1338-bc-in-inlaid-ebony-tutankhamen-by-christiane-desroches-noblecourt-page-135-image268792979.html
RMWH8G57–Head of Queen Tiye (c.1398 BC-1338 BC) in inlaid ebony. Tutankhamen by Christiane Desroches Noblecourt, page 135. .
A head thought to be of King Ay when pharoah. . Kheperkheprure Ay (occasionally Aya or Aye) was the penultimate Pharaoh of Ancient Egypt's 18th dynasty. Tutankhamen by Christiane Desroches Noblecourt, page 227.. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-head-thought-to-be-of-king-ay-when-pharoah-kheperkheprure-ay-occasionally-aya-or-aye-was-the-penultimate-pharaoh-of-ancient-egypts-18th-dynasty-tutankhamen-by-christiane-desroches-noblecourt-page-227-image268793048.html
RMWH8G7M–A head thought to be of King Ay when pharoah. . Kheperkheprure Ay (occasionally Aya or Aye) was the penultimate Pharaoh of Ancient Egypt's 18th dynasty. Tutankhamen by Christiane Desroches Noblecourt, page 227..
Huy's River Boat. Huy, the new viceroy, was the son of a high official under Amenophis III and a faithful friend of the young king Tutankhamen. Huy left the palace to sail for Nubia to take up his appointment as Viceroy of Nubia. Tutankhamen by Christiane Desroches Noblecourt, page 197.. . . . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/huys-river-boat-huy-the-new-viceroy-was-the-son-of-a-high-official-under-amenophis-iii-and-a-faithful-friend-of-the-young-king-tutankhamen-huy-left-the-palace-to-sail-for-nubia-to-take-up-his-appointment-as-viceroy-of-nubia-tutankhamen-by-christiane-desroches-noblecourt-page-197-image268793019.html
RMWH8G6K–Huy's River Boat. Huy, the new viceroy, was the son of a high official under Amenophis III and a faithful friend of the young king Tutankhamen. Huy left the palace to sail for Nubia to take up his appointment as Viceroy of Nubia. Tutankhamen by Christiane Desroches Noblecourt, page 197.. . . .
Bed of the Divine Cow. The Treasures of Tutankhamen, The Exhibition Catalogue by I E S Edwards, page 87. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bed-of-the-divine-cow-the-treasures-of-tutankhamen-the-exhibition-catalogue-by-i-e-s-edwards-page-87-image268793673.html
RMWH8H21–Bed of the Divine Cow. The Treasures of Tutankhamen, The Exhibition Catalogue by I E S Edwards, page 87.
Back of a chair decorated with Royal names and with the spirit of millions of years. Tukankhamen, by Christiane Desroches Noblecourt, page 70. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/back-of-a-chair-decorated-with-royal-names-and-with-the-spirit-of-millions-of-years-tukankhamen-by-christiane-desroches-noblecourt-page-70-image268845608.html
RMWHAY8T–Back of a chair decorated with Royal names and with the spirit of millions of years. Tukankhamen, by Christiane Desroches Noblecourt, page 70.
Details of the exterior of the gilt shrine. The queen fastens a necklace round the king's neck. Tukankhamen, by Christiane Desroches Noblecourt, page 40.. The rear wall and the doors, both inside and out, are decorated with scenes in which Ankhesenamun is making offerings in the presence of her husband. The external walls and the doors of the shrine are subdivided into panels framed by hieroglyphic inscriptions with scenes showing Tutankhamun and his wife in various aspects of married life, a theme that recalls the scenes of the Amarna Period. The entire decorative scheme of the shrine has Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/details-of-the-exterior-of-the-gilt-shrine-the-queen-fastens-a-necklace-round-the-kings-neck-tukankhamen-by-christiane-desroches-noblecourt-page-40-the-rear-wall-and-the-doors-both-inside-and-out-are-decorated-with-scenes-in-which-ankhesenamun-is-making-offerings-in-the-presence-of-her-husband-the-external-walls-and-the-doors-of-the-shrine-are-subdivided-into-panels-framed-by-hieroglyphic-inscriptions-with-scenes-showing-tutankhamun-and-his-wife-in-various-aspects-of-married-life-a-theme-that-recalls-the-scenes-of-the-amarna-period-the-entire-decorative-scheme-of-the-shrine-has-image268845578.html
RMWHAY7P–Details of the exterior of the gilt shrine. The queen fastens a necklace round the king's neck. Tukankhamen, by Christiane Desroches Noblecourt, page 40.. The rear wall and the doors, both inside and out, are decorated with scenes in which Ankhesenamun is making offerings in the presence of her husband. The external walls and the doors of the shrine are subdivided into panels framed by hieroglyphic inscriptions with scenes showing Tutankhamun and his wife in various aspects of married life, a theme that recalls the scenes of the Amarna Period. The entire decorative scheme of the shrine has
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